Fall 2026, Spring 2027
Motion Pictures Marketing Apprentice
Posted on 8/6/2026
Creative Artists Agency
1,001-5,000 employees
Global talent and sports agency.
Compensation Overview
$18.42/hr
Los Angeles, CA, USA
In Person
Some evening and weekend work is required as needed for events.
 Growth & Marketing (1) |
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- Applicants must be able to work part-time for 16–20 hours per week, including evenings and weekends.
- Applicants should be rising seniors entering their final year of college or enrolled in a master's program.
- Applicants must be able to work in person in Los Angeles.
- Applicants are responsible for their own transportation and housing.
- Join the Motion Pictures Marketing group in supporting strategic marketing work for the launch and promotion of motion pictures.
- Participate in an educational, hands-on, project-based apprenticeship experience.
- Attend Motion Pictures Marketing events during some evenings and weekends as needed.
- Passion for marketing and film.
- Continued learning about the motion picture industry.
Creative Artists Agency (CAA) is a global talent and sports agency that coordinates representation and opportunities across film, television, music, sports, digital media, and live events. It helps clients such as actors, writers, athletes, brands, and other creators by connecting them with opportunities, brands, and capital through a collaborative, multi-disciplinary approach. CAA’s services include talent representation, brand marketing, investment banking, venture funding, and strategic partnerships, all supported by a network of over 2,000 employees and partners worldwide. The company differentiates itself through its broad, cross-sector platform, large international reach, and a commitment to diversity and inclusion, offering integrated deals that leverage talent across multiple disciplines. Its goal is to grow clients’ careers and brands across multiple platforms while setting industry standards and creating new business opportunities.
Company Size
1,001-5,000
Company Stage
Debt Financing
Total Funding
$175M
Headquarters
Los Angeles, California
Founded
1975
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See people who can refer or advise you
Simplify's Take
What believers are saying
- June 2026's $250 million creator vehicle expands CAA beyond representation into ownership.
- Kendall Ostrow joined June 2026, strengthening creator monetization against UTA and WME.
- CAA's 2026 culinary and media signings show demand for integrated brand deals.
What critics are saying
- John Musero settled for $595,000 in March 2026, reinforcing misappropriation headlines.
- Terrence Howard's August 2026 dismissal keeps CAA tied to stale compensation disputes.
- YouTube and platforms can bypass agencies entirely, squeezing CAA's core commission model.
What makes Creative Artists Agency unique
- CAA Portas gives CAA consulting depth beyond booking agents and dealmakers.
- Compound Creative Holdings, launched June 2026 with TPG, monetizes creator-owned businesses.
- CAA still wins marquee cross-category talent, like Kwame Onwuachi and Betches in 2026.
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Benefits
Hybrid Work Options
Growth & Insights and Company News
6 month growth
↑ 19%1 year growth
↑ 19%2 year growth
↑ 19%Winston Duke signs with UTA for representation. July 29, 2026 New Representation Type: Agency Department: Film/TV - Theatrical * Winston Duke has signed with United Talent Agency (UTA) for representation in all areas, leaving WME. * His UTA team includes agents Billy Lazarus, David Morris IV, Erik Telford, Hanley Baxter and Yasmine Pearl. * Duke keeps Shafran PR for publicity. * UTA will also help build out Duke's Papa Bois Productions banner, on top of his return as M'Baku in Avengers: Doomsday and Ryan Coogler's Black Panther 3. Winston Duke has signed with UTA for representation in all areas, exiting from from WME. He continues to be represented by Shafran PR. Duke, born in Tobago and raised in Brooklyn, broke out as M'Baku in Marvel's Black Panther, which grossed over $1.3 billion worldwide in 2018. He reprised the role in Avengers: Infinity War and Black Panther: Wakanda Forever, where M'Baku becomes King of Wakanda. Duke returns as M'Baku in December's Avengers: Doomsday, and it was confirmed at Comic-Con that he'll appear in Ryan Coogler's Black Panther 3, due in 2028. Following his breakout in Black Panther, Duke starred opposite Lupita Nyong'o in Jordan Peele's Us, which brought in close to $260 million globally in 2019. Duke's new UTA team (Billy Lazarus, David Morris IV, Erik Telford, Hanley Baxter, and Yasmine Pearl) will also partner with him on Papa Bois Productions, his label for documentary, TV and feature projects. Up next, Duke lends his voice to the animated film Slime, alongside Teyana Taylor, LaKeith Stanfield, Kid Cudi and Willow Smith. The signing fits a busy July for UTA. Earlier in the month, Anthony Ramos left CAA for UTA. Days later, Breaking Bad's Giancarlo Esposito parted ways with CAA to sign with UTA too. UTA just landed one of Marvel's most bankable supporting stars right as his highest-stakes stretch begins; two more Black Panther-universe films are on the way. That's a strong bet on a franchise that isn't slowing down. The signing also reads as part of a bigger pattern: UTA has now pulled three high-profile names (Duke, Ramos, and Esposito) away from rival agencies in a matter of weeks, all in July 2026 alone. UTA isn't just chasing acting credits here. By stepping in to help grow Papa Bois Productions, the agency is betting on Duke's future as a producer, not just an actor - a move that mirrors how agencies increasingly court talent as multi-hyphenate businesses rather than single-lane clients. Is UTA's July signing spree a sign of a broader shift in agency power, or a short-term hot streak? Could Duke's expanding Papa Bois Productions slate eventually rival his acting output in industry attention?
Kwame Onwuachi signs with CAA for representation. July 10, 2026 New Representation Type: Agency Department: Film/TV - Literacy, Brand Partnerships * James Beard Award-winning chef Kwame Onwuachi has signed with CAA for literary and brand partnerships representation, moving over from WME. * Berni Barta and Jiah Shin lead his Film/TV literary representation; Jordan Solomon handles brand partnerships. * CAA has already secured partnerships with American Express/Resy's Culinary Collective, Centurion Lounges, and a Lexus Culinary Master role. * Onwuachi continues to be represented by Carma Connected for public relations. James Beard Award-winning chef, restaurateur, and author Kwame Onwuachi has signed with Creative Artists Agency (CAA) for representation, moving over from William Morris Endeavor (WME), which he joined in September 2025. Berni Barta and Jiah Shin will lead his Film/TV literary representation, while Jordan Solomon handles brand partnerships. CAA has already put deals in motion, adding Onwuachi to American Express and Resy's Culinary Collective, featuring his recipes in Centurion Lounges worldwide, and naming him a Lexus Culinary Master. Onwuachi trained at the Culinary Institute of America and opened his first restaurants by age 30, including Afro-Caribbean spot Kith/Kin in Washington, D.C. This spring he expanded west with Maroon at Sahara Las Vegas, following the success of Tatiana in New York City, a New York Times top-100 restaurant every year since opening in 2022. His D.C. restaurant Dōgon landed No. 8 on Washingtonian's 100 Very Best Restaurants list in 2026, and Patty Palace by Chef Kwame now serves fans at Citi Field and Barclays Center. His next cookbook, "All Hours," arrives September 22, following 2022's "My America: Recipes from a Young Black Chef." His 2019 memoir, "Notes from a Young Black Chef," is being adapted into a film directed by Phillip Youmans. Onwuachi has hosted the James Beard Awards, created the 2025 Met Gala menu, and appears on "Top Chef," "Chopped," and "Somebody Feed Phil," alongside his role as executive producer for Food & Wine. He continues to be represented by Carma Connected for public relations. The signing adds Onwuachi to a busy year of CAA additions, following recent deals with drag star Trixie Mattel, "Lord of the Flies" breakout David McKenna, and reality personality Sam Thompson. This isn't a chef jumping ship after a bad fit; it's someone whose off-the-plate business (cookbooks, brand licensing, a film adaptation) has outgrown a single-lane setup. Splitting literary and brand partnerships into two CAA teams while keeping his legal and management reps untouched reads as a surgical add, not an overhaul. The fact that American Express, Resy, and Lexus deals are already active suggests CAA walked in with partnerships lined up, not just a signature. Does this signal CAA doubling down on culinary talent as a category to build out? Could this push more chef-driven brand licensing deals into the mainstream? Is Onwuachi's expanding restaurant footprint (D.C., NYC, Vegas) the real driver behind the need for a bigger brand infrastructure?
Kendall Ostrow joins CAA Creators. June 2, 2026 Reports To: Brent Weinstein Department: Creators * Kendall Ostrow has joined CAA Creators as an executive focused on business development and digital strategy for clients across film, TV, and sports. * Ostrow brings over 20 years of experience across The Ellen DeGeneres Show, ID PR, UTA, Candle Media, and most recently YouTube. * She reports to Brent Weinstein, who leads CAA's Creators division and joined the agency's senior leadership in 2025. * The hire signals CAA's push to deepen creator economy strategy as digital talent increasingly bridges into mainstream entertainment. Kendall Ostrow is bringing two decades of digital media expertise to Creative Artists Agency (CAA), joining its Creators division as an executive focused on business development and digital strategy. Ostrow's career reads like a roadmap of the digital media era. In 2007, she joined The Ellen DeGeneres Show to build its early social media presence, a pioneering move at the time. She then moved to ID PR in 2010, followed by a 2013 stint at UTA, where she helped launch the agency's digital data and insights practice. In 2022, she led business development at Candle Media before transitioning to YouTube in 2025. At CAA, Ostrow will work across the agency to connect creators with studios, streamers, brands, and broadcasters. She reports to Brent Weinstein, the senior executive who oversees the Creators division, which reps digital talent including iShowSpeed, Liza Koshy, and Rhett & Link. Kendall Ostrow isn't just another hire, she's a signal. CAA Creators is building out its executive bench with people who have lived inside the creator economy, not just adjacent to it. Ostrow's path from The Ellen DeGeneres Show's social team to YouTube's halls makes her one of the most seasoned digital strategists walking into any major agency right now. The timing is sharp too. The creator economy is no longer a niche lane, it's a primary revenue stream for entertainment, and CAA is clearly positioning itself as the agency that can straddle both worlds: legacy Hollywood and digital-native talent. Brent Weinstein's growing team is now stacked with credentialed operators, not just agents. For YouTube, losing Ostrow after just a year is worth noting. This is the kind of talent that platforms and studios compete over, and CAA just won that round. Will Ostrow's deep platform relationships, especially at YouTube, give CAA's creator clients a competitive edge in deal-making? Does this hire suggest CAA is preparing to launch dedicated digital strategy services beyond traditional representation?
Josh Gad signs with WME for representation. May 20, 2026 New Representation Type: Agency Department: Film/TV - Theatrical * Josh Gad has departed Creative Artists Agency (CAA) and signed with William Morris Endeavor (WME) for Film/TV theatrical representation. * Gad continues with Range Media Partners for both management and brand partnerships, and with ImPrint PR for publicity. * His upcoming project, Spaceballs: The New One, which he co-wrote and produced alongside Mel Brooks, is set for Amazon MGM release on April 23, 2027. * Gad's Zootopia 2 voice role helped the Disney sequel cross $1 billion at the worldwide box office and earn a Best Animated Feature Oscar nomination. Josh Gad is making a major agency move. The actor, comedian, producer, and writer has signed with William Morris Endeavor (WME) for Film/TV theatrical representation, departing his longtime home at Creative Artists Agency (CAA). Gad remains best known globally as the voice of Olaf in Disney's Frozen franchise. On Broadway, he originated the role of Elder Cunningham in the Tony Award-winning The Book of Mormon, earning nominations from the Tony Awards, Drama League, and Astaire Awards, while taking home the Outer Critics Circle Award. Most recently, Gad lent his voice to Zootopia 2, which crossed $1 billion worldwide and landed a Best Animated Feature Oscar nomination. Looking ahead, he's set to appear in Spaceballs: The New One for Amazon MGM, a sequel he co-wrote and produced alongside Mel Brooks, due April 23, 2027. He also co-created and stars in Apple TV+'s animated musical comedy Central Park alongside Leslie Odom Jr. and Daveed Diggs. The move comes as WME continues to expand its Film/TV roster with high-profile talent moves. The agency recently signed comedian Usama Siddiquee following a standout run on Funny AF, and added filmmaker Aaron Schneider. Gad continues to be represented by Range Media Partners for management and brand partnerships, and by ImPrint PR for publicity. This is a calculated, surgical move, not a full overhaul. Gad is keeping his entire support system at Range Media Partners and ImPrint PR intact, which tells you this was purely about upgrading agency muscle. Leaving CAA for WME with a billion-dollar franchise hit on your résumé and a major studio sequel co-written alongside Mel Brooks in the pipeline? That's serious leverage, and Gad is clearly using it. With Spaceballs: The New One on the horizon, does WME give Gad the platform to finally break through as a leading man rather than a beloved supporting presence? Could this signing signal that WME is building a stronger animated and comedy-focused Film/TV slate in 2026?
YouTube expands AI Likeness Detection to protect celebrities from deepfakes. YouTube is expanding AI likeness detection to help celebrities and talent agencies find and remove deepfakes. AI Likeness Detection: Key points at glance * Access Expansion: The software is now accessible to talent agencies, management firms, and the celebrities that they represent. * Deepfake Detection: The AI likeness detection is built to detect artificial content, including deepfakes of a user's face, and report it. * Removal Requests: In a similar fashion to how Content ID works with songs and videos, the performers may now locate their AI content and ask for its removal. * No Channel Needed: The celebrities are eligible for this software despite not posting any content on their YouTube channels. * Industry Partnership: Leading talent agencies such as Creative Artists Agency (CAA), United Talent Agency (UTA), William Morris Endeavor (WME), and Untitled Management collaborated in perfecting the software. Table of Contents As AI becomes capable of mimicking a person's voice and even their face with great accuracy. The entertainment industry is facing another form of cyberattack. Deepfakes, which are AI-generated videos that feature someone else speaking or doing something. Posing a serious risk to actors themselves, not to mention their agencies. As such, YouTube has rolled out a big update to its likeness detection tools. YouTube can achieve this by collaborating with leading talent management firms. Such as Creative Artists Agency (CAA), United Talent Agency (UTA), and William Morris Endeavor Entertainment (WME). This program enables celebrities and entertainment stars to keep track of their images on the website, regardless of whether they have their own channels. Protecting the stars in the age of AI. The development of AI-based facial recognition represents a breakthrough regarding online safety in the entertainment industry. Traditionally, the sector used "Content ID" to ensure that its copyrighted material is safeguarded. However, preserving a person's physical appearance and voice are even more complex issues. In making sure that celebrities have the same technology applied to films or music, YouTube recognizes the value and sensitivity of a person's identity. As far as I am concerned, it is an inevitable step that social media sites need to take. The increase in deepfakes is not only related to the spread of false information but also to the "digital consent" of the performers themselves. Though most fans use artificial intelligence to create parodies, the risk of using it to cause harm is very high. It would be wise for the agencies to become the "digital bodyguards" of their clients. Final thoughts. With the continued development of AI, its methods of regulating its use must also evolve. The recent change made by YouTube reflects the company's dedication to "Social Responsibility" by placing an emphasis on the welfare of those individuals at the core of the entertainment sector. By ensuring that talent and their management can identify and remove any deepfake videos without consent, YouTube is contributing to a safer digital ecosystem. Ujwal 138 posts 0 comments Crafting content for creators. As a content writer immersed in the YouTube universe, I create insightful, actionable blogs that empower YouTubers to grow, engage, and thrive. Whether it's algorithm updates, audience building, or monetization hacks - I write keeping creators in mind