Full-Time

IT Manager

Posted on 11/15/2025

Kodak

Kodak

5,001-10,000 employees

B2B imaging solutions and materials science

Compensation Overview

$100k - $120k/yr

Rochester, NY, USA

In Person

Category
IT & Security (2)
,
Requirements
  • Bachelor's degree in Computer/Information Science or related, technical discipline required
  • Minimum of 10 years experience in Windows OS and Windows application management
  • Minimum of 10 years experience in IT technology and business process management
  • 5 years minimum supervisory management and change leadership experience
  • 5 years minimum program and project management
Responsibilities
  • Deliver and support end user computing laptops and desktops
  • Provide exceptional end user service and help desk support
  • Securely automate end user computer processes
  • Coordinate work with other IT and business functions
  • Mentor, manage and coach IT professionals to create productive, high-performance teams

Kodak provides imaging solutions and materials science expertise for business customers across electronics, textiles, healthcare, and industrial manufacturing. Its offerings include silver films and processing chemicals for electronics, direct-to-garment inks, solvent recovery systems, large-format aerial films, industrial X-ray films, specialty chemicals, antimicrobial materials, and thin-film coatings. The products work by supplying specialized materials and processing systems that enable imaging, coating, printing, testing, and recycling in manufacturing and quality control. Kodak differentiates itself through a long history in imaging and materials science, a broad portfolio that includes imaging media, coatings, chemicals, and licensing of technology, and a global B2B focus to serve multiple industries; its goal is to help customers produce high-quality, reliable imaging and material solutions at scale.

Company Size

5,001-10,000

Company Stage

IPO

Headquarters

Rochester, New York

Founded

1892

Simplify Jobs

Simplify's Take

What believers are saying

  • Film resurgence in prestige production: 2026 Oscar winners shot on Kodak stock.
  • Large-format 65mm TV production established new revenue segment via Euphoria Season 3.
  • Debt reduction freed $40M annual interest expense for R&D and production expansion.

What critics are saying

  • Kodak posts $155M net loss despite revenue growth; valuation unsustainable if growth stalls.
  • Motion picture demand concentrated in niche prestige productions; cannot sustain $1B+ revenue base.
  • CEO Continenza lacks named successor; 90% leadership turnover creates execution risk.

What makes Kodak unique

  • Kodak owns irreplaceable acetate factory enabling motion picture film production globally.
  • VERITA 200D film stock addresses cinematographer demand for classical aesthetic over digital precision.
  • 130+ years of imaging R&D and 79,000 patents create defensible specialty materials expertise.

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Benefits

Professional Development Budget

Growth & Insights and Company News

Headcount

6 month growth

0%

1 year growth

0%

2 year growth

0%
Yahoo Finance
Apr 13th, 2026
Kodak launches VERITA 200D color negative film for motion picture production

Eastman Kodak Company has launched VERITA 200D 5206/7206, a new colour negative motion picture film stock available in 65mm, 35mm and 16mm formats. The stock was developed in collaboration with director Sam Levinson and cinematographer Marcell Rév for the third season of HBO's Euphoria. VERITA 200D offers detailed highlights, high colour saturation, deep blacks and natural skin tones, with a shorter but richer dynamic range than Kodak's VISION3 films. Over one million feet of VERITA 200D was used for Euphoria Season 3, which premiered on 12 April 2026 and marked the first television production to shoot significant volumes of large-format 65mm film. The stock has also been used for commercials and A24's upcoming The Death of Robin Hood.

Our Story Insight
Apr 11th, 2026
How Kodak is trying to turn around after teetering on bankruptcy.

How Kodak is trying to turn around after teetering on bankruptcy. admin April 11, 2026 0 Comments On Jim Continenza's first day on the job as Eastman Kodak executive chairman in 2019, he got a call from a star Hollywood filmmaker telling him the company was making a big mistake. The photography technology company was in the process of shutting down its acetate factory, which makes one of the key ingredients used in film. Christopher Nolan, the director behind major movies like "Inception" and "Oppenheimer," urged Continenza to stop the process. "He goes, 'Do not turn this off. Please take a look.' And I did," Continenza, now CEO, told CNBC. "He was right. I started looking at it because I shoot 35 millimeter [film], and I'm like, 'Why would one of the greatest directors of all time even have this conversation?'" Continenza, a self-proclaimed "turnaround specialist," said he quickly realized how central film was to Kodak's roots, and how it could be one of its biggest strengths as he fought to bring the company back from teetering on the edge of bankruptcy. Fast forward roughly seven years, and multiple 2026 Oscar-winning movies, including "One Battle After Another" and "Sinners," were shot on Kodak film. It's part of a bigger trend as the category sees a resurgence fueled by both a nostalgia for film in Hollywood and by younger consumers. That road wasn't smooth, though. The company declared bankruptcy in 2012 and reemerged a year later. Then it cautioned last year that its financial conditions "raise substantial doubt about Kodak's ability to continue as a going concern." In the second-quarter earnings where it made that going concern statement, Kodak posted a 12% decrease in gross profit, with millions in debt obligations. But Continenza said it was one step in a longer process toward rebuilding the company to its former success. CEO of Kodak Jim Continenza speaks onstage during Kodak's Film Awards at ASC Clubhouse on March 2, 2026 in Los Angeles, California. Last month, the company's earnings report looked different. Its fourth-quarter gross profit reached $67 million, a 31% increase from the year prior. Kodak also said it had reduced its annual interest expense by roughly $40 million. Continenza said at the time that the results were signs of the long-term plan he began executing in 2019. He told CNBC that he chose Kodak as his final company to revive before closing his chapter as a C-suite executive, having previously served in leadership roles at communication companies including AT&T and Lucent. "Here's what our goal is: We're going to create jobs for the next generation. Make no mistake, we're going to fix this company and put it on a stable foundation and put building blocks to grow all the systems," Continenza said. "We didn't put in what we need, we put in what we want, and that's a difference." Troubled waters. In a digitally evolving society, Kodak has been fighting to keep its place and relevancy. The company's 2012 bankruptcy protection came after it failed to improve its finances as digital photography took off and revolutionized the industry. When it reemerged the following year as a smaller company, it shifted its primary focus to commercial printing. Though it's not a company that is largely covered by investors anymore, Melius Research analyst Ben Reitzes wrote in a note last year that the onset of digital technology posed a significant setback for Kodak. "At the time, Kodak management told us that film would co-exist with digital cameras and more photos would be taken - and more would need to be printed by Kodak," he wrote. Still, Kodak faced its struggles. Its stock sank more than 35% in 2014, continuing to gradually fall over the next few years and hitting an all-time low of $1.55 per share during the onset of the pandemic in March 2020. Last August, the more than 100-year-old photography company said it had roughly $155 million in cash and nearly $600 million in loans. A Kodak spokesperson said at the time that the going concern language had to be included because Kodak did not have enough available liquidity to pay off its debt, due within 12 months. Still, the company said it was confident it would pay off a significant portion of that loan before it became due by terminating its pension plan and said the disclosure was just a required technical report. Wall Street investors didn't like what they heard. The stock plunged from a price of roughly $7 per share a few days prior to just over $5 per share on the day of earnings. "We could have done a better job on it, because to us, it wasn't as dire straits, it was more of a GAAP accounting coincidence by dates," Continenza said, adding that it was a "timing issue" for the loans. Rolls of Kodak Gold film hang on a shelf at the Precision Camera & Video store on Aug. 12, 2025 in Austin, Texas. Continenza said Kodak's main challenges were in its "huge tranches" of debt and a lack of communication with its shareholders and customers. The CEO said he's never sold a share of Kodak and instead bought stock after the company issued its going concern disclosure. "You've got to put the work in and the long-term investments, and you've got to be methodical, but you've got to fix your operations, and I've spent seven years of doing it," he said. "[It's] a 130-plus year old company, right? You can imagine what's in the attic." Defining success. Continenza said he's been intentional about instituting long-term changes since he took over the company. He's changed about 90% of the company's leadership, paid off more than $400 million in debt and reorganized the company's priorities to focus on print and advanced materials and chemicals. He said it was also important to be "transparent" with his team and acknowledged that turning around the company would mean layoffs and staffing changes. "First thing I always do is go out and get people who want to hold the company and buy them out, and that's what we did," he said. "I got a board and investors who love what we're doing - we keep them informed, and they help guide us." As he examined what worked for the company, Continenza said he saw an opportunity with Generation Z and the resurgence of the film aesthetic. The look of photos and videos shot on film captures something that "penetrates your heart and soul," he said. Kodak leaned into the analog and authenticity trend, investing its resources in its film capacities and creating products that consumers, directors and filmmakers alike were interested in. Continenza said he also refinanced the company three times and rightsized its balance sheet. It seems to have hit the right note on Wall Street. Over the past year, Kodak's stock has shot up nearly 100%. Stock Chart IconStock chart icon Kodak 1-year chart "We're doing our job. The stock's not supposed to spike, it's supposed to crawl, because that's how we grow," he said. "I don't look at our stock price. I don't care. I couldn't tell you what it is today. I'm a long-term investor." Continenza said success to him will mean continuing to improve finances and ensuring Kodak has a solid succession plan in place to continue its growth. Though the company is well over 100 years old, he said he likes to treat Kodak as a startup, where all of the debt is paid off, the brand is well-loved and only Kodak itself could, at this point, "screw it up." "We don't need to be a $5 billion or $20 billion or $80 billion company," Continenza said. "We're a billion-dollar global company, but one thing we have going for us is our brand recognition. And make no mistake, around the globe, it is endeared and loved, and it'll continue to be." Choose CNBC as your preferred source on Google and never miss a moment from the most trusted name in business news.

CNBC
Apr 11th, 2026
Kodak posts 31% profit jump as CEO pays off $400M debt and bets on film resurgence

Eastman Kodak CEO Jim Continenza is working to revive the photography company after it raised concerns last year about its ability to continue as a going concern. The company posted $67 million in fourth-quarter gross profit, up 31% year-over-year, and reduced annual interest expenses by roughly $40 million. Continenza, who joined as executive chairman in 2019, has focused on paying off debt, investing in film production and engaging younger consumers. The strategy includes keeping Kodak's acetate factory running after director Christopher Nolan urged against shutting it down. Multiple 2026 Oscar-winning films were shot on Kodak film. Since taking over, Continenza has replaced 90% of leadership, paid off over $400 million in debt and refocused priorities on print and advanced materials. Kodak's stock has risen nearly 100% over the past year.

IndieWire
Apr 10th, 2026
Inside the new film stock Kodak created for 'Euphoria' Season 3.

Inside the new film stock Kodak created for 'Euphoria' Season 3. Kodak announces Veritas 200D, born from "Euphoria" cinematographer Marcell Rév's desire for a more classical Hollywood rendition of colors and skin tones. April 10, 2026 4:30 pm After bringing back its previously discontinued Ektachrome film stock for "Euphoria" Season 2, Kodak has created an entirely new film stock for Season 3. Today, Kodak is officially making VERITA 200D available to the general public, after collaborating on its creation with "Euphoria" cinematographer Marcell Rév, who used the 35mm and 65mm versions to shoot the upcoming Season 3 premiere set for this Sunday. The medium-speed, daylight-balanced film stock is being billed as "classically cinematic," rendering colors and skin tones in a way that more closely mirrors older film stocks, and differs from the pristine look of Kodak's flagship VISION3 stock. According to Kodak's description of its new product, "VERITA 200D delivers detailed highlights, high color saturation, deep blacks, and warm, natural skin tones. Compared with Kodak's VISION3 color negative films, it features a shorter yet exceptionally rich dynamic range for a more classical cinematic look." In an interview about Season 3, creator and director Sam Levison told IndieWire that the film stock aligned with his overall vision for the new season's look. "We wanted to be a little bit more classical," said Levinson. "We wanted it to feel a bit more like an old Hollywood film." Kodak's VP and head of motion picture Vanessa Bendetti said conversations with Rév started over three year ago when the cinematographer first started to describe what he and Levinson were looking for - and while the specifics were distinct to their vision for "Euphoria," the conversation itself was similar to many others she's had with filmmakers. "As Kodak has refined its image quality over the years, filmmakers are actually looking to disrupt that at this point because they're trying to differentiate from digital," said Bendetti in an interview with IndieWire. It's something cinematographers have been complaining about for years: The engineering of the new film stocks has gotten too good, too clean, too realistic in its dynamic range and color rendition. It's a pristiness that is the opposite of why filmmakers are reaching for celluloid against the perceived hyper-realism of digital cinematography. For decades, cinematographers like Ed Lachman and the late Harris Savides would try to "beat up" the stocks (under-expose, push, flash frame, use old lenses with aberrations), and work with colorists to get newer film stocks to perform more like film stocks from older eras. "That's the request I get every single day, 'Can you bring back older stocks? Because their reference material is the '70s, '80s, '90s, and they're remembering the look and feel of the EXR films or the early VISION line," said Bendetti, who went on to explain that simply bringing back old stocks isn't so simple. "One of the challenges with doing that is that people don't understand that the components, the materials that were included in the formulations from those bygone product lines, are not available anymore. So we have to totally reinvent those stocks." With VERITA 200D, Kodak's film design team worked with Rév to test and refine the new stock to create a new film structure that matched not only the desired look, but was practical and performed in the modern-day workflow. Bendetti said she hoped the creation of VERITA is just the first step in expanding the KODAK product line for filmmakers looking for alternatives to VISION3. Recently, she brought Kodak's film design team out to the ASC Awards in Los Angeles to hear directly from cinematographers who were passionate on the issue. Because VERITA originated with Kodak's collaboration on "Euphoria," the company has waited to officially announce the new stock until the release of Season 3, but the stock has already been employed on other projects. Cinematographer Patrick Scola used VERITA on "The Death of Robin Hood," an upcoming June release from A24 - and celluloid-faithful duo behind "The Brutalist," director Brady Corbet and DP Lol Crawley, took it for a test drive on their ad campaign for the French wheat beer 1664, featuring Robert Pattinson. Later today, check out Kodak's social media channels to see a brief sizzle reel featuring VERITA shot footage, including shots from the new season of "Euphoria." "Euphoria" Season 3 premieres this Sunday, April 12. Read More: Daily Headlines Daily Headlines covering Film, TV and more. You May Like

Yahoo Finance
Apr 8th, 2026
Kingdom Capital Advisors gains from shorter-duration Eastman Kodak position

Kingdom Capital Advisors reported an 8.01% return (after fees) in the first quarter of 2026, outperforming major indices including the Russell 2000 at 0.89%, S&P 500 at -4.33%, and NASDAQ 100 at -5.82%. Since its January 2022 inception, the composite has delivered 22.81% net annualised returns versus 4.80% for the Russell 2000. The firm benefited from shorter-duration positions, including Eastman Kodak Company (NYSE:KODK), which gained from improving profitability and balance sheet strength. Kodak's one-month return reached 63.02%, whilst shares rose 81.57% over 52 weeks. The company's fourth quarter 2025 revenue increased 9% year-on-year to $290 million. Kingdom Capital attributed its performance to avoiding AI-driven software stock downturns whilst capturing gains in special situation investments.

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