Full-Time
Sales Support
Posted on 9/10/2026
Tiffany & Co.
Designs and sells luxury jewelry worldwide
Compensation Overview
$20.40 - $24/hr
No H1B Sponsorship
Honolulu, HI, USA
In Person
 Retail (1) |
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- Ability to work non-traditional business hours, including nights, weekends, and holidays.
- Previous retail, luxury retail, or client-related experience, such as hospitality experience.
- Strong verbal and written communication skills, client service skills, and the ability to prioritize while balancing multiple tasks.
- Capability to work with a diverse client base.
- Ability to work in a fast-paced, changing environment.
- Authorization to work in the United States or in the country where the position is based.
- Welcome and assist clients, serving as a brand ambassador and ensuring a memorable experience consistent with the Tiffany brand.
- Improve the client experience through hospitality and store amenities to build personalized experiences that positively impact sales and service.
- Assist with the engraving station where applicable.
- Accurately manage the floor waiting list where applicable.
- Keep the hospitality area fully stocked, orderly, and clean.
- Communicate potential service issues involving waiting clients to management.
- Assist the sales team with boxing and wrapping items, replenishing point-of-sale and gifting supplies, maintaining neat and organized point-of-sale stations and sales-floor areas, and performing point-of-sale functions after a client’s purchase decision is finalized.
- Assist the operations team with operational policies and procedures and after-sales servicing to support efficient store operations.
- Assist with inventory and special projects as needed.
Tiffany & Co. designs, manufactures, and sells luxury jewelry, including diamond engagement rings, necklaces, bracelets, and earrings, as well as watches, fragrances, and accessories. It relies on a brand built on quality, craftsmanship, and exclusivity, selling through both retail stores and online channels to affluent customers. The company differentiates itself with a long-standing, recognizable brand and superior craftsmanship, offering curated luxury experiences. Its goal is to maintain and grow a globally prestigious luxury brand while delivering high-value products and a refined shopping experience.
Company Size
N/A
Company Stage
N/A
Total Funding
N/A
Headquarters
New York City, New York
Founded
1837
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Simplify's Take
What believers are saying
- Bird on a Rock by Tiffany launched September 1, 2026, refreshing house iconography.
- Go Youn Jung joined Tiffany in 2026, widening appeal with younger Asian consumers.
- DCAD and Tiffany opened a 2026 Abu Dhabi residency, deepening talent pipelines and Gulf visibility.
What critics are saying
- Indonesia fined Tiffany $6.1 million in 2026, exposing customs controls and compliance gaps.
- LVMH’s 2026 growth still depends heavily on Tiffany HardWear and Knot momentum.
- A stalled China or U.S. luxury cycle would hit Tiffany’s discretionary engagement-ring demand fast.
What makes Tiffany & Co. unique
- Tiffany owns Jean Schlumberger archives, powering Bird on a Rock and Sixteen Stone reinventions.
- LVMH funds Tiffany’s global retail, high jewelry, and watchmaking scale.
- The Tiffany blue brand remains instantly recognized across luxury jewelry and gifting.
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Benefits
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Company News
Tiffany & Co. just reimagined its most iconic motif & The result is extraordinary. Tiffany & Co.'s Bird on a Rock by Tiffany 2026 collection reimagines Jean Schlumberger's iconic 1965 brooch through new designs. Fashion & Jewelry Director / Editor-in-Chief of Haute Time There are jewelry designs that endure because they are beautiful, and then there are jewelry designs that endure because they mean something. Jean Schlumberger's Bird on a Rock has always been both. Introduced in 1965 - inspired by a yellow cockatoo Schlumberger encountered during his travels across Asia and the Caribbean - the original brooch, with its yellow and white diamond bird perched atop a cabochon lapis lazuli, became one of the most celebrated designs in the history of Tiffany & Co. almost immediately. More than 60 years later, the house is expanding the motif into an entirely new generation of fine and high jewelry, and the new Bird on a Rock by Tiffany collection makes a compelling case that some icons only get better with time. Photo Credit: Tiffany & Co. The 2026 collection is developed under the creative vision of Nathalie Verdeille, Senior Vice President and Chief Artistic Officer for Jewelry and High Jewelry at Tiffany & Co., and it moves in three distinct directions at once. The newest figural pieces hand-sculpt the iconic bird in 18k yellow gold, with bold textural wings drawn from Schlumberger's own celebrated Flames earrings of the 1950s - designs he originally conceived to evoke solar flares. Subtle chevron details are meticulously engraved along the wing tips, body, and collar, and diamonds of multiple sizes are set by hand in a nonlinear layout, animating each piece with a sense of movement that feels thoroughly alive. A new figural pendant and earrings anchor this part of the collection, and they exemplify what Tiffany & Co. does better than almost anyone: the translation of an archival reference into something that wears like it was made for right now. Photo Credit: Tiffany & Co. The second direction is Wings - an abstract interpretation of flight that honors Schlumberger's own habit of integrating multiple metals within a single design, itself a complex feat of craftsmanship. The newest Wings creations alternate 18k gold and platinum wings, each individually crafted and defined by three feathers that nestle seamlessly into the neighboring wing. On the platinum wings, three diamonds of varying sizes are channel set without prongs or beads, maximizing brilliance while keeping the graceful silhouette entirely uninterrupted. New additions to the Wings collection include a narrow necklace, ring, drop earrings, articulated bracelet, pendant, and three metal-only rings in platinum, 18k yellow gold, or 18k rose gold - the last of which let the contours of the wing do all the work. Photo Credit: Tiffany & Co. The third direction is where the collection reaches its highest register. The Bird on a Rock Feathers high jewelry suite - developed over nearly three years - transforms the bird's collar plumage into sculptural compositions of platinum, 18k gold, and diamonds that manage the rare achievement of feeling both abstract and unmistakably natural. Engraved elements echo the intricate textures of the original Bird on a Rock design, while 18k yellow gold accents create depth and contrast throughout. The Feathers pieces are the kind of high jewelry that earns that designation honestly - not by virtue of price alone, but because of what it takes to make them. Tiffany & Co. will also debut Bird on a Rock high jewelry pieces featuring figural birds that appear to interact with one another, adding a narrative dimension to an already rich collection. Together, the new Bird on a Rock by Tiffany designs are available beginning September 1, 2026, in select Tiffany & Co. stores worldwide.
Go younjung becomes Tiffany & Co. ambassador in new campaign slate. Tiffany selected Go Youn Jung as ambassador across key collections, pairing heritage jewelry with a modern image and fan-driven visibility. There's a specific kind of casting that instantly makes sense to fandoms: the actor whose on-screen image already reads like the brand mood board. That is the energy around Go Youn Jung's newest fashion move, especially for fans watching her profile rise across big franchise-style projects. Tiffany & Co. has named Go Youn Jung as its new ambassador, with plans for her to appear in various campaigns and brand activities for the house, including its signature collections Tiffany Bird on a Rock and Tiffany HardWear. The brand also released official photos alongside the announcement. Table of contents. Jump to each section: Why ambassador announcements hit differently in fandom culture. Ambassador news travels fast because it feels like a public "co-sign" moment. Fans are not just seeing a celebrity in a necklace, they are seeing status, taste, and storyline, all compressed into a few images that are easy to screenshot, repost, and debate. For audiences who follow actors project-to-project, luxury partnerships also become part of the personal brand arc. Go Youn Jung is currently filming for Disney+'s "Moving" Season 2 and an upcoming historical action film "Nambeol" (romanized title), which matters because momentum and visibility often shape how these collaborations land. What Tiffany & Co. confirmed about the partnership. Tiffany & Co. said Go Youn Jung will participate in various campaigns and brand activities representing the house. As part of that, she will feature in campaigns for signature collections, including Tiffany Bird on a Rock and Tiffany HardWear. The brand positioned the imagery around a "modern and sophisticated" feel that matches its mix of heritage and contemporary luxury, which is a common tightrope for legacy houses that need to stay culturally current without abandoning the codes that make them recognizable. Why Tiffany is pairing heritage jewelry with a "modern" face. Tiffany Bird on a Rock signals high jewelry craftsmanship and house heritage, while Tiffany HardWear tends to read more like everyday edge and styling-forward luxury. Putting both in the same ambassador framing suggests Tiffany is not choosing between "heritage" and "now," it's trying to make the two coexist in a single, consistent visual identity. That matters because the most effective luxury storytelling right now is often less about explaining product details and more about making the brand feel wearable across different identities. The ambassador becomes the bridge: someone audiences can imagine in red carpet settings and also in more fashion-editorial, street-style-coded moments. What this means for marketers. Celebrity ambassador deals are easy to dismiss as "standard luxury playbook," but the cultural behavior around them is still instructive: people do not share partnerships, they share identity cues. * Ambassadors work when they extend an existing narrative The partnership leans on Go Youn Jung's established image as "modern and sophisticated," rather than forcing a new persona. That reduces the gap between what fans believe and what the brand needs to communicate. * Collection choice is a strategy signal, not just styling Highlighting both Bird on a Rock and HardWear suggests Tiffany wants range: high jewelry authority plus modern, repeatable styling. Marketers can read this as a cue to pair "halo" products with more culturally flexible lines in the same story. * Photos are the product in the first 24 hours The brand released multiple official images immediately, which matters because early conversation is largely visual. In fan-driven distribution, the most shareable assets set the tone before any longer campaign narrative arrives. * Timing matters because audience attention is episodic With Go Youn Jung actively filming high-visibility projects, the collaboration lands during a period when audiences are already primed to look her up, talk about her, and watch what she does next. At Tier 1 impact, this is not a category reset, but it is a clear example of how luxury houses keep themselves present in youth-driven online conversation: by attaching heritage objects to current faces audiences already emotionally track. The strategic lesson is less about "celebrity marketing" and more about how brands borrow momentum from ongoing fandom attention without needing to manufacture a separate viral hook. In practice, the brands that win these moments tend to treat campaign assets like social-native cultural objects, not like formal ads. When the casting feels intuitive, the internet does the distribution. This article is created by humans with AI assistance, powered by ContentGrow. Ready to automate your content marketing? Book a discovery call today. Apply this article to your work Tell ContentGrip who you are - ContentGrip'll turn this into specific next steps for you. The more specific, the sharper your insights. Vague: "grow my business" Good: "land 2 fintech PR retainers in SEA by Q3"
Tiffany & Co. announces new Tiffany Timer Titanium watch. Tiffany & Co are celebrating the 160th birthday of its first chronograph this year by releasing two limited editions of its Tiffany Timer watch. A meditation on the brand's long legacy in both jewellery design and watchmaking, Tiffany & Co. released its first stopwatch in 1866, and it was renamed the Tiffany & Co. Timer two years later. That same year, the house opened its first watch assembly workshop in Switzerland. To reflect this heritage, it released the first special edition earlier this year and today, launches its second - the Tiffany Timer Titanium. More than just history reincarnated, the new watch looks great too, featuring a satin-brushed titanium case with a platinum bezel and a navy blue alligator strap. Furthermore, a Tiffany & Co. piece cannot be deprived of its trademark turquoise hue, of course, with the chronograph featuring a dial with dark blue and classic Tiffany blue accent detailing. The dial is also fitted with 12 baguette-cut diamond hour markers and white gold hands. It's subtle and elegant, yet delivers just the right amount star power. One particular standout detail however is the signature Bird on a Rock motif that appears on the back of the watch. The design honours the legendary designer Jean Schlumberger, who took inspiration from the natural world for his work at the luxury jewellery brand. Schlumberger created the Bird on a Rock brooch in 1965, establishing a storied visual language which pioneered a meticulous and surreal craft that went beyond classic jewellery design. Set into an exclusive El Primero 400 chronograph, the watch's rotor, the design is hand sculpted from a piece of 18k yellow gold and left to perch on the inside of the wearer's wrist. The first edition was limited to only 60 pieces, whilst this second edition is limited to only 100. It is set to be released on September 27. If horological history is your thing, this is going to be one for the keepsake. Photography courtesy of Tiffany & Co.
How four packaging designs became icons. Four iconic packaging designs show how colour, functionality, user experience and structural form can turn everyday containers into enduring brand assets. Packaging can do far more than protect a product. The right colour, shape, opening mechanism or material can make a pack easier to use, instantly recognisable and closely associated with the brand it represents. Tiffany & Co.'s Blue Box, Heinz's upside-down ketchup bottle, Apple's unboxing experience and Coca-Cola's contour bottle took very different routes to becoming packaging icons. Together, they show how purposeful design can turn an everyday container into a lasting brand asset. Their success rests on four different strengths: colour, functionality, experience and shape. Tiffany turns colour into a brand asset. Few packages are as recognisable from colour alone as the Tiffany Blue Box. The story of its distinctive colour dates to 1845, when Charles Lewis Tiffany selected the shade for the cover of Tiffany & Co.'s Blue Book catalogue. The colour subsequently became closely associated with the jewellery house and its packaging. Tiffany says its Blue Box was introduced in 1886, the same year the company launched its Tiffany Setting engagement ring. What distinguishes the packaging is not simply the choice of blue, but the consistency with which Tiffany has used the colour as a visual asset over generations. Tiffany trademarked the colour in 1998. In 2001, Pantone standardised it as a custom shade known as "1837 Blue", referencing the year Tiffany was founded. The result is packaging that can communicate the brand before the product inside is revealed. Colour becomes more than decoration: it performs an identification function normally associated with a name or logo. Tiffany has also updated its packaging materials without abandoning its distinctive visual identity. The company says its current Blue Boxes contain 75% recycled paper, while its blue bags are made from 100% recycled paper. Both are FSC-certified. The broader lesson goes beyond colour selection. A distinctive packaging element can become a valuable brand asset when it is recognisable, consistently applied and closely connected to the product experience. Tiffany also shows how packaging materials can evolve while a core visual identity remains intact. Heinz redesigns the bottle around consumer behaviour. Heinz took a different route, using packaging design to address a familiar usability challenge. The upside-down Heinz Easy Squeeze bottle was introduced in the US in 2002. Its squeezable PET body stood on its closure, keeping ketchup close to the dispensing end and making the product easier to dispense. The design incorporated a dispensing valve to help control the flow. The significance of the design lies in the way it responded to consumer behaviour. Rather than asking people to change how they handled ketchup, the package was redesigned around the way they wanted to use the product. The format also illustrates the importance of treating packaging as a complete system. The bottle body, orientation, closure and dispensing mechanism all have to work together for an inverted pack to perform effectively. The broader principle remains relevant to packaging development today. Innovation does not necessarily require an entirely new format. Removing a small but persistent point of friction from an established consumer routine can change the way a product is used. The Heinz bottle also shows how functionality can become part of brand identity. Its unusual orientation makes the package distinctive on the shelf while giving consumers a functional reason for the design. Apple makes opening part of the product experience. Apple has approached packaging from another direction, treating the act of opening a pack as part of the overall product experience. A 2012 report in Packaging News, based on reporting from Adam Lashinsky's book Inside Apple, described a dedicated packaging room where Apple designers developed and tested prototypes. The report said designers repeatedly opened prototype boxes to refine the experience of revealing the product. The package shapes the sequence in which a customer encounters the product: the exterior, opening mechanism, internal arrangement, accessories and, finally, the device itself. Opening therefore becomes something that can be deliberately designed rather than simply a means of accessing the product. That approach remains visible in Apple's packaging engineering work. The company's packaging engineering roles have referred specifically to developing the "unboxing" experience and testing packaging as part of the introduction of its products. This places seemingly minor details - such as the resistance of a lid, the position of a pull tab and the order in which components are revealed - within the wider product experience. Pack architecture and opening sequence become design considerations alongside protection, logistics and material efficiency. The principle is particularly relevant to e-commerce, where consumers may encounter a physical product for the first time when a delivery arrives at their home. Packaging can provide a controlled brand interaction immediately before the customer begins using the product. Apple's example shows how packaging can extend product design beyond the object inside the box. When the opening sequence is considered deliberately, the pack becomes part of the consumer's first interaction with the product. Coca-Cola turns bottle shape into brand recognition. Coca-Cola's contour bottle demonstrates how structural packaging design can become a powerful form of brand identification. In the early 20th century, Coca-Cola and its bottlers faced competition from imitation products. In 1915, the Coca-Cola Bottling Association sought a distinctive bottle that would differentiate the drink from competitors. The brief called for a design that could be recognised by touch and identified even if broken. The Root Glass Company in Terre Haute, Indiana, developed the resulting bottle. It was patented in November 1915 and entered production the following year. Its distinctive fluted form was inspired by an illustration of the cacao pod. The designers had been looking for imagery associated with ingredients they believed were connected with Coca-Cola. The structural design did more than differentiate the product on the shelf. Its silhouette gradually became a shorthand for the brand, demonstrating that recognition does not have to depend entirely on graphics, labels or logos. The contour bottle was later granted trademark protection in the US. Coca-Cola has also cited a 1949 study in which fewer than 1% of Americans surveyed were unable to identify the bottle by its shape alone. The history illustrates how structural packaging can acquire value over time. A bottle developed in 1915 to distinguish a product from imitators had, within several decades, become recognisable enough for its physical form to function as a protected brand asset. More than a century after its development, the contour form remains part of Coca-Cola's visual identity. The company marked the bottle's 110th anniversary in 2025, highlighting the longevity of a design originally created to distinguish the product from imitators. The contour bottle demonstrates that structural packaging can do more than contain and protect a product. In the strongest cases, the physical form of a pack can become as recognisable as the branding applied to its surface. Four routes to iconic packaging. These four designs took different routes to becoming packaging icons. Tiffany used colour and presentation to reinforce its identity. Heinz used functionality to address a consumer need. Apple made experience part of the package. Coca-Cola used shape to create distinctive brand recognition. Their longevity points to a common principle: memorable packaging is rarely distinctive for appearance alone. It solves a problem, shapes an experience or creates recognition. For today's packaging designers and brand owners, materials, technologies and sustainability requirements will continue to evolve. The underlying challenge remains much the same: packaging must perform its practical functions while giving consumers a reason to recognise it, use it or remember it. The strongest examples show what happens when those objectives come together. The container does not simply carry the brand. It becomes part of the brand itself. Give your business an edge with its leading industry insights.
DCAD and Tiffany & Co. launch new design residency in Abu Dhabi. DCAD partners with Tiffany & Co. to nurture emerging Jewelry and watch designers through a specialised residency and global professional opportunities. Abu Dhabi: Design Commission Abu Dhabi (DCAD), under the chairmanship of Her Highness Sheikha Shamsa bint Hamdan bin Mohammed Al Nahyan, has announced a landmark partnership with Tiffany & Co. to launch the Tiffany & Co. Design Residency Program, a specialized initiative focused on Jewelry and watch design. The new residency forms part of DCAD's efforts to establish Abu Dhabi as a global hub for design, creativity and cultural innovation. It will bring together Emirati culture, architecture and artistic heritage with Tiffany & Co.'s nearly two centuries of experience in design and craftsmanship. The program aims to support emerging designers by providing training in the conceptual, creative and technical aspects of Jewelry and watch design. Participants will explore materials, research, experimentation and design thinking while developing their individual creative identities. Through mentorship sessions, workshops and an immersive educational program led by Tiffany & Co., residents will gain practical knowledge and creative methodologies to transform ideas into contemporary Jewelry and watch concepts. The initiative also strengthens DCAD's focus on creating long-term professional opportunities for local talent through partnerships with leading international creative institutions. Ten residents will be selected through an open call running from August 17 to September 20, 2026. The program is open to UAE residents of all nationalities who have foundational knowledge of jewellery and/or watch design. Applicants can submit their applications and portfolios through the DCAD website. The residency will run from November 2026 to April 2027, with weekly sessions held every Saturday at a dedicated venue in Abu Dhabi. The program will conclude with a Capstone Exhibition in May 2027, where participants will present their final projects within Abu Dhabi's cultural landscape. As part of the program's professional development opportunities, the three highest-performing participants will receive a three-month internship at Tiffany & Co.'s New York headquarters from June to August 2027. The partnership represents another step in DCAD's efforts to develop Abu Dhabi's creative infrastructure by combining education, international collaboration and career pathways. By introducing specialized opportunities in Jewelry and watch design, the residency is expected to contribute to the growth of the emirate's creative economy while supporting the next generation of design talent.