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PRS for Music

Music rights organization distributing creator royalties

Overview

PRS for Music collects and pays royalties for songwriters, composers and music publishers in the UK and worldwide. It is a membership organisation that helps ensure creators are paid whenever their songs and compositions are streamed, downloaded, broadcast, performed or played in public. The way it works is by representing rights holders, licensing the use of their music, tracking how that use happens, and distributing royalties to members. In 2024, PRS for Music collected a record £1.15 billion and paid out £1.02 billion in royalties, highlighting its large role as a global music rights collective. The company differentiates itself by being a large member-based collective management organisation with a worldwide reach and a focus on ensuring creators receive payment when their music is used. Its goal is to secure fair and timely payments to its members whenever their music is used.

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About PRS for Music

Simplify's Rating
Why PRS for Music is rated
B
Rated A on Competitive Edge
Rated B on Growth Potential
Rated C on Differentiation

Industries

LegalEntertainment

Company Size

501-1,000

Company Stage

N/A

Total Funding

N/A

Headquarters

London, United Kingdom

Founded

1914

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Simplify's Take

What believers are saying

  • 2025 collections rose 7.7% to £1.24 billion, with £1.07 billion paid out.
  • Live revenue topped £100 million in 2025, expanding a resilient non-streaming income stream.
  • 2026 board appointments and October CEO transition add fresh governance and technology credibility.

What critics are saying

  • Valve litigation in 2026 risks costly defeat and weakens PRS's digital licensing leverage.
  • David Rowntree's black-box challenge exposed member distrust over unallocated royalties and governance.
  • If metadata cleanup stalls, unmatched royalties stay high and songwriter backlash intensifies by 2027.

What makes PRS for Music unique

  • PRS owns UK performance rights relationships across 190,000 members and 7.8 million works.
  • ICE partnership with GEMA and STIM gives PRS cross-border digital licensing infrastructure.
  • Ben McOwen Wilson's YouTube and Google background fits PRS's AI and platform agenda.

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Company News

Record of the Day
Oct 2nd, 2026
PRS appoints Darren Childs and Maria Kyriacou as independent non-executive directors.

PRS appoints Darren Childs and Maria Kyriacou as independent non-executive directors. The Performing Right Society (PRS) has appointed Darren Childs and Maria Kyriacou as independent non-executive directors. The appointments will strengthen its senior expertise across media, entertainment, technology, finance and governance as the organisation continues to grow and develop services for its 190,000 songwriter, composer and music publisher members. They joined PRS on 1 October 2026 ahead of their formal appointment at the PRS 2027 Annual General Meeting. Darren Childs brings more than 25 years' experience in media, technology and sport, including leadership roles at Premiership Rugby, UKTV, BBC Worldwide and Sony Pictures. His track record in commercial growth, digital transformation and operational delivery will support PRS as it evolves the services and technology that underpin royalty collection and distribution for its members. Maria Kyriacou brings more than 30 years' experience in international media and entertainment, with executive roles at Paramount Global, ITV Studios and The Walt Disney Company, and non-executive roles including ProSiebenSat.1 Media SE, Informa PLC and Wizz Air Holdings plc. Her finance, governance and international commercial expertise will support PRS's work to grow global royalty revenues and protect the value of members' works. Stevie Spring, Chairman of the PRS for Music Board, said: "Maria and Darren bring deep experience across media, entertainment, technology, finance and governance. Their insight will help us strengthen our services, deliver our business plan and ensure we are doing even more to protect the value of music for the people who create it." Sarah Liversedge Platz, Creative Director, Bucks Music Group was appointed as a new Publisher Council Member. Her appointment for the period up until the 2027 AGM was made by the Members' Council and fills a casual vacancy created by Megan Hall, who stepped down following the completion of the BMG and Concord merger. With more than 25 years' experience in the music and entertainment sector, Sarah tirelessly develops the careers of innovative and creative artists, producers and songwriters and will bring intrinsic music business knowledge and insight to the Members' Council.

Record of the Day
Sep 25th, 2026
MCPS enhances operating model to strengthen services and further grow member revenues.

MCPS enhances operating model to strengthen services and further grow member revenues. * MCPS distributed £219.9 million in 2025, taking its total to more that £4.8 billion since 2000 * MCPS to work directly with ICE Services, IMRO and MAIA Universe, whilst PRS to remain a core strategic partner * MCPS to have greater oversight of services and create enhanced opportunities to further grow revenue for its 47,000 members The Mechanical Copyright Protection Society (MCPS), part of the MPA Group, has unveiled an enhanced operating model that will see it work directly with an expanded network of specialist partners from early 2027. Announced today at the MCPS Annual Rightsholder Meeting, hosted at the Royal Society of Arts, the new model is designed to strengthen how the organisation protects rights, licenses repertoire, collects revenues and distributes mechanical royalties on behalf of its composer, songwriter, lyricist and music publisher members. It will also give MCPS a more direct role in major licensing negotiations and create further opportunities to grow revenues for members. The changes follow a comprehensive review of how MCPS operates, works with partners and serves its members. It builds on a decade of growth in which annual distributions increased from £140.1 million in 2015 to £219.9 million in 2025, while membership grew from around 23,000 to 47,000 over the same period. Since the turn of the century, MCPS has distributed almost £5 billion in mechanical royalties. Under the new model, MCPS will contract directly with ICE Services - a global digital music licensing and processing hub established by GEMA (Germany), PRS for Music (UK) and STIM (Sweden). ICE Services will provide multi-territory online licensing for streaming, downloads and AI platforms, alongside copyright services for MCPS's new partners. This will help MCPS maximise the territorial scope of digital licensing agreements for the repertoire it is mandated to represent. MCPS will also partner with the Irish Music Rights Organisation (IMRO) on international licensing and collections. The organisations will work together to review reciprocal agreements and maintain an up-to-date picture of rights mandates, with the aim of increasing the value of international collections. For members who mandate their sync rights to MCPS, Swedish platform MAIA Universe will provide automated licensing services for uses including advertising, film and video games. MCPS will first run a pilot in early 2027, ahead of a wider roll later in the year. Participation will remain optional for members and MCPS will continue to provide a direct sync licensing service for repertoire that is not made available through the platform. MCPS will also take direct responsibility for production music rate card licensing (e.g. non-commercially released music used within TV, film and adverts) through a new portal, including directly liaising with licensees. PRS for Music will remain a core strategic partner to MCPS, continuing a relationship spanning 30 years. MCPS and PRS will jointly negotiate major mechanical and performance licensing agreements across General Entertainment Online Licensing (GEOL), broadcast, UK online and gaming, and will continue to collaborate on mechanical-only licensing. PRS will also continue to provide member services and royalty distributions, alongside licensing, usage processing, invoicing and collections across several MCPS revenue streams. Day-to-day copyright and agreement registrations and amendments, mandate queries and distribution queries will continue to be managed through PRS. The enhanced model will be supported by an expanded MCPS team, improved processes for resolving member and licensee queries, and stronger reporting across its operations. Paul Clements, CEO of MCPS, said: "The market for mechanical rights continues to evolve quickly, creating significant and exciting opportunities for our members. Our newly enhanced operating model will cost-effectively bring together MCPS's expanded internal capabilities with the expertise of ICE Services, IMRO and MAIA Universe, while building on our longstanding valued strategic partnership with PRS for Music". There will be no immediate change for MCPS members, licensees or affiliate societies, who should continue to operate as normal throughout 2026. MCPS will confirm the transition date later this year and provide further information ahead of the new model taking effect in early 2027, with additional enhancements to follow during the year.

Malta Employers' Association
Sep 9th, 2026
Know Your Rights workshops - PRS for Music collection & distribution in Malta.

Know Your Rights workshops - PRS for Music collection & distribution in Malta. MEIA, in collaboration with PRS for Music, is pleased to announce Know Your Rights - two workshops designed to help Malta's music creators, venues, and event organisers better understand performing rights and how royalties are collected and distributed. As the sector continues to grow, many artists, composers, and producers remain unclear about how royalties are generated, collected, distributed, and claimed, which often results in missed opportunities and under-claimed earnings. These workshops aim to close that gap. The programme is split across two sessions, each including a presentation by a member of the PRS for Music team, followed by an open Q&A. Session 1: from clubs to concerts - mastering data collection | 5PM. For venues, festivals, promoters, hospitality businesses, event organisers, broadcasters and other music users This session covers why the right licence matters, how licensing turns into payment for creators and publishers, how tracking tools such as BMAT support royalty matching, and the common collection gaps such as missing setlists, wrong venue details, and unlicensed use. Session 2: from registration to royalties | 7PM. For songwriters, composers, producers, musicians, music professionals This session explains how royalties are generated across live, broadcast and digital uses, and how creators can manage their works and income more effectively. MEIA will cover copyright, publishing and performing rights, getting started with PRS for Music, managing your online account, registering works with accurate metadata, reporting live performances, tracking royalties, and understanding payment dates, rates and statements. MEIA will also go through the PRS member tools available to support you. About the PRS team. Daniel Jones and Stuart Belsham, Writer Relationship & Outreach Managers at PRS for Music, work directly with songwriters and composers to help them maximise the value of their rights as their careers grow, and are regular speakers at music events worldwide. They will be joined by Steve Vassallo, PRS for Music's representative in Malta for the past 12 years, who brings wide experience in music licensing, copyright, and live entertainment through his work with businesses and event organisers across the island. Whether you're an artist trying to make sense of your royalty statements, or a venue wanting to get your reporting right, this is an opportunity to get practical answers directly from PRS and MEIA. Places are limited, so MEIA encourage you to apply early. Special thanks to Arts Council Malta, Festivals Malta, Visit Malta and The Brewhouse Malta for their support in making this event possible.

RYM Magazine
Jul 28th, 2026
Ben McOwen Wilson Appointed CEO of PRS for Music.

Ben McOwen Wilson Appointed CEO of PRS for Music. Beyond the private sector, McOwen Wilson has worked with the U.K. government through the Creative Industries Council and the Creative Industries Federation, contributing to discussions on intellectual property, innovation and industry growth. PRS for Music has named former Google and YouTube executive Ben McOwen Wilson as its next chief executive officer, marking a leadership change for the U.K. collecting society as it continues to navigate the evolving music and technology landscape. McOwen Wilson will assume the role on Oct. 12, succeeding Andrea Czapary Martin, who announced in March that she would step down after leading the organization since 2019. PRS said the appointment follows an international search conducted by its Members' Council. Most recently, McOwen Wilson served as managing director for Europe, the Middle East and Africa at Google Play, a position he held since 2022. Before that, he spent more than a decade at YouTube, overseeing the platform's business operations across the EMEA region. Earlier in his career, he served as CEO of UEFA New Media and as managing director at British broadcaster ITV. Beyond the private sector, McOwen Wilson has worked with the U.K. government through the Creative Industries Council and the Creative Industries Federation, contributing to discussions on intellectual property, innovation and industry growth. The appointment comes after another record financial year for PRS for Music. In 2025, the organization distributed a record £1.07 billion to songwriters, composers and publishers, a 4.9% increase from the previous year. Royalty collections reached £1.24 billion, marking the second consecutive year PRS distributed more than £1 billion to rightsholders. PRS for Music represents the rights of more than 190,000 songwriters, composers and music publishers. Alongside royalty collection, the society has taken an increasingly active role in advocating for creators on issues such as artificial intelligence and copyright, while also pursuing legal action against Valve Corporation over the alleged unlicensed use of members' music on the Steam platform.

Digital Music News
Jul 25th, 2026
Latest music industry hires: PRS for Music, UMG, frontiers label group, Academy of Country Music, bang & Olufsen.

Latest music industry hires: PRS for Music, UMG, frontiers label group, Academy of Country Music, bang & Olufsen. Latest music industry hires: PRS for Music, UMG, frontiers label group, Academy of Country Music, bang & Olufsen dylan smith july 24, 2026. Here's a recap of recent music industry hires and in-house promotions as of July 24th, 2026. If you have a job shuffle to share, we're all ears. Send us a note to [email protected]. If you'd like to post a job on our Job Board, just send us a request to [email protected]. And, keep track of all the latest music industry hires here. PRS for Music. PRS for Music has officially announced Ben McOwen Wilson as its next CEO; the former Google Play and Television EMEA managing director is expected to take the reins on October 12th. As some will recognize, this appears to represent an accelerated succession timetable. In March, PRS indicated that outgoing CEO Andrea Czapary Martin, her decision to step away having been "reached in agreement with the PRS Members' Council," would depart "at the end of 2026." In a statement, Wilson described PRS' "most urgent priority" as "protecting the integrity and value of human creativity." Additionally, the longtime YouTube higher-up, who until early 2026 also served on the Creative Industries Council, said his "first priority will be to listen and learn." That approach seems wise. On one hand, Martin's roughly seven-year tenure brought significant collections and distributions growth. On the other hand, the period wasn't without challenges for PRS, among them Blur drummer David Rowntree's "black box" lawsuit; a different complaint from songwriters; and related admin-rate criticism from Paul McCartney, Elton John, and Thom Yorke. Meanwhile, Wilson's tech experience is worth keeping in mind amid AI's rise, about which nearly 80% of UK musicians have concerns, per a PRS survey. So is the possibility that the same experience, plus the plans "to listen and learn," may set the stage for a long-overdue music-monitoring overhaul. Universal music group. Former Skechers, Nike, and Timberland exec Tseyin Foo has joined UMG as president, global supply chain. Frontiers label group. Frontiers has welcomed ex-AFM Records team member Timo Hoffmann as head of A&R, Germany. Academy of Country Music. Station Entertainment co-founder Andy Schuon is now the Academy of Country Music's CEO. Bang & Olufsen. Bang & Olufsen has announced John Legend as its global brand ambassador.

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