Full-Time

Manager – Post Production

Loyola Marymount University

Loyola Marymount University

Compensation Overview

$87k - $117.5k/yr

Los Angeles, CA, USA

In Person

Evenings and some weekend work during production periods; travel on short notice for set visits or trade shows.

Category
Operations & Logistics (2)
,
Required Skills
Animation
Risk Management
Requirements
  • Typically, a Bachelor’s Degree or equivalent experience; M.F.A. is preferred.
  • A minimum of seven years of varied and progressively more responsible duties in the post-production area of the entertainment industry, such as strong track record as Post Production Supervisor in Film and Television, experience as an editor, assistant editor or sound editor, experience in project delivery (active/passive), experience in virtual production, and experience in Animation.
  • Proven track record in staff management.
  • Direct working knowledge of all aspects of film and television production including production workflow, scheduling, budgeting, risk management and insurance, minor’s work requirements, guild and union contracts, equipment, facilities and accounts.
  • Ability to research, learn, and test updates and new software and hardware to support SFTV classes, work closely with LMU IT to resolve software and hardware issues, and adapt to changes in curricula and assist with implementation.
  • Ability to travel at short notice, including for set visits out-of-town or trade shows.
  • Excellent written and verbal communication skills.
  • High level of discretion and judgement to handle confidential information within the academic environment.
  • Keen understanding of the role of academic support staff in interaction with students.
Responsibilities
  • Leads the strategic integration of the Animation and Theater teams into the Post Production department under the direction of the Head of Production.
  • Oversees all SFTV Post-Production facilities, workflows, scheduling, and maintenance for both production and class use, including maintenance and upgrade of all Post Production facilities and labs; facilities’ scheduling for individual student use; classroom support; internal SFTV help desk/repair ticket system.
  • Oversees and is accountable for managing the overall Post Production budget and associated sub-budgets; ensures costs are forecasted, overages avoided, and staff adherence to purchasing and reconciliations processes.
  • Leads and models adherence to standards, policies, and procedures as outlined in the Post Production Handbook; ensures standards are clearly and accurately defined and oversees publication of the Post Production Handbook.
  • Advises the Head of Production and faculty on annual and off-cycle equipment requisition requests.
  • Oversees and supervises SFTV post-production staff, including Editing Support Specialist, Sound Support Specialist, Animation Support Specialist, Theater Support Specialist / Manager, Post-Production Help Desk and other student workers (approx. 60 total); supervision includes recruitment, hiring, onboarding, training, evaluation, performance management, and close oversight of staff’s activities.
  • Serves as the point person and solves technical problems for students, faculty, and staff; ensures proper, complete and updated software installs in labs and on specialized computers; manages small-scale and large-scale technical projects with assigned staff members; works with staff to test new hardware and software with a focus on post-production needs.
  • Collaborates with Production Administration, Camera, Production Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen.
  • Develops long-term plans for the department, including post-production workflows including picture, sound, visual effects and virtual production; software and equipment strategies, and budgets; researches and recommends new replacement software and hardware to support the curriculum; new equipment and methods.
  • Oversees comprehensive training and resources to support students, staff, and faculty, including development of tutorials, documentation, and video tutorials to facilitate understanding of software, hardware, and post-production workflows, including 2K, 4K, and future UHD workflows; training for post-production graduate students, teaching, and lab assistants; training and managing Post-Production Help Desk student workers; provides one-on-one training in various aspects of post-production hardware and software for faculty and staff development; designs focused tutorial sessions.
  • Stays current with industry standards and technical developments, which may include attending trade shows, webinars, and industry events; disseminates information about new trends to the SFTV community and fosters discussion about the technical future of the school.
  • Participates in planning and execution of both internal and outward-facing events, including screenings, showcases, festivals, and panel discussions; supports the technical needs of the event itself as well as their audio and multi-cam capture and streaming.
  • Liaises with faculty on current needs and long-term planning.
  • Assists in cross-functional work with the Dean’s Office, Administration and Operations, Faculty Services, Student Services and/or other SFTV departments, including public events or any other use of SFTV facilities or resources.
  • Collaborates with the IT department on hardware and software upgrades and maintenance; consult SFTV Operations department on RMP computer/laptop requests and parameters for software purchases.
  • Interfaces with Facilities Management on installations and renovations, as directed by the Head of Production and the SFTV Director of Operations as needed.
  • Other duties as assigned or requested.
Desired Qualifications
  • M.F.A. is preferred.
  • Experience in a corporate environment is highly desirable including experience with HR processes, record keeping, inter-collegial and inter-departmental interactions, and professional communications.
  • Experience in a university setting is desirable.
  • Experience in project management is strongly desired.
  • Experience in the WorkDay platform highly desired.
  • Certification (or willingness to get certification) as an Avid ASCR and with other post-production software (such as Adobe products/Pro Tools/DaVinci Resolve) taught in SFTV classes.
Loyola Marymount University

Loyola Marymount University

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