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The Obama Foundation is a nonprofit organization that aims to inspire, empower, and connect people to drive positive social change in their communities and globally. Its programs focus on education, civic engagement, and community-building, and funds come from fundraising and donations, corporate sponsorships, and merchandise sales. It also accepts donations of securities for tax benefits. The Foundation supports initiatives like the Obama Presidential Center, which will house a museum and public gathering spaces to engage the public. Its clients include individual donors, volunteers, schools, and community groups who participate in its programs and events via its online platforms. The Foundation’s goal is to empower individuals and communities to take action for social change by providing resources, education, and spaces for collaboration.
Industries
Social Impact
Education
Company Size
501-1,000
Company Stage
Grant
Total Funding
$108M
Headquarters
Jackson, Mississippi
Founded
2014
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Total Funding
$108M
Above
Industry Average
Funded Over
3 Rounds
Hybrid Work Options
Flexible Work Hours
Scalable calibrates projection at Obama Presidential Center. Camera-based auto-alignment and custom multi-projector workflows keep a four-storey Power of Words canvas and 360° circular projection seamlessly blended during continuous operation. Located on Chicago's South Side, the Obama Presidential Center is a 19.3-acre campus that serves as a civic and cultural space, including a four-floor museum, program rooms, a public library branch, an athletic centre, an auditorium, and community gathering spaces. At the centre of the museum experience are large-scale immersive media installations designed to support storytelling throughout the facility. The museum explores themes of democracy, civic engagement and social change through interactive exhibits, archival materials and multimedia environments throughout the building. Among the museum's most technically demanding installations are Power of Words, a four-storey projection experience extending through the museum atrium, and a 360-degree circular projection environment featuring custom digital artwork developed in collaboration with a French artist. Power of Words spans approximately 85 feet (26 metres) vertically across four museum floors, allowing visitors to view the installation from multiple balcony levels throughout the atrium. The projection system consists of seven projectors positioned across multiple floors, including four landscape-oriented projectors covering the primary wall surface and three portrait-oriented projectors covering an adjacent wall. The second installation uses eight projectors arranged around a circular projection ring to create a continuous immersive display. The scale and complexity of the installations created significant operational challenges for the museum team. The large-format multi-projector systems require consistent alignment and calibration to maintain a seamless image, particularly in public environments like the Obama Presidential Center, which are subject to vibration, HVAC activity, temperature fluctuations and ongoing visitor traffic. In the case of Power of Words, the projection surface itself spans four storeys and is integrated directly into the building structure, introducing subtle shifts in geometry and screen tension over time. "We needed a system that would allow us to automate alignment and maintain image quality without requiring constant manual intervention," said Paul Horst, senior manager of exhibition AV systems for the Obama Presidential Center. Without automated calibration, maintaining systems of this scale often requires ongoing involvement from highly specialised projection technicians who can manually adjust geometry, warping and edge blending. In museum environments that operate daily with limited on-site technical staffing, those workflows can become difficult to sustain in the long term. To address those challenges, The Obama Foundation selected Scalable Display Technologies, whose software enables multiple projectors to operate as a single seamless display. Using camera-based calibration, the software automatically aligns geometry, and blends edges across projection surfaces of varying shapes and scales. What traditionally required days of manual alignment by specialised technicians can instead be completed through automated recalibration workflows. The ability to rapidly recalibrate large projection environments was particularly important for a museum installation that operated continuously without dedicated projection specialists onsite. Projection systems naturally drift over time due to environmental conditions, vibration, projector maintenance and changes in screen geometry. Scalable's software allows operators to restore alignment through automated recalibration rather than relying on time-intensive manual adjustments or external service calls. "We've been working with Scalable on batch files to run calibration from the command line, automatically generate MPCDI files, copy those files into the media server and trigger the media server to load updated calibration data," explained Horst. The automated workflow also coordinates environmental controls during recalibration, including projector warm-up periods and temporary lighting adjustments. Once recalibration is initiated, the system generates updated alignment datasets that can be deployed without extensive manual correction. "The recalibration process inside Scalable's software has worked extremely well," said Horst. "It's very helpful to warm up the projectors, run recalibration and achieve a clean updated alignment without extensive manual work." Scalable's projection technology is widely used in simulation, museum and immersive entertainment environments where image consistency and reliability are critical. The same automated calibration workflows used in defence and aerospace simulation systems are also deployed in projection mapping installations, themed entertainment environments and large-scale immersive exhibits where multiple projectors must behave as a single unified image. The architectural design of the atrium installation also introduced unique geometric challenges. Because of balcony placement and limited projector mounting positions, the system required projection across two intersecting wall planes positioned at nearly 90° angles. Several projectors were forced to operate at extreme projection angles where image spillover between adjacent surfaces became difficult to manage. To accommodate these conditions, Scalable collaborated with The Obama Foundation to develop a software feature called Projector Groups. The feature allows separate warp-and-blend operations across independent projection surfaces while maintaining controlled edge transitions between content regions. Horst explained, "That allowed independent warp and blend operations on each wall with a defined hard-edge seam between content regions." Prior to full deployment, The Obama Foundation developed both a full-scale projection mock-up and a miniature physical model replicating the final projector configuration. The process allowed the project team and Scalable engineers to test geometry, camera placement, media playback and calibration behaviour before installation inside the museum. "By the time we entered the building installation phase, we already felt confident the system would work," said Horst. In addition to the technical capabilities of the software, Horst cited Scalable's engineering support and responsiveness as a major factor throughout the project. "One of the biggest factors, honestly, wasn't technical - it was customer service," he said. "They've been very active throughout the process, added entirely new software features to solve challenges unique to our project and responded quickly whenever issues came up." According to Horst, the system's stability allowed exhibit designers and media producers to focus on refining content presentation rather than resolving projection issues during deployment. "The installation looks extremely clean," Horst said. "Honestly, one of the best outcomes is that nobody comments on the projection itself, which is exactly what you want. It simply looks the way it's supposed to look."
Eddie Vedder unveils new song with Chicago youth musicians at Obama center opening. Published June 19, 2026 by Ned Tepper When Eddie Vedder stepped onto the stage at the opening of the Barack Obama Presidential Center in Chicago, he didn't arrive alone. The Pearl Jam frontman used the historic occasion to premiere a brand new song called 'Better Believe', sharing the spotlight with Guitars Over Guns, a youth focused music and mentorship organisation made up of students and alumni from Columbia College Chicago (Per Loudwire). Rather than delivering a solo performance, Vedder turned the moment into a celebration of collaboration, before launching into the song he explained how the project came together and why it felt connected to the mission behind the new centre. 'What an honor for all of us to be here on this day,' Vedder told the crowd. 'President Obama was aware that I would be playing music with young musicians from the neighborhood. But when he heard Bluntmag were writing an original piece, a song just for the occasion, he said, "That might be a lot of work." And as usual, he was right. But it's been great work and it's everything the center stands for - its inclusivity, its access to resources, its mentorship and opportunity. So, Bluntmag thank you for this opportunity.' You can check out the performance below: The track was developed through a partnership between the Obama Foundation and Guitars Over Guns, Vedder co-wrote the song alongside Giselle Castro, Andre 'Add-2' Daniels, Jeremiah Fristoe, Mason Harris, Michael 'Myskie' Hightower, Naomi Owens, Joy Viltz and Iya Waters. Daniels, who serves as both a Columbia College Chicago adjunct professor and Guitars Over Guns' regional director in Chicago, helped guide the project from conception through recording. A studio version of 'Better Believe' has also been released, alongside Vedder and the young musicians involved the recording features longtime collaborator Josh Klinghoffer on keyboards. Eddie Vedder 'better Believe' Perhaps the most fitting detail is where the song's proceeds are headed, royalties earned by Vedder and his fellow writers will support Guitars Over Guns, helping the organisation continue its work using music, mentorship and creative arts programs to create opportunities for young people. The opening ceremony also featured performances from U2's Bono and The Edge, Bruce Springsteen and Stevie Wonder, making for a stacked lineup worthy of the occasion. Follow me on Facebook: * Charitable Foundation * Youtube Videos * Videos
Obama Presidential Center & Library launches in Chicago with star-studded grand opening ceremony. Staff | June 19, 2026 | The Obama Presidential Center and Library officially opened in Chicago with a ceremony on June 18, 2026, ahead of its public debut on June 19. Located in the historic 20-acre Jackson Park on the city's South Side, the complex commemorates the presidency of Barack Obama, the 44th president of the United States. Former President Obama and former first lady Michelle Obama formally dedicated the Obama Presidential Center, unveiling a nearly 20-acre campus on Chicago's South Side that they said is intended to inspire civic participation and future generations. The $850 million complex in Jackson Park, more than a decade in the making, opens to the public Friday, coinciding with Juneteenth. Designed by architects Tod Williams and Billie Tsien, the campus includes a four-story main museum featuring a full-size replica of the Oval Office, an installation of 440 campaign buttons, and various interactive public spaces. At the structure's highest point, the Sky Room provides panoramic views of the city's West and South sides, framed by an excerpt from a 2015 speech honoring the Civil Rights marches in Selma, Alabama. The broader campus features sustainable landscaping designed to ease regional flooding, along with a newly built branch of the Chicago Public Library, walking paths, a playground, and themed fruit and vegetable gardens. Foundation officials have described the project as a living institution focused on leadership and public service rather than a traditional monument. The invite-only dedication ceremony at John Lewis Plaza attracted former Presidents Joe Biden, George W. Bush and Bill Clinton, along with former first ladies; as well as high-profile dignitaries and major figures from entertainment and media, including Oprah Winfrey, Steven Spielberg, Stephen Colbert, Tom Hanks, and Vice President Kamala Harris. A prominent lineup of musical icon performers took the stage, featuring Stevie Wonder, Bruce Springsteen, The Roots, Christina Aguilera, and U2's Bono and The Edge. For the general public, a free watch party and global livestream allowed the broader community to view the celebration, which extended into a weekend of local festivities. Michelle Obama praised her husband's character and perseverance, while Barack Obama reflected on his political journey and urged Americans to remain engaged despite divisions and challenges facing the country. The Obamas' daughters, Malia and Sasha, made a rare public appearance alongside their parents during the ceremony. The dedication marked the beginning of a weekend of events celebrating the center's opening, with demand for tickets proving strong and reservations sold out months in advance. Organizers expect the site to attract roughly one million visitors annually and provide an economic boost to surrounding neighborhoods. For details on the Obama Presidential Center and Library, head to: www.obama.org.
Disastrous fallout: Obama center subcontractors face financial ruin ahead of grand opening. By Mackenzie Web June 17, 2026 Updated:June 17, 2026 News The Obama Presidential Center, heralded as a significant milestone for Chicago's South Side, now faces serious allegations from subcontractors involved in its construction. Originally envisioned as a beacon of opportunity for minority-owned businesses, the center's construction has reportedly left many of those same businesses teetering on the brink of financial collapse. As the grand opening approaches, voices from the trades have raised concerns over unpaid bills, chaotic project management, and a failure to deliver on the ambitious promises made during the planning stages. The construction costs for the center, initially estimated at $830 million, have likely surpassed $1 billion. Claims of unpaid millions from subcontractors - ranging from hundreds of thousands to tens of millions - paint a troubling picture of what was meant to be an opportunity for local enterprises. At the forefront is Mike Owen, owner of Adamson Plumbing, who claims nearly $4 million in losses tied to the project. Owen expressed his frustration succinctly: "That is a hole that no subcontractor, small business can survive." His story points to a broader narrative of distress among numerous subcontractors who feel betrayed by a project that was meant to uplift them. Subcontractors interviewed report a chaotic work environment filled with constant design changes and scheduling issues, leading to extensive delays and unnecessary rework. Over the course of the project, complaints emerged about an overwhelming silence among the project managers. Many subcontractor owners, bound by non-disclosure agreements or fearing retaliation, opted for anonymity, highlighting the discomfort surrounding the project. Underlying these issues is a lack of transparency. Although the project was marketed with promises to support minority contractors, discussions about the financial outcomes for these firms have been notably absent in celebratory narratives leading up to the center's opening. With star-studded events planned featuring major musical acts, it becomes increasingly difficult for subcontractors like Owen to reconcile their hardships with the pomp surrounding the center. "It was kind of hard seeing some local and national celebrities high-fiving and back-slapping here about the work that's been done," Owen remarked, echoing a sentiment felt by many within the contracting community. Discover more Daily News Briefings Political Event Calendar Political Satire Content Despite claims of loss and mismanagement, the Obama Foundation maintains that it has followed through on its obligations by compensating the construction management team for handling subcontractors. Lakeside Alliance, tasked with overseeing the construction, claims that the complexity of large-scale projects can lead to financial disputes that often trail long after the physical work has ceased. Yet, neither party effectively addressed the specific grievances lodged by the subcontractors. Omar Shareef, president of the African American Contractors Association, described a climate of fear among contractors who feel pressure to stay silent. "They are scared to death about talking about it," he commented, casting light on the troubling reality that many in the industry have faced when it comes to speaking out against the very project promoted as a boost for their businesses. The disparity between the project's promise and its reality has serious implications. Shareef points out that while the celebratory language surrounding the center may paint a bright picture, the fallout of non-payment is stark. Lingering long-term financial struggles caused by outstanding debts risk jeopardizing future business opportunities for these contracting firms. "Some of the people have put their mortgages up," Shareef revealed, indicating the personal stakes involved as many subcontractors find themselves out of options. As the center prepares to open, it stands as a testament to the challenges faced by those on the periphery of such high-profile constructions. The potential closure of underfunded subcontractors represents a significant failure to deliver on the core mission of uplifting local communities and businesses. Owen's plea to tell his story reflects desperation as much as it is a demand for accountability. "This is not to embarrass anybody, but this is just to make sure that the truth gets told out here," he insists. While the Obama Presidential Center may serve as a cultural landmark for many, it also serves as a stark reminder of the difficulties endured by those subcontractors whose labor was integral to its construction. Their struggles highlight an incongruity between the lofty ideals of a project intended to empower and the realities of financial distress. As the celebrations begin, the specter of unpaid bills looms large, casting a shadow over what should be a jubilant moment for the community involved in this landmark project. Discover more Patriot Fetch Merchandise Conservative News App
Inside Obama's presidential museum opening this month: The cost, the books and a beehive. CHICAGO (AP) - The Obama Presidential Center will open June 19, more than a decade after the former president chose his hometown of Chicago for the project. The museum displays campaign memorabilia and presidential artifacts, while its campus showcases a new community basketball court, public library and playground. 5 June 2026 By SOPHIA TAREEN CHICAGO (AP) - The Obama Presidential Center will open June 19, more than a decade after the former president chose his hometown of Chicago for the project. The museum displays campaign memorabilia and presidential artifacts, while its campus showcases a new community basketball court, public library and playground. A look at the numbers behind the former President Barack Obama's presidential museum. The approximate cost to build the 225-foot-tall (70-meter-tall) museum tower and nearly 20-acre (8-hectare) campus, which the Obama Foundation is paying for with private donations. The cost ballooned from the initial estimates of $350 million. The number of projected annual visitors to the admission-based museum. As many as 1 million people are expected to visit the free amenities on the campus each year. The approximate number of book titles the Obamas personally selected for the "Presidential Reading Room" in a new public library branch on campus. The number of different campaign buttons on display from Obama's campaigns, including those designed for individual states. The number of commissioned works of art from 30 different artists. The number of beehives on campus. An apiary is part of the gardens and extensive landscaping on campus. More Top Stories
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Industries
Social Impact
Education
Company Size
501-1,000
Company Stage
Grant
Total Funding
$108M
Headquarters
Jackson, Mississippi
Founded
2014
Find jobs on Simplify and start your career today