A24

A24

Independent film and TV production, distribution.

Overview

A24 is an independent entertainment company focused on making and releasing feature films and television series with a strong emphasis on artistically driven projects and distinct directorial visions. Its products are both produced in-house and acquired from creators, then distributed through theaters, streaming services, television networks, and home entertainment channels. The company generates revenue from box office receipts, licensing deals with streaming platforms and networks, and home video sales. A24 differentiates itself by cultivating a recognizable brand among cinephiles, pursuing bold, character-driven storytelling, and leveraging social media and digital marketing to build buzz around its projects. Its goal is to bring unique, well-crafted cinema and television to broad audiences while earning critical recognition and awards for its work.

About A24

Simplify's Rating
Why A24 is rated
B-
Rated B on Competitive Edge
Rated B on Growth Potential
Rated C on Differentiation

Industries

Entertainment

Company Size

501-1,000

Company Stage

Growth Equity (Venture Capital)

Total Funding

$300M

Headquarters

New York City, New York

Founded

2012

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Simplify's Take

What believers are saying

  • Google’s $75 million June 22, 2026 investment extends runway without surrendering A24’s catalog.
  • Backrooms crossed $200 million worldwide, proving A24 can mint franchise-scale returns.
  • Primetime’s Venice launch and Tony’s national rollout keep A24 visible across prestige and commercial lanes.

What critics are saying

  • July 2026 Backrooms takedowns showed A24’s rights enforcement can alienate its core community.
  • DeepMind workflow tools risk normalizing efficiency over taste, diluting A24’s differentiator by 2027.
  • If AI backlash hits filmmakers like Kane Parsons, talent will choose rival studios with cleaner reputations.

What makes A24 unique

  • A24 still sells filmmaker-first taste; Google’s June 2026 deal funds its creative workflow edge.
  • It owns culture-heavy IP like Backrooms and Primetime, pairing prestige with viral fandom.
  • The brand converts arthouse credibility into consumer products, screenings, and fandom-driven distribution.

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Funding

Total Funding

$300M

Above

Industry Average

Funded Over

2 Rounds

Growth Equity VC funding comparison data is currently unavailable. We're working to provide this information soon!
Growth Equity VC Funding Comparison
Coming Soon

Benefits

Health Insurance

Flexible Work Hours

Performance Bonus

Growth & Insights and Company News

Headcount

6 month growth

1%

1 year growth

0%

2 year growth

0%
Culture.org
Aug 6th, 2026
Robert Pattinson plays Chris Hansen in A24's venice-bound *Primetime*.

Robert Pattinson plays Chris Hansen in A24's venice-bound *Primetime*. A24 drops the full trailer for *Primetime*, Robert Pattinson's Venice-bound drama about the origins of TV's To Catch a Predator. Opens September 25. A24 has released the full official trailer for Primetime, director Lance Oppenheim's drama about the origins of the television program To Catch a Predator, with Robert Pattinson starring as host Chris Hansen. The trailer arrived on August 6, ahead of the film's world premiere in competition at the Venice International Film Festival, with a US theatrical release set for September 25. Pattinson also serves as a producer on the project. The cast includes Merritt Wever, Skyler Gisondo, Phoebe Bridgers, Matthew Maher, and Bokeem Woodbine, who plays a police officer. From teaser to full reveal. A24 had put out a shorter teaser in May, but the August 6 release marks the first full-length look at the film, according to Deadline. The studio first announced the project in October 2024, at which point it was described only as a story about a journalist who investigates crime and transforms television - without explicitly naming Hansen as the subject. The screenplay was written by Ajon Singh. Producers alongside Pattinson include Lars Knudsen, Brighton McCloskey, Tyler Campellone, Fred Berger, and Brian Kavanaugh-Jones. What the trailer reveals. Set in 2006, the film follows Hansen as he sets out to make broadcasting history through his Dateline NBC segments exposing suspected child predators. As firstshowing.net reports, the trailer presents Hansen as someone with his own motivations driving the series forward. The trailer is structured as a split screen, with Pattinson delivering lines that echo Hansen's on-camera confrontations. His character asks subjects what would have happened had he not been there, whether they understand how the situation appears, and whether a man must be held accountable for his choices. He then introduces himself as Hansen with Dateline NBC, telling his subject they can be part of television history. Oppenheim's fiction debut. Oppenheim is best known for documentary work, including Some Kind of Heaven, Spermworld, and the HBO series Ren Faire. Primetime represents his move into narrative fiction. According to firstshowing.net, production took place in New Orleans under the working title Bluefin Tuna. The film arrives in the wake of renewed scrutiny of To Catch a Predator. Firstshowing.net notes that a documentary titled Predators, which premiered at Sundance in 2025, examined the show critically, looking at Hansen's conduct and whether the program genuinely deterred predators or complicated efforts to do so. Primetime appears to be informed by those kinds of questions about Hansen's legacy and his personal drive to put the show on air. The film competes at Venice before opening in US cinemas on September 25. This is one of the more anticipated A24 fall releases, with Pattinson returning to prestige drama after a string of high-profile projects. Tickets and screenings have not yet been announced publicly through the sources available. Patricia gorman. Patricia is a senior reporter at culture.org and has covered arts institutions since 2016. She previously wrote for The Art Newspaper and the Hartford Courant, where she handled... The Film & TV Brief You finished the piece. Get the next one. The stories shaping culture, chosen and explained by its editors. Wednesdays.

IBC
Jul 25th, 2026
EU approves Paramount's WBD acquisition with conditions.

EU approves Paramount's WBD acquisition with conditions. By Staff writer 25 July 2026 The European Commission has approved Paramount Skydance's proposed $110bn acquisition of Warner Bros. Discovery. However, the commission said the approval is conditional upon full compliance with commitments offered by Paramount - including withdrawing from Universal International Pictures (UIP), its film distribution joint venture with Universal. The commission ruled that if UIP also distributed Warner films, "it would have led to worse rental and distribution terms for cinema operators, ultimately disadvantaging consumers." Paramount has pledged to terminate its stake in UIP in the European Economic Area (EEA) within 13 months of completing the transaction. For a period of 10 years, Paramount will also not jointly co-distribute films with Universal in the EEA. The commission cleared the transaction from a production point of view, ruling that enough film studios remain as competitors in Europe, including Disney, NBC Universal, and Sony, along with smaller US studios such as Amazon MGM, A24, and Lionsgate, as well as European studios. Regarding AV services such as TV channels and streaming, the commission also said enough alternative competitors remain "to exert sufficient competitive pressure on the merged entity in the EEA." As for the overlap in pay TV channels for children, the commission found that streaming platforms offering children's content will continue to act as a competitive constraint on merged Paramount-WBD's TV channels. The commission's approval comes just weeks after a coalition of US states, including California, filed a lawsuit to block the deal on antitrust grounds. Back in June, the US Justice Department's Antitrust Division approved the deal. In a written statement, Lisa Nandy, the UK's Secretary of State for Culture, Media, and Sport, recently warned of the likelihood of UK intervention in Paramount's $110bn acquisition of Warner Bros Discovery. Discover more here. 28 July 2026 The final details for construction of a major TV and film studio in Sunderland have been set out in a revised application submitted to the city's planning authority. 28 July 2026 Olympic Broadcasting Services (OBS) has briefed broadcasters on production and technology preparations for the 2028 Olympic and Paralympic Games (LA28). 28 July 2026 Paramount Skydance and Warner Bros. Discovery are to delay their $110bn merger due to pending lawsuits from US states and the Writers Guild of America. 27 July 2026 Mediaproxy has named Heartland Video Systems (HVS) as its exclusive partner for US television broadcasting. The Wisconsin-based systems integrator will represent Mediaproxy's full range of technologies, including LogServer and Monwall, and offer them as part of its installation portfolio. 27 July 2026 Live video delivery and workflow orchestration specialist Zixi and Comcast Technology Solutions (CTS) have announced a strategic new integration to deliver C-band replacement solutions for linear broadcasters and content distributors. Favourites:

8 News Now
Jul 24th, 2026
A24 to host 'industry Night' screening of Anthony Bourdain film 'Tony' for Las Vegas restaurant workers.

A24 to host 'industry Night' screening of Anthony Bourdain film 'Tony' for Las Vegas restaurant workers. Posted: Jul 24, 2026 / 02:43 PM PDT Updated: Jul 24, 2026 / 02:43 PM PDT LAS VEGAS (KLAS) - Las Vegas restaurant workers are getting a chance to see a special advanced screening of A24's "Tony," a film capturing the season that changed the life of chef and author Anthony Bourdain. A24, OpenTable an Square have teamed up to host nationwide "Industry Night" screenings for the film Tony on Aug. 3. The complimentary screenings will take place across 25 cities across the U.S., including Las Vegas, to celebrate the unsung heroes that are the backbone of the hospitality industry and culinary community. Front-of-house and back-of-house staff from across OpenTable and Square's restaurant network and other local restaurants are invited. The screenings will be hosted by cheds from each market. Las Vegas' screening will be hosted by Brian Howard of Sparrow + Wolf. The other cities included in the "Industry Night" screenings are Atlanta, Austin, Boston, Chicago, Dallas, Denver, Houston, Kansas City, Los Angeles, Miami, Minneapolis, Nashville, New Orleans, New York, Orlando, Philadelphia, Phoenix, Portland, Raleigh/Durham, San Diego, San Francisco, Seattle, St. Louis, and Washington D.C. "Tony," comes from filmmaker Matt Johnson ("Nirvanna the Band the Show the Movie," "BlackBerry") and is "an electric and nostalgic tale that captures the season that changed the course of Anthony Bourdain's life." Dominic Sessa stars as a 19-year-old Bourdain who travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen. "Tony" will be released in New York and Los Angeles on August 7 and nationwide on August 21.

Brands Untapped
Jul 24th, 2026
A24 partners with Joya for Backrooms candle and scent kit.

A24 partners with Joya for Backrooms candle and scent kit. by Billy Langsworthy Published 24.07.26 Each spray has a timestamp on it, so fans can spray at the appropriate moment during the film for a 'synchronized viewing experience'. A24 has teamed with Brooklyn-based scent company Joya for a collection based on its smash-hit horror film, Backrooms. The range includes a soy wax candle in a Backrooms wallpaper print glass pot, as well as Backrooms scent kit. The kit contains five scents inspired by environments in the film. Each spray has a timestamp on it, so fans can spray at the appropriate moment during the film for a 'synchronized viewing experience'. A24 also launched a wallpaper inspired by the film last month.

The Location Guide
Jul 21st, 2026
A24 levels up the video game adaptation boom.

A24 levels up the video game adaptation boom. The upcoming live-action adaptation of Elden Ring is shaping up to be one of the most intriguing video game projects currently in development. With independent studio A24 partnering with Bandai Namco Entertainment and FromSoftware, and filmmaker Alex Garland attached to write and direct, the project immediately stands apart from the growing slate of franchise-driven game adaptations. In recent years, video game adaptations have become one of Hollywood's most valuable sources of intellectual property. Successes such as The Last of Us, Fallout, The Super Mario Bros. Movie and A Minecraft Movie have demonstrated that games can deliver both critical acclaim and commercial success when adapted thoughtfully. As a result, studios are racing to bring more gaming franchises to screens, with projects based on The Legend of Zelda, God of War and Resident Evil all in various stages of development. Yet Elden Ring presents a very different challenge. Since its release in 2022, the fantasy epic has become one of the defining games of its generation, earning acclaim for its vast world, cryptic storytelling and deep mythology, developed in collaboration with fantasy author George R.R. Martin. Unlike many narrative-driven games, Elden Ring leaves much of its story open to interpretation, encouraging players to uncover its lore through exploration rather than exposition. That approach makes Garland a particularly compelling choice. The filmmaker behind Ex Machina, Annihilation, Civil War and Warfare is known for creating immersive worlds and embracing ambiguity, qualities that align closely with the atmosphere that has made Elden Ring such a cultural phenomenon. Rather than attempting a straightforward recreation of the game's story, the adaptation has the potential to translate its mood, mythology and sense of discovery to the screen. A24's involvement is equally significant. The studio has built its reputation on distinctive, filmmaker-led projects rather than established franchises. Its decision to back one of gaming's biggest properties reflects a broader shift in how intellectual property is being approached across the entertainment industry. Rather than viewing video games purely as blockbuster material, studios are increasingly recognising them as rich creative worlds capable of supporting ambitious storytelling. The Elden Ring adaptation therefore represents more than another entry in Hollywood's growing game-to-screen pipeline. It highlights how the conversation around video game adaptations has evolved. The question is no longer whether games can work as films, but how filmmakers can reinterpret them while retaining the qualities that made audiences connect with them in the first place. Images courtesy of Bandai Namco Entertainment

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