Full-Time
Produces films, television, and interactive media
No salary listed
Madrid, Spain
Hybrid
Hybrid role; on-site in Madrid required.
See people who can refer or advise you
Skydance is a media company that creates and distributes content across several entertainment formats, including feature films, television series, animation, and interactive VR experiences. Its films and shows are released to global audiences, and it also develops original virtual reality games and IP-based experiences, collaborating with partners like Ilion Animation Studios. Revenue comes from box office sales, streaming licensing, and selling interactive games. Unlike organizations that focus on a single medium, Skydance operates across multiple formats and genres to build and monetize intellectual property worldwide. Its goal is to provide high-quality entertainment that spans cinema, television, animation, and immersive interactive experiences, growing its brands and audiences across platforms.
Company Size
201-500
Company Stage
Debt Financing
Total Funding
$2.4B
Headquarters
Santa Monica, California
Founded
2010
See people who can refer or advise you
Help us improve and share your feedback! Did you find this helpful?
Hybrid Work Options
Inside David Ellison's desperate fight for Warner Bros. PUBLISHED: August 12, 2026 at 6:20 PM EDT UPDATED: August 12, 2026 at 6:24 PM EDT By Meg James, Los Angeles Times In less than a month, Paramount Skydance Chief Executive David Ellison has exhibited a dizzying range of emotions as the goal line for the coveted $111 billion Warner Bros. Discovery deal has moved farther away. The tech scion initially exuded confidence that Hollywood's biggest merger in decades was on a fast track to completion by September. Ellison and others downplayed efforts by California Attorney General Rob Bonta to challenge the acquisition - until Bonta and 11 other Democratic state attorneys general gained momentum in their antitrust lawsuit, which now threatens to derail Paramount's Warner Bros. deal or, at least, make it significantly more expensive. Ellison and his executives have vacillated from anger to acceptance. Last week, Ellison attempted a high-profile reputation reboot, extolling his love for movies and blaming politics for opposition to the deal. The mogul has told investors the company is willing to negotiate a settlement with Bonta in hopes of completing the massive merger as soon as possible. But Ellison also is making contingency plans to shift Paramount's historic home base from Melrose Avenue to Tennessee - or perhaps Texas - as early as this fall. Paramount's board has approved Ellison's relocation plans, according to people familiar with the situation who were not authorized to speak publicly. Ellison shared the concept with his executive leadership team in a meeting last Wednesday but said his preference was to remain in California, these people said. The proposal includes potentially selling the 65-acre Paramount lot in Hollywood - as well as the larger Warner Bros. campus in Burbank, should Paramount prevail in the merger battle. Such sales would generate revenue to help pay merger costs, one of the knowledgeable sources said. Paramount's sudden relocation plan has further rattled Hollywood, which already is reeling from thousands of job losses in recent years. Bonta, in a statement Tuesday, blasted Paramount's latest strategy, calling it "another attempt to blackmail the state into letting an illegal deal through." "Paramount has lost the plot as it continues to lose in court," Bonta said. "My office remains committed to stopping illegal consolidation and protecting a vibrant California economy for businesses that play by the rules." Behind Paramount's pivot is a desperate scramble to bolster its legal case and muster funds to help finance a deal Warner shareholders approved in April. Paramount offered to pay Warner investors $31 a share as well as so-called "ticking fees" of 25 cents per share for every quarter after Sept. 30 until the transaction closes. That sweetener was intended as a show of confidence that Paramount's deal would sail through its regulatory reviews, unlike a Netflix acquisition that faced more regulatory scrutiny. Netflix subsequently dropped its bid. Paramount was banking on the swift approval of the U.S. Department of Justice, which arrived in June. President Trump is friendly with the Ellison family, and he has been eager for a shakeup at CNN, one of Warner's properties. "Ellison thought he had an ace in the hole with Trump [and] the DOJ, but it backfired on him because the clearance was so obviously rubber-stamping," London-based media analyst Alice Enders said. "Now, the issues have resurfaced and it's a costly potential delay." The ticking fees could add $7 million a day - or $650 million a quarter - to the $81 billion that Paramount had already anticipated paying Warner shareholders. (Paramount also agreed to absorb about $30 billion of Warner Bros. debt left over from last merger, in 2022.) Ellison has repeatedly defended his proposed purchase, saying the tie-up does not threaten competition because Hollywood has been transformed by Netflix and other deep-pocketed tech giants. Already, Paramount has received clearances from 65 foreign regulators, including Britain and the European Commission. To accelerate California approvals, Paramount requested a November trial date for Bonta's suit. Instead, U.S. District Judge Araceli Martínez-Olguín scheduled a March 2 trial - dealing another blow to Paramount. Ticking fees alone could add $2.1 billion to the cost of buying Warner Bros. In addition, Paramount said that delaying the transaction until next spring will add $190 million in bridge loan financing costs. Paramount disclosed that it had $1.6 billion in cash on hand and a revolving loan of $3.2 billion available for its use. If the deal fails to close by June 4, Paramount would have to pay Warner Bros. a $7-billion breakup fee. That's when Warner's board could pull the plug on the Paramount deal. Puck News first reported Ellison's latest plan to quickly move Paramount's operations as soon as October. "This is a plan - not a threat," said a person who was in the room when Ellison discussed his plans but who was not authorized to comment. The relocation campaign echoes a tactic employed by software giant Oracle Corp., co-founded by Ellison's billionaire father, Larry Ellison. Oracle was based in Redwood City for three decades, but in late 2020, the company moved its headquarters to Austin, Texas, joining other California tech firms leaving in protest of the state's high taxes and steep cost of living. Then, two years ago, the elder Ellison announced that Nashville would host Oracle's new headquarters. At the time, Oracle saw that state's healthcare industry as a promising growth business. Oracle since has bet heavily on artificial intelligence. In contrast, it would be difficult for Paramount to pack up its operations because it depends on producers, directors, writers and stars to make its TV shows and movies. The two studio lots also boast dozens of soundstages; century-old fortresses that would not be easily duplicated. And many Paramount executives are not eager to leave Los Angeles. Some observers questioned Paramount's willingness to carry out a move, which surfaced a week after David Ellison's guest essay in the New York Times, which described his love of Hollywood and movies ever since he was a boy. Ellison believes the proposed Warner merger is the best way to save Hollywood, saying the combination of two storied studios would strengthen not harm the film industry. "One moment he's promising to reinvigorate theatrical releases. The next he's talking about uprooting two historic companies and moving them 2,000 miles away in order to avoid a lawsuit," said Gabriel Kahn, journalism professor at USC Annenberg School for Communication. Paramount's corporate headquarters are in New York but after the Ellison family's acquisition last year, the center of gravity shifted west. Ellison and other top executives live in Los Angeles. Another corporate move wouldn't disrupt Bonta's lawsuit, experts say. Instead, they suggested Paramount's flurry of recent activities - including winning the support of two large theater chains, AMC and Regal, with promises of a robust movie pipeline post-merger - appeared to be part of a public relations and pressure campaign. "They lost a lot of leverage now that the trial is set for March," said Abiel Garcia, a former prosecutor and partner at the Manhattan Beach firm Kesselman Brantly Stockinger. "And when you don't have leverage in court, you go the political route," he said, adding that Paramount seems to be angling for Gov. Gavin Newsom to join the fight. Newsom, who has presidential ambitions, has been sensitive to the flight of companies from California. However, he has avoided picking a side in the messy merger squabble. What's more, the governor lacks authority to intervene in the lawsuit brought by Bonta and 11 other state attorneys general. "All I know is that if I was governor, I wouldn't want to lose Hollywood from this state, I wouldn't want to lose a major company like Paramount to another state," Paramount Chief Legal Officer Makan Delrahim said late Tuesday at a Politico Live conference in Sacramento. He had been asked about the stances of Newsom and his potential successor, Xavier Becerra, the Democratic gubernatorial nominee. "I hope it settles before court," Becerra said at the conference. "It is easier to stand in a conference room and settle than it is to stand in a courtroom." Delaying the trial until March has been "devastating," Delrahim said, adding that Paramount proposed settlement terms on May 19 - but the state attorneys general instead moved forward with their suit. "It's costing jobs. It's costing a lot of uncertainty for a lot of our employees, for Warner Bros. employees," Delrahim said. Still, Garcia and others expressed doubts about Paramount's full-court press. "It just feels a little over the top. It feels like a PR blitz," Garcia said. "It suggests to me that they think their case is weaker than I even thought." (C) 2026 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.
Paramount Skydance reports mixed second quarter as Warner deal faces March trial. 05 Aug 2026 04:08AM (Updated: 05 Aug 2026 06:33AM) Add CNA as a trusted source to help Google better understand and surface our content in search results. LOS ANGELES, CALIFORNIA, Aug 4: Paramount Skydance reported mixed second-quarter results on Tuesday, with higher streaming and studio revenue offsetting declines in television, as the company works to close its planned $110 billion acquisition of Warner Bros. Discovery. The entertainment giant's revenue rose 1 per cent to $6.91 billion, exceeding estimates of $6.88 billion, according to data compiled by LSEG. Second-quarter profit came in at $41 million, or 4 cents a share, compared with analyst estimates of $109 million or 9 cents a share. Paramount CEO David Ellison said he expects to close the merger with Warner Bros. even as a federal judge on Tuesday set a March trial date for an antitrust suit brought by a dozen states seeking to block the deal. In an earnings call, Ellison said the company is "absolutely open to finding a solution out of court, but we also really believe that we'll win at trial." For the second quarter, Paramount's streaming business reached nearly $2.5 billion in revenue, up 9 per cent from the same quarter a year ago. The company said the "Yellowstone" sequel, "Dutton Ranch," and sporting events like the UFC Freedom 250 cage match and the FIFA World Cup helped its marquee Paramount+ service add 2 million new subscribers, bringing the total to 81.6 million. Chief Operating Officer Andy Gordon told Reuters the company has merged its streaming services onto a single technology platform, allowing it to more effectively promote content. For the second quarter, Paramount's studio business reported revenue of $1.3 billion, reflecting strong sales to third parties like Netflix and Amazon Prime Video, and better content licensing, offset by a weaker summer theatrical slate whose highlight was "Jackass: Best and Last," compared with last year's "Mission: Impossible - The Final Reckoning." Gordon said Paramount has made headway in consumer products licensing, striking a multiyear deal with Mattel for its Teenage Mutant Ninja Turtles entertainment brand. Sales for the television unit, which includes broadcaster CBS and cable networks such as Comedy Central, declined 9 per cent to $3.1 billion. The company expects revenue in the current quarter ending in September to range between $6.95 billion and $7.15 billion, based on higher expected gains in streaming and studios, with profit before certain items expected to reach between $875 million and $975 million. The company said the lawsuit filed by California and 11 other states, seeking to block its planned $110 billion acquisition of Warner Bros "does not reflect the realities of today's highly competitive entertainment marketplace," in its earnings statement. A federal judge in California ruled on Tuesday that the lawsuit will go to trial in March next year. Ellison published an essay in the New York Times on Tuesday, arguing that the concern over the pending merger stemmed less from market concentration than "whether I can be trusted as a steward of Warner's CNN." Ellison promised it would remain independent, a statement that affirmed his interest in keeping the news network as part of the deal. Paramount agreed to pause the transaction until June 2027 at the latest, as it awaits a ruling in the antitrust case. The company could owe as much as $1.7 billion in ticking fees to Warner Bros. shareholders if the deal is delayed until then. The fee costs $7 million a day if the merger does not close by September 30.
Paramount to unwind Universal joint venture to secure WBD acquisition. Discover more Executive Branch Geographic Reference Paramount Skydance has offered concessions to the European Commission, including unwinding its joint film venture, to secure approval for its 110 billion dollar Warner Bros. Discovery acquisition. Meanwhile, Oregon has filed for a deal delay, and British regulators weigh interventions over media and streaming impacts. The cinema landscape in Europe and the broader global entertainment market face a significant shake-up as Paramount seeks regulatory clearance for its massive industry consolidation. The European Commission extended its decision deadline to July 22 after Paramount offered structural remedies, shifting the timeline for a deal that has triggered antitrust scrutiny on multiple fronts. Ditching the Universal joint venture in Europe. To appease antitrust enforcers in Brussels, Paramount proposed dismantling its long-standing distribution partnership with Universal Pictures. The 50-50 joint venture, known as United International Pictures, has operated across international territories for decades, handling releases in roughly 100 markets. Under the terms submitted to the European Commission, Paramount must fully unwind its links to UIP within 13 months of closing the Warner acquisition. Headquartered in Chiswick, west London, UIP posted sales of nearly £198M ($263M) in 2024, according to accounts filed at the UK's Companies House. The firm recorded a pre-tax profit of £12.2M during that period. While the company once boasted box office takings of 2.5 billion dollars during its peak, its footprint shrank significantly in 2007 when Paramount and Universal took direct control of distribution in major markets like France, Italy, and Brazil. Paramount's exit leaves uncertainty for UIP's 200 employees, even as the firm continues handling titles from other studios, such as Lionsgate's Michael. Former executives note that the dissolution marks the end of an era that combined major Hollywood studio slates with local European decision-making. Regulatory hurdles across the Atlantic and in britain. While the European antitrust enforcer moves toward potential clearance following the proposed remedies, Paramount faces mounting pressure in other jurisdictions. In the United States, the Department of Justice cleared the transaction, but state attorneys general are mobilizing. Oregon's attorney general initiated legal action demanding a court order to halt the transaction. Oregon Attorney General Dan Rayfield filed for a 60-day delay on closing and requested that Paramount Skydance hand over documents regarding lobbying efforts for the merger. State officials accused the company of dodging subpoenas while racing to finalize the agreement before antitrust investigations conclude. Additional U.S. states, including New York and California, are also preparing lawsuits to block the merger. Across the Atlantic, British authorities indicated they may intervene independently. The UK government flagged concerns regarding the merger's potential impact on news broadcasting, children's television programming, and streaming services. Industry concentration and cinema operator concerns. Industry analysts and cinema advocacy groups question whether shedding joint distribution ventures will truly protect market competition. The International Union of Cinemas, representing operators across 39 European territories, argues that while the UIP remedy addresses structural distribution issues, it fails to resolve broader risks tied to theatrical windows and exclusive distribution arrangements outside UIP territories. Independent market observers point out that folding major studio operations together merely consolidates power among fewer corporate entities. One industry executive noted that market pieces will simply shift between fewer players, resulting in diminished competition and a lack of incentive for innovation. "While the remedy addresses an important structural issue, it does not tackle similar risks that arise from theatrical distribution arrangements outside the UIP territories, nor does the Commission decision address a number of wider concerns that UNIC raised throughout the review." Discover more Engineering & Technology Politics (Right) College Sports Laura Houlgatte, UNIC Chief Executive, via Deadline Alternative distribution realities for Paramount. Once outside of UIP, Paramount will need to establish alternative distribution networks in nearly 100 territories. While the studio could potentially leverage Warner Bros. Pictures operations or piggyback on existing partnership agreements - such as Warner's arrangement with SF Studios in the Nordic region - strict regulatory conditions apply. Any third-party partner handling Paramount's slate must maintain zero distribution ties to Universal or Disney to avoid violating European Commission rules. Observers emphasize that divesting from a 44-year joint venture is a calculated concession for Paramount when weighed against the scale of an industry-reshaping transaction valued at 110 billion dollars. Even so, navigating individual market restrictions and lingering state-level lawsuits in the U.S. means the path to final execution remains turbulent. Pending rulings and next decisions. The European Commission holds the immediate timeline. Market watchers await whether Brussels will accept the structural carve-outs as sufficient or demand deeper concessions, while courts in the United States review state-level requests to pause the merger timeline. Worth a look July 30, 2026 In "Entertainment" European Union antitrust regulators signed off on the $110 billion Paramount-Warner Bros. Discovery merger this Wednesday, contingent on specific distribution concessions. While this provides a major regulatory win, the deal remains stalled in the United States by a temporary restraining order issued last week following a lawsuit from state attorneys... July 22, 2026 In "Entertainment" July 22, 2026 In "Entertainment" Culture critic with bylines in Variety and Rolling Stone. Tracks film, TV, music and celebrity trends across continents.
Watch the new trailer for Matchbox The Movie, premiering October 9 on Apple TV. Apple Original Films has released the new trailer and teaser key art for "Matchbox The Movie," the upcoming action-adventure inspired by the iconic Mattel toy line. The film will premiere globally on Apple TV on October 9, 2026, marking the latest collaboration between Skydance Media and Mattel Studios. "Matchbox The Movie" follows a group of friends who have known each other since childhood. Their quiet routines in a small town are disrupted when Sean (John Cena), their long-absent former leader and now an undercover CIA agent, unexpectedly returns home. His arrival sets off a chain of events that pulls the group into a fast-moving international pursuit, placing them at the center of a mission with global stakes. The film blends large-scale action with character-driven storytelling, using the Matchbox brand as a jumping-off point for a narrative focused on loyalty, friendship, and the unexpected ways ordinary people can be drawn into extraordinary circumstances. Production details. An Apple Original Film, "Matchbox The Movie" is directed and executive produced by Sam Hargrave, known for his work in high-intensity action filmmaking. The screenplay is written by David Coggeshall. The film is produced by David Ellison, Dana Goldberg, and Don Granger for Skydance, with Robbie Brenner and Ynon Kreiz producing for Mattel Studios. Jules Daly also serves as producer. Executive producers include Sam Hargrave, Patrick Newall, and Elizabeth Bassin. Cast. * John Cena * Jessica Biel * Arturo Castro * Sam Richardson * Teyonah Parris * Danai Gurira * Golshifteh Farahani * Corey Stoll * Bill Camp Creative team. * Director: Sam Hargrave * Writer: David Coggeshall * Producers: David Ellison, Dana Goldberg, Don Granger, Robbie Brenner, Ynon Kreiz, Jules Daly * Executive Producers: Sam Hargrave, Patrick Newall, Elizabeth Bassin
'Swapped' swoops up to No. 9 on Netflix all-time Movies list. July 28, 2026 Having officially scored a spot on the chart last week, Skydance Animation's Swapped has climbed from No. 10 to No. 9 on Netflix's list of Most Popular Movies of All Time with a total of 143.2 million views. Total views for this chart are counted across a film's first 91 days of streaming on the platform. The 3D CG buddy adventure directed by Nathan Greno (Tangled) also feathered its nest with another week on the top 10 English Film List, landing at No. 8 in its 11th week of release with 3.4M views over the period. Michael B. Jordan and Juno Temple lead the voice cast of Swapped, a big-hearted adventure that centers on sworn enemies who magically swap species, and must experience life in each other's feathers and fur to save their shared wilderness. Watch it on Netflix. The Oscar-winning phenomenon KPop Demon Hunters (Sony Pictures Animation) remains the No. 1 Most Popular Movie on Netflix with its 325.1M views, and is the only other animated feature on the list beside Swapped. The music- and magic-fueled adventure helmed by Maggie Kang and Chris Appelhans also maintained its melodious hold on the weekly Top 10 over a year since its premiere, coming in at No. 7 in its 58th frame with 3.7M views. The English Film List welcomed a third animated entry this week, as new addition Monsters vs. Aliens from DreamWorks Animation (2009) snagged the No. 10 slot with 3M views. And on the Non-English TV List, Season 3 of the popular anime series Jujutsu Kaisen slashed its way to No. 10 in its sixth week of Netflix streaming with 1.5M views.