PPRS for Music collects and pays royalties for songwriters, composers and music publishers in the UK and worldwide. It is a membership organisation that helps ensure creators are paid whenever their songs and compositions are streamed, downloaded, broadcast, performed or played in public. The way it works is by representing rights holders, licensing the use of their music, tracking how that use happens, and distributing royalties to members. In 2024, PRS for Music collected a record £1.15 billion and paid out £1.02 billion in royalties, highlighting its large role as a global music rights collective. The company differentiates itself by being a large member-based collective management organisation with a worldwide reach and a focus on ensuring creators receive payment when their music is used. Its goal is to secure fair and timely payments to its members whenever their music is used.
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501-1,000
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London, United Kingdom
Founded
1914
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PRS for Music taps Soundtrack for better public-performance data. UK collecting society PRS for Music's efforts to boost the accuracy of its payouts continues - this time via a partnership with B2B music supplier Soundtrack. The latter will be giving PRS "play-by-play data" from more than 7,000 businesses in the UK who use its background-music service, including retail chains, hotels and even the UK Parliament. This data will be used to calculate the society's public-performance payouts from December 2026, with CEO Ben McOwen Wilson saying it's "another important step towards making our distributions reflect the music that people are really listening to". He added that "there is much more we can do" signalling plans to look for "better data, testing new technology" going forward. Music-recognition tech startup Vollou is one of those partners, and - according to a recent post by Music Venue Trust boss Mark Davyd - has been offering venues its devices for free to track songs played at concerts. This follows its tests at electronic-music festivals in the UK this summer.
PRS for Music and Soundtrack partner to improve distribution of public performance royalties. PRS for Music is expanding its use of music usage data to improve the accuracy of royalties paid to songwriters, composers and music publishers when their music is played in businesses across the UK. The new partnership with Soundtrack will provide the next generation of usage data, detailing what music is being played in shops, bars and public spaces. By partnering with the music streaming service for businesses, Soundtrack, PRS for Music will receive play-by-play data showing the exact music played across around 7,000 UK premises. Those businesses include Ole & Steen, Uniqlo, Dr. Martens, Four Seasons Hotels and Resorts, Kiehl's, Joe & The Juice, and TAG Heuer. The UK Parliament also takes advantage of Soundtrack's platform. PRS for Music works with background music providers to incorporate play data from businesses into royalty distributions. The addition of Soundtrack data significantly improves the accuracy of collected usage data, and extends the number of businesses for which PRS for Music has direct information about the music being played. The partnership additionally reduces reliance on analogous data where actual usage information has historically not been available to the organsiation. The move forms part of PRS's commitment to continually improve the accuracy and speed of royalty distributions to songwriters, composers and publishers. PRS will begin incorporating Soundtrack data into its royalty distributions from December 2026. Ben McOwen Wilson, CEO of PRS for Music, said: "Its focus at PRS is simple: to pay its members as accurately and as quickly as Record of the Day can. When songwriters' and composers' music is being used, Record of the Day want the information that allows Record of the Day to recognise that use and get the right royalties paid to them. "That means taking advantage of the best data and technology available. Where Record of the Day can know what music has actually been played, and the technology is accurate and cost-effective, Record of the Day should use it. Record of the Day has been working with partners in this way for years, and its new partnership with Soundtrack gives Record of the Day actual usage data from thousands more businesses across the UK. It's another important step towards making its distributions reflect the music that people are really listening to. "And there is much more we can do. I want PRS to be market-leading in looking for better data, testing new technology, and working with partners across the industry to drive better outcomes for our members. Ultimately, it all comes back to the same goal: identifying music use more accurately, paying members more quickly, and making sure the value created by their music finds its way back to them." Ola Sars, Founder, CEO & Chairman of Soundtrack, comments:"Soundtrack research shows that in most countries, public performance royalties are distributed based on proxy data and not actual usage, this partnership proves that there is a better solution available. Record of the Day is closing the gap with consumer streaming and bringing the same digital accuracy and standards to the music-for-business market. "Soundtrack is the fastest-growing music-for-business provider in the world, and has direct licensing agreements with thousands of rights holders and a direct connection to the digital music value chain. That enables us to give PRS unique and accurate, up-to-date usage and ownership data from Soundtrack's extensive repertoire of 150 million songs."
The Ivors Academy to present world-renowned composer Max Richter with Gift of the Academy Award for Innovation. * Max Richter joins a roll call of extraordinary composers including Anoushka Shankar, Gavin Bryars, Matthew Herbert and Talvin Singh * News revealed days before Richter releases brand-new album, While The Flood Rages The Ivors Academy announced today [13 October] that composer Max Richter will be presented with an Ivor Novello Award for Innovation in recognition of his ingenuity and impact in contemporary classical composition at The Ivors Composer Awards sponsored by PRS for Music and in association with BBC Radio 3 on 17 November. With a catalogue amassing over four billion streams across the globe, Max Richter is one of the defining voices in contemporary classical music. Celebrated for his unique musical language blending classical tradition, minimalism, electronic music and sound design, Richter's music has reimagined established repertoire whilst expanding the scope of contemporary composition. Max Richter's compositions transcend genres, reaching audiences via concert halls, recordings, on-stage and on-screen. On the concert stage, he has collaborated with leading soloists such as Anna Lapwood, Anne-Sophie Mutter and Gautier Capuçon. His recent film score for Chloé Zhao's Hamnet (2025) received widespread critical acclaim, with previous screen soundtracks including Mary Queen of Scots (2018) and Ad Astra (2019). Richter's wider creative partnerships span disciplines and generations, from landmark ballets with choreographer Wayne McGregor to scoring Dior runway shows for Kim Jones. Richter will receive the Innovation Award in person at The Ivors Composer Awards sponsored by PRS for Music and in association with BBC Radio 3 at Grosvenor House on Park Lane, London. Celebrating outstanding new compositions by British, Irish and UK resident composers, the Ivors Composer Awards champion composers and contemporary composition across all genres and disciplines, celebrating music that demonstrates exceptional craft, originality and impact with audiences. Each winner receives a prestigious Ivor Novello Award - one of the most respected honours in music creation and a globally recognised benchmark for creative excellence. The Innovation Award is one of the special Gift of the Academy Awards which are presented each year, with previous recipients including Anoushka Shankar, Gavin Bryars, Matthew Herbert and Talvin Singh. The news comes just days before the release of Richter's new album, While The Flood Rages. The recording features music from Richter's latest collaboration with Wayne McGregor, 'MaddAddam', inspired by Margaret Atwood's eponymous trilogy. A project years in the making, the album explores themes of ecological crisis, technological acceleration and human connection. While The Flood Rages will be released on Decca Records on 16th October. Lord Neri, CEO of The Ivors Academy, said: "Max Richter has expanded what contemporary composition can be and who it can reach. His music combines extraordinary craft with a constant desire to innovate, connecting with audiences across concert halls, recordings, stage and screen. We're proud to recognise Max with an Ivor Novello Award for Innovation." Tom Gray, Chair of The Ivors Academy, said: "Max is a composer of unmistakable originality and influence. He has created a musical language that is entirely his own, while continually exploring new forms, sounds and ideas. From collaborations with Future Sound of London and Roni Size to ballet, opera, film and television, and landmark works including Sleep, The Blue Notebooks and the score for Hamnet, his work has undoubtedly changed contemporary composition." The Ivors Composer Awards are in London on 17 November and are hosted by radio presenter Petroc Trelawny, with BBC Radio 3 as broadcast partner. The ceremony will form part of The Ivors Composer Week (16 - 20 November), an inaugural series of events to broaden the celebration and empowerment of composers further. This includes a new annual event, The Ivors Academy Composer Summit (18 November) held at the Royal Institution, London.
UK Music Chief meets with music and political leaders at 'Music Sounds Better With You' in Brussels. UK Music Chief Executive Tom Kiehl attended the Music Sounds Better With You - a policy exchange in Brussels organised by the UK Mission to the EU and event partner PRS for Music. * home * news * UK Music Chief meets with music and political leaders at 'Music Sounds Better With You' in Brussels. 02.10.2026: UK Music Chief Executive Tom Kiehl - pictured with UK Culture Minister Ian Murray MP - attended the Music Sounds Better With You, a policy exchange in Brussels organised by the UK Mission to the EU and event partner PRS for Music. At the October 1 event, Tom heard a powerful speech from the Government's Music Champion Michael Dugher on the Government's Music Plan, why music matters now and the continued challenges facing cultural exchange and touring between the UK and EU. He also participated in detailed discussions with UK and EU participants in the forum on metadata and international mobility. At the iconic Ancienne Belgique he met with UK Culture Minister Ian Murray MP, the EU Commissioner for Culture Glenn Micallef, and enjoyed brilliant performances from Venus Grrrls, Benjamin Diamond and The Snuts. In September, Tom penned a joint op-ed with AIM Deputy Chair Tony Morley urging the Government to act urgently on the matter of UK music companies faced new charges to export to the EU, with independent labels being hit especially hard by the new cost on physical music sales to the bloc. You can read the piece, which was published by Music Week, here.
PRS appoints Darren Childs and Maria Kyriacou as independent non-executive directors. The Performing Right Society (PRS) has appointed Darren Childs and Maria Kyriacou as independent non-executive directors. The appointments will strengthen its senior expertise across media, entertainment, technology, finance and governance as the organisation continues to grow and develop services for its 190,000 songwriter, composer and music publisher members. They joined PRS on 1 October 2026 ahead of their formal appointment at the PRS 2027 Annual General Meeting. Darren Childs brings more than 25 years' experience in media, technology and sport, including leadership roles at Premiership Rugby, UKTV, BBC Worldwide and Sony Pictures. His track record in commercial growth, digital transformation and operational delivery will support PRS as it evolves the services and technology that underpin royalty collection and distribution for its members. Maria Kyriacou brings more than 30 years' experience in international media and entertainment, with executive roles at Paramount Global, ITV Studios and The Walt Disney Company, and non-executive roles including ProSiebenSat.1 Media SE, Informa PLC and Wizz Air Holdings plc. Her finance, governance and international commercial expertise will support PRS's work to grow global royalty revenues and protect the value of members' works. Stevie Spring, Chairman of the PRS for Music Board, said: "Maria and Darren bring deep experience across media, entertainment, technology, finance and governance. Their insight will help us strengthen our services, deliver our business plan and ensure we are doing even more to protect the value of music for the people who create it." Sarah Liversedge Platz, Creative Director, Bucks Music Group was appointed as a new Publisher Council Member. Her appointment for the period up until the 2027 AGM was made by the Members' Council and fills a casual vacancy created by Megan Hall, who stepped down following the completion of the BMG and Concord merger. With more than 25 years' experience in the music and entertainment sector, Sarah tirelessly develops the careers of innovative and creative artists, producers and songwriters and will bring intrinsic music business knowledge and insight to the Members' Council.
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Industries
Company Size
501-1,000
Company Stage
N/A
Total Funding
N/A
Headquarters
London, United Kingdom
Founded
1914
Find jobs on Simplify and start your career today
We update PRS for Music's jobs every few hours, so check again soon!Browse all jobs