Full-Time

Senior Software Engineer

Multiple Teams

PubMatic

PubMatic

1,001-5,000 employees

SSP for publishers, optimizes ad revenue

No salary listed

Pune, Maharashtra, India

Hybrid

Hybrid schedule: 3 days in-office and 2 days remote.

Bachelor's

Category
Software Engineering (1)
Required Skills
C/C++
Linux/Unix

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Requirements
  • Bachelor’s degree in engineering (Computer Science or Information Technology) or equivalent degree from well-known Institutes / Universities.
Responsibilities
  • Use best practices for software development and documentation, ensure designs meet requirements, and deliver high-quality work.
  • Demonstrated ability to self-direct and work independently.
  • Demonstrate work ownership and focus to deliver on time.
  • Willing to go extra mile to achieve greater results.
  • Work with teams to achieve desired goals.
  • Demonstrate timely and excellent verbal and written communication skills.
Desired Qualifications
  • Four plus years of development experience in C/C++, Linux/UNIX environment.
  • Good to have experience with GO language.
  • Excellent understanding of Data Structures and Algorithms.
  • Excellent problem-solving skills.
  • Being able to use generative AI-based tools and IDE for getting work done.
  • Understanding of different models at basic level.
  • Prompt engineering basics.
  • Knowledge of OS and system programming (multi-threading, multi-processing, memory management).
  • Troubleshoot any issues with existing features, live on production.
  • Ability to write clean, modular, and loosely coupled code.
  • Ability to understand end-to-end product functionality.
  • Ability to do software design for assigned tasks.
  • Working knowledge of scripting Perl/Python/Shell.
  • Working experience in databases, preferably MySQL.
  • Excellent interpersonal, written, and verbal communication skills.
  • Proficiency in AI-assisted coding, automation, prompt engineering, and an understanding of the strengths and limitations of LLM-generated code is a strong plus

PubMatic provides a platform that helps website and app publishers maximize their revenue by selling digital ad space through a Supply-Side Platform. The technology works by hosting real-time auctions where advertisers bid to show ads to specific users the moment a page loads, with the highest bidder winning the spot. Unlike some competitors, PubMatic offers a specialized suite of identity and analytics tools across various formats like video and connected TV to ensure ads reach the most relevant audiences. The company's goal is to create a transparent infrastructure that connects publishers and advertisers efficiently to increase the value of digital content.

Company Size

1,001-5,000

Company Stage

IPO

Headquarters

Redwood City, California

Founded

2006

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Simplify Jobs

Simplify's Take

What believers are saying

  • Q2 2026 revenue rose 11% to $78.6 million, beating estimates by 13.7%.
  • Adjusted EBITDA reached $19.6 million, and free cash flow climbed 47% year over year.
  • Melbourne expansion and Roku, Sony, Channel 4 partnerships deepen CTV positioning in 2026.

What critics are saying

  • Google's antitrust defenses threaten PubMatic's 2025 lawsuit and any damages recovery timeline.
  • Steve Pantelick retires in 2027, forcing a CFO transition during growth acceleration.
  • Renaissance, Wellington, and Millennium can exit quickly if CTV or AgenticOS stalls.

What makes PubMatic unique

  • PubMatic's AgenticOS executed 80 autonomous campaigns across 100,000-plus properties by August 2026.
  • CTV, mobile app, and emerging channels produced roughly 60% of Q2 2026 revenue.
  • PubMatic's open-web SSP and OpenRTB roots still anchor publisher relationships since 2006.

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Benefits

Health Insurance

Dental Insurance

Vision Insurance

Disability Insurance

Health Savings Account/Flexible Spending Account

Unlimited Paid Time Off

Hybrid Work Options

Remote Work Options

Paid Vacation

Paid Holidays

Commuter Benefits

Wellness Program

Mental Health Support

Phone/Internet Stipend

Home Office Stipend

Stock Options

Company Equity

401(k) Retirement Plan

Professional Development Budget

Conference Attendance Budget

Training Programs

Tuition Reimbursement

Professional Certification Support

Mentorship Program

Employee Discounts

Meal Benefits

Gift Cards

Relocation Assistance

Adoption Assistance

Family Planning Benefits

Growth & Insights and Company News

Headcount

6 month growth

0%

1 year growth

0%

2 year growth

2%
Live News Chat
Sep 1st, 2026
The PS5's 100 free channels are an advertising business, not a perk.

The PS5's 100 free channels are an advertising business, not a perk. Sony switched on Live TV on PS5 on Monday, dropping more than a hundred free ad-supported channels into the Media row of every PlayStation 5 in the United States. The coverage has been busy counting the channels. Almost nobody has counted what Sony gets. Here is the thing that separates this from Pluto, Tubi, Roku Channel and the rest of the free-TV pile, and it is missing from essentially every writeup: you cannot watch it without signing in. Sony's own launch post says players "sign in with their PlayStation Account" to start. That account is not a throwaway email. It is attached to your purchase history, your friends list, your trophy record and your playtime down to the minute. No other free-TV operator in the American market has that. Roku knows a household. Sony knows a person. What Sony told advertisers. The trade press got a much clearer version of this than the consumer press did. Variety reported that the appeal to advertisers is access to a logged-in audience that skews younger and is hard to reach through broadcast or general streaming apps, and that the play for Sony is keeping the console in use between games so idle screen time converts into ad revenue. That is an honest description of the product. It is also not the description on the box. The ad plumbing is already contracted out. Sony is working with Publica and PubMatic, two firms whose entire business is connected-TV ad delivery and measurement. The content partners are real and expensive: ABC News, ESPN, Fox, NBCUniversal, A+E, AMC, Lionsgate, Amazon MGM Studios, the NFL Channel, NASCAR, UFC and Crunchyroll, with a back catalogue running from "Community" and "The Shield" to "Forensic Files" and "Ice Road Truckers." TheWrap noted the whole thing sits under Sony Pictures Television. Nobody assembles that lineup, integrates two ad-tech vendors and ships it to tens of millions of consoles as a favour. There is a second, quieter piece of business logic here that the launch coverage skipped. Sony Pictures Television owns a deep library that is worth very little sitting on a shelf and quite a lot running as a channel with ads in it. Routing that catalogue through hardware Sony already sold means the company collects the ad revenue without paying a distributor, a carriage fee or a platform tax to Roku, Amazon or Google. Forbes noted the scale of the channel rollout; the more interesting number is the one Sony now keeps in full. The setting Sony did not mention. There is a toggle. It is not where a normal person would find it. To stop Sony serving ads based on your console activity, you go to Settings, then Users and Accounts, then Privacy, then Data You Provide, and switch off Personalized Advertising. That is four levels deep, in a menu tree most PS5 owners open once to change a password, and it predates this launch by years. The sign-in screen for Live TV does not walk you there. So the actual offer, stated plainly, is this: * You already paid roughly $500 for the hardware. * Sony is now selling the attention of the device you own. * The targeting runs on an identity you were required to create to play games online. * The opt-out exists, is real, and is buried. Where LNC stands. Live News Chat do not think a free ad-supported channel bundle is a scandal. Ad-funded television is older than most of the people who will watch it, and 100 channels of free content on a console people already own is a genuinely decent deal for anyone happy to trade attention for entertainment. Tom's Guide is right that as a Pluto competitor it is a solid product. The problem is the disclosure, and it is Sony's to fix. When you tap that icon and hit the sign-in prompt, the screen should say in one sentence that watching connects your viewing history to the PlayStation account holding your purchases and playtime, and it should put the Personalized Advertising switch right there rather than four menus away. That is not a heavy lift. Sony built a whole ad stack in a few months; a consent screen is an afternoon. There is a wider point about who the PS5 belongs to now. A console is not a free ad-supported TV that someone gave you. It is a piece of hardware you bought outright, and Sony has spent the last several years steadily converting its home screen into leased advertising real estate, from store promos to the dedicated Live TV page it now maintains. Each individual step is small and defensible. The direction of travel is not. Canada is next, and Sony has said it is looking at other regions. When it reaches the European Union, the consent question stops being a matter of Sony's judgment and becomes a matter of law, because tying ad personalisation to a mandatory account is precisely the arrangement the GDPR was written to interrogate. It would be cheaper for Sony to build the honest version of that screen once, now, for everybody.

The Desk
Aug 31st, 2026
Sony brings free streaming TV channels to PlayStation 5.

Sony brings free streaming TV channels to PlayStation 5. [email protected] August 31, 2026 Sony has launched a curated collection of more than 100 free, ad-supported streaming television (FAST) channels on its PlayStation 5 consoles in the United States, the company announced on Monday. The new service, called "Live TV on PS5," offers movies, TV shows, anime, sports, news, weather, gaming, e-sports, creator-led entertainment, documentaries and podcasts. Users can access the service from the Media tab on the PS5 home screen, select the Live TV on PS5 icon, then sign in with a PlayStation account. The launch gives Sony a direct free streaming offering inside one of its most important consumer platforms, while giving advertisers another way to reach console users who may be less active in traditional television and connected television environments. At launch, Live TV on PS5 will include movie channels such as MovieSphere by Lionsgate, 50 Cent Action, FilmRise Free Movies, Sony One Horror Hits and Cinevault. Television programming will include "Community," "The Shield," "Hell's Kitchen," "The Walking Dead," "Forensic Files," "Unsolved Mysteries," "Deal or No Deal USA," "Fear Factor" and "Ice Road Truckers." Peter Wood, the Executive Vice President of Consumer Platforms and Services at Sony Pictures Entertainment, said PlayStation users are already spending time with games and video, but may not be reachable through other connected television platforms as often. "When you look at sort of the habits and behaviors of this community, they are gaming and engaging with video and they're probably not showing up in other connected TV environments often," Wood said in an interview with a trade publication on Monday. Anime will be a significant part of the lineup, reflecting Sony's ownership of Crunchyroll. The service will include "Naruto," "Sailor Moon," "Hunter x Hunter" and "Death Note," along with exclusive Crunchyroll channels tied to "Black Clover" and box set programming. Sports and news programming will include content from Fox Sports, NASCAR, NBC Sports Now, UFC, NBC News Now, Fox Weather and LiveNOW from Fox. Additional programming will come from creator and specialty brands including "Hot Ones," Spotify's "The Ringer," Futcrunch, Idle Mode and eCLUTCH, which is described as exclusive to the service. Sony didn't say who was providing the FAST channels on its new service, but many of them are also found on Xumo Play, the streaming service backed by Charter and Comcast's joint venture Xumo, which powers a similar experience found on Google's smart TVs. Sony is working with Publica and PubMatic on connected television advertising tied to the service. Wood said the company is focused on making advertising relevant to PlayStation users as it expands the offering.

Branding in Asia
Aug 26th, 2026
PubMatic establishes Melbourne office to support CTV growth.

PubMatic establishes Melbourne office to support CTV growth. The new office will provide local support as Melbourne agencies increase investment in CTV/BVOD and programmatic campaigns. PubMatic has established a dedicated Melbourne office to support agencies and brands scaling video and programmatic strategies across Victoria, with Sarah Lee joining as Senior Manager, Advertiser Solutions. Luke Smith, Senior Director, CTV APAC, leads PubMatic's regional video strategy from Melbourne. "Melbourne has become such a large part of the digital advertising ecosystem," said James Young, Regional Director, ANZ, PubMatic. "The holding company networks, the independents, the brands - they're all making increasingly sophisticated programmatic decisions, and they need partners fully embedded in the market. This office enables us to be here, listen to what our partners need, and build lasting partnerships with agencies and brands who are driving growth." The expansion comes as video advertising in Australia is accelerating. According to the IAB Australia Internet Advertising Expenditure Report (2025) prepared by PwC, video advertising in Australia reached $5.4 billion in 2025, growing 19.8% year-on-year and accounting for 29% of total online advertising investment. Within that, Connected TV (CTV), spanning Broadcaster Video on Demand (BVOD), streaming platforms and other big-screen environments, has become central to how agencies and brands build and drive performance, according to the release. Melbourne's independent agency sector is also seeing increased CTV and BVOD investment. According to the IMAA 2025 Indie Census, 77% of independent agencies expect ad spend to either hold or grow in FY26, nearly 70% expect CTV/BVOD spend to increase by up to 25%, and more than 70% plan to hire in FY26. PubMatic said the Melbourne office will support agencies as they activate CTV and programmatic campaigns, providing implementation expertise and local market knowledge.

Yahoo Finance
Aug 19th, 2026
HubSpot and Atlassian outshine PubMatic as software stocks gain 39.6%

Two software stocks are on investors' watchlists whilst one faces headwinds, according to recent analysis. PubMatic, valued at $791 million, is flagged as a sell due to customer churn reflected in its 96% net revenue retention rate and increasingly competitive market conditions requiring higher sales and marketing spend. HubSpot, worth $11.28 billion, shows promise with 20% annual revenue growth over two years and an 83.2% gross margin. The company maintains steady long-term contract flows, trading at 2.8x forward price-to-sales at $224.65 per share. Atlassian, valued at $41.26 billion, also features on the watchlist. The company provides collaboration and knowledge-sharing tools for teams. Investors are advised to exercise caution as AI threatens to commoditise many software products.

Yahoo Finance
Aug 15th, 2026
PubMatic beats Q2 estimates with $78.6M revenue as AgenticOS adoption fuels double-digit growth

PubMatic exceeded analyst expectations in its second quarter, reporting revenue of $78.59 million against estimates of $69.15 million, marking 10.5% year-on-year growth. The company's adjusted EPS of $0.12 significantly beat the expected -$0.01. CEO Rajeev Goel attributed the performance to increased adoption of AgenticOS, the company's agentic advertising platform, and diversification into connected TV and mobile app channels. Approximately 60% of PubMatic's business now comes from these growth areas. The company provided optimistic guidance for the third quarter, projecting revenue of $76 million and EBITDA of $18 million at midpoint, both exceeding analyst estimates. Operating margin improved to 0.7%, up from -7.7% in the same quarter last year. Management highlighted partnerships with streaming platforms including Roku, Sony, and Channel 4 as evidence of momentum in the CTV market.