Full-Time
Updated on 9/4/2026
Ad-supported free movie and TV streaming
$292k - $417.2k/yr
Remote in USA + 3 more
More locations: San Francisco, CA, USA | Los Angeles, CA, USA | New York, NY, USA
Hybrid
The role is hybrid in New York and also offers a fully remote option within the United States.
Master's, PhD
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Tubi provides free, on-demand streaming of movies and TV shows in the United States. It operates on an ad-supported model, meaning users can watch a wide library without paying a subscription, with revenue coming from video ads shown during playback. The service is targeted at budget-conscious viewers who prefer streaming to cable and want access to a broad catalog without fees. Tubi’s offering works by delivering licensed video content through an online platform and inserting advertisements to fund operations, letting users watch for free. Compared with paid streaming services, Tubi stands out as the leading free option in the U.S. market; its primary differentiators are zero subscription costs and an extensive ad-supported catalog. The company is focused on expanding beyond the U.S. by achieving GDPR compliance to re-launch in Europe, signaling a goal to grow its user base in new markets while maintaining free access funded by advertisers.
Company Size
501-1,000
Company Stage
Acquired
Total Funding
$75M
Headquarters
San Francisco, California
Founded
2014
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Compensation - Every employee is paid a competitive & equitable salary.
Benefits - We offer generous coverage for health, dental, vision, and more for you and your dependents.
Parental Leave Program - We are proud to support growing families of all shapes and sizes and types. We welcome each new addition with generous paid time off to bond with your new addition.
Wellness - Tubi cares about your well being inside and out. That’s why we offer multiple coverage options for mental and physical well being for you and your family as well as a fitness stipend.
Tuition Reimbursement Program - Your professional growth and development are important to Tubi and we’re here to support you.
401(k) Match - Investing in your future is important to us. From our highly-rated retirement savings matches to financial advisors and planning services, we offer many resources to help keep you financially fit.
New horror releases and incidents - september 2, 2026. Today's digest. Today, the horror genre sees exciting developments with Tubi's announcement of 'Bite Size Terror,' a short-form anthology series set for fall release. Additionally, the remake of the Japanese film 'Pulse' will be directed by Dave Boyle, reflecting the ongoing trend of international remakes. In a more somber note, a recent stabbing spree in Times Square has raised concerns about public safety and mental health. These stories highlight the evolving landscape of horror entertainment and real-life events that resonate with the genre's themes. Reading time: 5 minutes Tubi sets short-form horror anthology series 'bite Size Terror' for fall release (EXCLUSIVE). Tubi is set to release a new short-form horror anthology series titled "Bite Size Terror" this fall, aiming to cater to the growing demand for bite-sized content in the streaming landscape. This development is particularly relevant as streaming platforms increasingly compete for viewer attention with diverse and innovative programming formats. The anthology will feature a collection of horror stories, each with a runtime of approximately 10 minutes, allowing viewers to experience quick, thrilling narratives without a significant time commitment. This format aligns with current trends where audiences favor shorter, easily consumable content, especially in the horror genre, which has seen a resurgence in popularity. According to Variety, the series is designed to attract both horror enthusiasts and casual viewers looking for quick scares. The decision to produce "Bite Size Terror" reflects Tubi's strategy to enhance its content library and appeal to a broader audience, particularly as competition in the streaming sector intensifies. From an analytical perspective, the introduction of this series could signify a shift in how horror content is created and consumed. Short-form storytelling allows for experimentation with narrative styles and themes, potentially leading to innovative approaches within the genre. Additionally, it may encourage viewer engagement, as audiences might be more inclined to sample multiple episodes in one sitting. The implications of this release could be significant for Tubi's market positioning. As the platform seeks to differentiate itself from larger competitors like Netflix and Hulu, "Bite Size Terror" could serve as a unique selling point, attracting new subscribers drawn to niche content. Furthermore, if successful, this format may inspire other platforms to explore similar short-form anthology series, potentially reshaping content strategies across the industry. In conclusion, Tubi's "Bite Size Terror" represents a strategic move to capitalize on the popularity of short-form content in the horror genre, which may influence future programming trends and viewer habits in the streaming landscape. 'Pulse' remake: Dave Boyle to direct for Screen Gems & Spyglass. Dave Boyle has been announced as the director for the upcoming remake of the Japanese horror film "Pulse," produced by Screen Gems and Spyglass, in collaboration with Parker Finn's Bad Feeling. This development is significant as it underscores the ongoing trend of remaking successful international films for Western audiences, a practice that has sparked both interest and criticism in the film industry. Originally released in 2001, "Pulse" (or "Kairo" in Japanese) explores themes of isolation and the impact of technology on human connections, making it particularly relevant in today's digital age. The original film garnered a cult following for its atmospheric storytelling and psychological horror elements, raising expectations for the remake. Boyle's involvement is noteworthy, given his previous work in the genre, which may bring a fresh perspective while honoring the original's essence. The relevance of this remake lies in the broader context of the film industry, where studios are increasingly looking to capitalize on established intellectual properties to attract audiences. This trend raises questions about creativity and originality in Hollywood, as remakes often face scrutiny from fans of the originals and critics alike. The success of such projects can hinge on the director's vision and the ability to resonate with contemporary audiences while retaining the core themes that made the original film impactful. As the production progresses, it will be essential to observe how Boyle interprets the source material and whether the remake can capture the same haunting atmosphere that defined the original "Pulse." With the film set to enter a competitive market, its reception could influence future adaptations of international films and the approach studios take toward remakes. In conclusion, the announcement of Dave Boyle directing the "Pulse" remake signals a continued interest in reimagining classic horror films, reflecting both the challenges and opportunities within the industry. The film's development will be closely watched, as it may set a precedent for how remakes are received in an increasingly discerning audience landscape. According to Deadline, further updates on the project are anticipated as it moves forward. Wife of survivor of Times Square stab spree recounts horror before NYPD shooting kills attacker. A recent stabbing spree in Times Square resulted in the death of an attacker and left a survivor hospitalized, highlighting ongoing concerns about mental health and public safety in urban areas. According to the New York Daily News, the incident occurred when a 68-year-old man was randomly attacked by 49-year-old Pamela Cisneros shortly after he exited the subway with his wife. Cisneros, who had a documented history of mental illness, subsequently fatally stabbed a Bank of America vice president, Erin Piacenti, before being shot by NYPD officers. This incident is particularly relevant as it underscores the unpredictable nature of violence in public spaces and raises questions about the adequacy of mental health support systems. The survivor's wife described the horror of the attack, noting that they were simply visiting New York City and had no indication of the impending danger. "Everything so traumatic, so surprising," she remarked, emphasizing the shock and fear experienced by innocent bystanders. Witnesses reported the chaotic scene, with one describing the survivor bleeding profusely and pleading for help. The rapid response of bystanders and law enforcement was crucial in managing the situation, but it also reflects the challenges faced by police when dealing with individuals exhibiting violent behavior linked to mental health issues. Cisneros's brother revealed that she had struggled with mental health for decades, raising concerns about how such individuals are monitored and treated in society. As the survivor recovers, the implications of this incident may lead to renewed discussions on mental health policies and public safety measures. The mayor's call for New Yorkers to support the victim highlights a community's need to come together in the face of violence. Moving forward, there may be increased scrutiny on how cities handle mental health crises and the resources available to prevent such incidents from occurring in the future.
Tubi announces new multi-territory content licensing deals with NBCUniversal Global TV Distribution and Sony Pictures Entertainment. August 26, 2026 Tubi (www.tubi.tv), Fox Corporation's (NASDAQ: FOXA, FOX) free streaming service which recently surpassed 110 million monthly active users, today announced content licensing deals across multiple territories with NBCUniversal Global TV Distribution and Sony Pictures Entertainment, bringing more than 450 library movies and TV episodes to viewers across Australia, Canada and the U.K. The agreements mark the latest milestone in Tubi's international expansion as the streamer builds greater scale across markets and deepens relationships with major global content partners. Tubi is seeing strong international momentum with the UK already posting more than 50% year-over-year growth in total viewing time and monthly viewers, alongside sustained double digit growth in Canada and Australia. "As Tubi continues to scale internationally, we're deepening our partnerships with the world's leading studios to deliver an experience that is both globally compelling and locally relevant," said David Salmon, Executive Vice President and Managing Director, International, at Tubi. "These agreements with NBCUniversal and Sony Pictures Entertainment give viewers across Australia, Canada and the U.K. even greater access to premium movies and television for free, while strengthening the breadth, choice and discovery that set Tubi apart." Below are select library titles to be made available over the next year in Australia, Canada and The U.K. from NBCUNIVERSAL GLOBAL TV DISTRIBUTION and SONY PICTURES ENTERTAINMENT. Movies coming to Tubi's library from NBCUniversal include: Along Came Polly (UK), Blockers (AU), Casino (CA), Dawn of the Dead (AU), Eternal Sunshine of the Spotless Mind (UK), Ex Machina (AU), Fast and Furious Presents: Hobbs and Shaw (CA), Forgetting Sarah Marshall (UK) Glass (CA), Happy Gilmore (CA), How to Train Your Dragon (CA), Jane Eyre (AU), Johnny English (CA), Jurassic World (CA), Lady Bird (AU), Meet the Fockers (CA), The Mummy (CA), Shaun of the Dead (UK) The 40 -Year-Old Virgin (CA) and Van Helsing (CA). Movies coming to Tubi's library from Sony Pictures Entertainment include: A Knight's Tale (AU), Ace Ventura: Pet Detective (CA), Angels & Demons (UK), Baby Driver (UK), Black Hawk Down (AU), Cloudy with a Chance of Meatballs (CA), The Da Vinci Code (UK), Easy A (AU), Eat Pray Love (UK), The Fifth Element (CA), Ghostbusters (2016, CA), The Green Hornet (CA, UK), Hostel (UK), Hotel Transylvania (CA), Jack and Jill (UK), Jumanji (AU, CA), Once Upon a Time in Hollywood (UK), The Other Guys (CA, UK), Passengers (CA), The Punisher (AU, UK), Resident Evil (2002, CA, UK), Sleepless in Seattle (CA), and Talladega Nights: The Ballad of Ricky Bobby (UK) Company News Tubi boasts the world's largest collection of on-demand content: more than 375,000 movies and TV episodes, including over 400 Tubi Originals and 25,000 creator episodes, serving as a destination for premium storytelling. Tubi has always been the place where viewers can get lost in their favorite content rabbit holes, and this year they dove even deeper into their favorite fandoms, including horror, sports, reality, food, and comedy. Over the last 12 months, viewers streamed over 13 billion hours on Tubi, including a record 3.4 billion hours in the fourth quarter. Tubi's Content Acquisition and Partnerships team, led by Sam Harowitz, oversees global content licensing deals for the platform. Alonso Carrillo brokered the multi-territory deals on behalf of Tubi with NBCUniversal Global TV Distribution and Sony Pictures Entertainment. About Tubi Boldly built for fandom, Tubi is a free on-demand streaming service that entertains over 110 million monthly active users. Tubi offers the world's largest collection of Hollywood movies and TV shows, thousands of creator-led stories, and hundreds of Tubi Originals made for the most passionate fans. Headquartered in San Francisco and founded in 2014, Tubi is part of Tubi Media Group, a division of Fox Corporation.
Tubi launches a new horror Hub. August 18, 2026 Horror fans won't need to wait until October to celebrate their favorite movie genre. Free streaming service Tubi announced today the launch of the Terror on Tubi Hub, creating a permanent home for horror content. Horror is a fan favorite on the streaming service, with Tubi noting that users stream over 53 million hours of horror on the platform each month. There's no shortage of titles. Tubi has more than 13,000 hours of horror content from slashers to supernatural thrillers, both blockbusters and under-the-radar titles from up and coming creators. Now, that content will all be easier to find in the Terror on Tubi Hub. "Horror isn't seasonal. For millions of fans, it's their version of comfort viewing: something they return to ritualistically all year round," said Adam Lewinson, Chief Content Officer at Tubi. "We custom-built Terror on Tubi to give that fandom a home so they can indulge in what they already love and then follow the rabbit hole to discover something unexpected." In addition to the existing content on the platform, Tubi will also be growing the Hub this fall with the premieres of new Tubi Original films including Buzzkill, and R.L. Stine's: Pumpkinhead 2, alongside creator-led programming that brings a new generation of horror storytellers and fandoms into the mix. Here's more about the new titles coming soon. Tubi Original Feature Films: * Buzzkill: When a group of sorority sisters find themselves trapped with a vengeful killer, party-girl Nora (Siena Agudong) knows that the drunker she gets, the more her tipsy memories start revealing clues about who's murdering her friends. But she'd better hurry, or her next vodka soda might be her last. * R.L. Stine's Pumpkinhead 2: Based on the story by R.L. Stine, this continuation to the wildly popular movie begins when a new Pumpkinhead curse awakens in Redhaven, and Sam and Becka must stop it before it claims the entire town. Jem Garrard will be returning to write and direct the sequel. Tubi Creator Exclusive Series: * Carter's Haunted House: A next-level expansion of Carter's iconic annual haunted house - now turned into a full behind-the-scenes build-out and terrifying experience. The audience follows Carter from wild ideation and design meetings to shopping trips, set builds, and casting his creator friends... who then must survive the final haunted experience. * Creepers: In a post-apocalyptic wasteland where only teenagers and a handful of struggling adults remain, radiation is turning some teens into unpredictable "Creepers", monsters hiding in plain sight. As they fight to survive and rebuild society, the biggest threats aren't just the creatures outside but the ones their friends might suddenly become. * Unlikely Co-hosts: Kelsi Davies will travel the world to uncover haunted locations, but she isn't making this journey alone. Joining her will be some truly unexpected cohosts, from Adam McArthur, lead voice actor from "Jujutsu Kaisen" and a skeptic that is slowly becoming a believer, to other voice actors from Demon Slayer, WWE stars like Scarlett Bordeaux and Shotzi, and paranormal enthusiasts like George Lopez, who actively wants to investigate with Kelsi. * Ghost Hunting: A group of skeptical comedians confront the unknown as The Try Guys dive into ghost hunting, exploring reportedly haunted locations and testing their fears in search of proof, laughs, and whatever might be lurking in the dark. * Unlisted: Desperate to stay relevant, four washed-up content creators livestream their search for a missing YouTuber linked to a chilling conspiracy video. As they venture deep into the woods in hopes of answers, a fantastical herb and clicks, they uncover something sinister...proving not all content is meant to go viral. The Terror on Tubi Hub is available on the web, mobile, and connected devices. The Hub will also be launching in Canada, the U.K., Australia, and Latin America, with content tailored to each region.
Fox's quarterly revenue surged 28% to $4.21 billion, driven by the FIFA Men's World Cup and its free streaming service Tubi. Advertising revenue jumped 78% to $1.92 billion, largely due to the tournament and Tubi growth. The World Cup, which Fox broadcast across its platforms, averaged 7.7 million viewers over 104 matches. The final between Spain and Argentina drew nearly 39 million viewers on Fox's platforms. Tubi's World Cup hub attracted over 20 million viewers during the tournament. Two early-round matches generated the platform's highest traffic days. Fox One, the company's subscription service priced at $19.99 monthly, also benefited from the tournament. CEO Lachlan Murdoch said distribution revenue increased 5% and Fox One subscribers remain "truly incremental" with minimal cannibalisation of traditional pay TV.
Fandango to be overhauled in bid to rival free streamers like Tubi and Pluto (exclusive). The Versant-owned media company is adding content, changing the brand name and adding new features to grab marketshare free ad-supported streaming space. July 15, 2026 9:00am Versant wants to battle Tubi, Pluto and Roku Channel in a bid for free streaming scale. The media company is overhauling its free streaming service, dropping the "Fandango At Home" branding in favor of a streamlined "Fandango" name, and adding a slew of new content and features as it seeks to grow a meaningful streaming business. Fandango, of course, may be best known as the movie ticket service, selling tickets to new release films across the country. It also has a robust PVOD offering, renting out films that recently left theaters to users at home. The free streaming service is more nascent, but Versant executives say that simply by quietly ramping up the content in recent weeks, the service's engagement has quietly been rising. This week, the company will roll out a full-fledged marketing effort under the tagline "We Love Free" to try and drive users to the rebooted offering, which Versant president of entertainment Val Boreland says will have a 20 percent-plus increase in the number of titles and hours available to stream, including 3,500 hours of Versant-owned content. "We have many hours of content, but now we're focusing on increasing the quality of content we have," Boreland says in an interview with The Hollywood Reporter. "So we're really focused on growing our premium content library. We're curating with hit movies and fan favorite franchises, popular television series. We'll also have sports programming." That sports programming will include Bundesliga, Germany's top soccer league, which inked a deal with USA Sports on Tuesday. It's safe to assume other sports will eventually follow. Boreland says that the service will ultimately also have original entertainment fare as well, though Versant will take its time to do so. "We'll build a slate that's rooted in our own IP and complemented by programming that aligns with what we what we know our audiences will be looking for," she says. According to Will McIntosh, Versant's president of digital platforms, the explosive growth of other free streaming platforms was a big part of why the company is choosing to invest in the space. "Obviously the market has been validated by some of the largest players, Tubi probably most prominently in that," he says, also noting the success of Pluto and Roku Channel, among others. But Versant plans to lean into Fandango's brand identity of new and recent theatrical films to help stand out, as well as its millions of consumers who have accounts to purchase movie tickets or movies at home. "What we think differentiates us from all those different players is that we have this theatrical-adjacent brand that no one else has," McIntosh says. "Any given month we have 50 million consumers who visit either Fandango or Rotten Tomatoes to figure out what they want to watch, whether that is at the movies or at home, and will lean into those as a megaphone." "Where Fandango has a unique advantage is that we can bring audiences in through recent theatrical releases," adds Boreland. "That's something that the others don't really get to take advantage of with our movie library, that offering that we have." Suffice it to say visitors to those websites or apps will be encouraged to check out the revamped streaming service. And the company is pouring resources into an enhanced product offering too, from content recommendations to ad tech. "From an advertising perspective our goal is to have a better experience than what people have today, lower ad loads and ad units and experiences that don't detract from consumption," says McIntosh. "We're going to invest in a very strong recommendation strategy that will help people find the next thing that they love and keep them engaged within the Fandango ecosystem," adds Boreland. "So in some ways, it's similar to what platforms like a Pluto or Tubi have done, but where Fandango has an advantage is the relationship we already have with millions of transactional customers." Longer-term, the goal is to turn Fandango into the heart of Versant's streaming strategy, at least for entertainment and sports, a strategy that will ultimately impact the company's larger entertainment output. "We definitely have obligations to our pay-TV ecosystem, but I also think that windowing is really going to be where we use our strategy to the fullest," Boreland says. "Not everything needs to be on Fandango right away, but it does need to be there at some point. We're also not precious about it living on a third-party platform as well. If our biggest concern is bringing awareness to our content and getting it in front of as many eyeballs as possible wherever that should be, a priority for us is building this Fandango AVOD service, so you will see all of our content eventually end up on that on that platform in some windowing strategy."