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Studio Museum in Harlem

Museum advancing artists of African descent

Overview

The Studio Museum in Harlem is a cultural center that serves as a hub for artists of African descent locally, nationally, and internationally, and for work influenced by Black culture. It operates by hosting exhibitions, artist talks, educational programs, residencies, and community events that facilitate the exchange of ideas about art and society. Unlike general museums or galleries, it specifically centers Black artists and culture and positions itself as a space for critical dialogue and discovery within Harlem and beyond. Its goal is to elevate and celebrate Black art and culture, support the development of Black artists, and foster thoughtful conversations about how art intersects with social issues.

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About Studio Museum in Harlem

Simplify's Rating
Why Studio Museum in Harlem is rated
B-
Rated B on Competitive Edge
Rated B on Growth Potential
Rated C on Differentiation

Industries

EducationEntertainment

Company Size

51-200

Company Stage

Grant

Total Funding

$7.4M

Headquarters

New York City, New York

Founded

1968

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What believers are saying

  • Beyoncé’s $2 million gift on September 4, 2026 signals elite donor momentum.
  • The October 26 gala raised $4 million, funding exhibitions, programs, scholarship, and outreach.
  • The fall 2026 Artist-in-Residence cohort launched from the new J. Bruce Llewellyn Center.

What critics are saying

  • Seven years of construction delayed reopening until November 15, 2025, exposing execution fragility.
  • Any drop in Harlem visitation would hit admissions, shop sales, and sponsor renewals.
  • A donor pullback in 2027 starves the residency engine and weakens mission credibility.

What makes Studio Museum in Harlem unique

  • Its 82,000-square-foot 125th Street building finally gives Black artists a purpose-built home.
  • Thelma Golden’s 2026 program pairs exhibitions, residencies, and education in one site.
  • The Artist-in-Residence program has produced over 150 artists of African and Afro-Latinx descent.

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Funding

Total Funding

$7.4M

Above

Industry Average

Funded Over

1 Rounds

Grant funding comparison data is currently unavailable. We're working to provide this information soon!
Grant Funding Comparison Coming Soon

Benefits

  • Health Insurance
  • Dental Insurance
  • Life Insurance
  • Disability Insurance
  • Paid Vacation

Growth & Insights and Company News

6 month growth

-3%

1 year growth

3%

2 year growth

3%
Hyperallergic
Nov 5th, 2026
The glimchers can't keep up the Pace.

The glimchers can't keep up the Pace. The mega gallery is struggling, Ebony L. Haynes joins Marian Goodman Gallery, longtime Manifesta director steps down, and more in Art Movements. Art Movements, published every Thursday afternoon, is a roundup of must-know news, appointments, awards, and other happenings in today's chaotic art world. Rich people problems. The beleaguered Pace Gallery is in the news again, this time after its United Kingdom tax filings revealed that it lost $5.4 million last year and has a $19.2 million debt-for-equity swap in the works with its US parent company. The filings also outlined plans made in 2025 to cut costs and reduce full-time positions. The reports come in the wake of an abrupt downsizing over the summer, when the gallery laid off 50 workers and slashed 50 artists from its roster in one fell swoop. (Multiple Pace employees told Hyperallergic that they learned of the cuts only when the New York Times broke the story in early June; one artist said the gallery demonstrated "a callous breach of trust.") Additionally, Pace closed its Hong Kong gallery last October after 12 years and is still looking for a smaller space for its London outpost, which put its 8,600-square-foot location on the rental market in June. Ebony L. Haynes departs Zwirner. Nine months after Marian Goodman's passing at age 97, her namesake gallery has appointed Ebony L. Haynes as its inaugural senior director and global head of curatorial affairs. Haynes steps into the role after six years at David Zwirner, where she founded and led 52 Walker as a space run entirely by Black staffers. Under her leadership, the Tribeca gallery exhibited work by artists including Arthur Jafa, Cauleen Smith, Pope.L, and Gordon Matta-Clark. Marian Goodman Gallery also announced Rose Lord and Junette Teng, two of its longtime partners, as co-presidents. What else happened? * Estrellita B. Brodsky, Michael Govan, and Hank Willis Thomas received the annual Cultural Leadership Awards from the American Federation of Arts (AFA). * Hedwig Fijen stepped down as director of Manifesta after 33 years at the biennial's helm. Emilia van Lynden and Catherine Nichols, appointed general director and artistic director, respectively, will jointly organize the next edition in 2028. * Ade Omotosho, former assistant curator at the Dallas Museum of Art, was named associate curator at the Studio Museum in Harlem. * Nolan Jimbo, former assistant curator at the Museum of Contemporary Art, Chicago, was appointed Arnhold associate curator at the Whitney Museum of American Art. * Ido Radon won the Betty Bowen Award, which includes a solo show at the Seattle Art Museum in 2028. * The Sundance Institute Cultural Impact Residency was awarded to documentary filmmakers Sara Chishti and Amin Pakparvar; fiction writer-directors Gabby Beans, Lydia Matata, and Rippin Sindher; and fiction film and episodic writers Pedro Eiras and Makisa Francis. * The Vilcek Foundation awarded a total of $212,000 to 12 nonprofits across the United States, including the Japanese American National Museum in Los Angeles and Rhode Island Latino Arts. See the full list here. Wildcard: A blue wave in brooklyn. It has indeed been a beautiful week in the neighborhood. Brad Lander spent Halloween in a house costume made by his daughter, Rose, days before securing New York District 10's House seat in the midterm elections on Tuesday; Queens-based organizer and artist Claire Valdez also won her race, becoming the first Native person to represent the state in Congress. As one commenter observed, you gotta dress for the job you want!

Surface
Oct 26th, 2026
Monet's Iris sells for $56.2 million, setting France's all-time auction record, and other news.

Monet's Iris sells for $56.2 million, setting France's all-time auction record, and other news. Plus, Studio Museum in Harlem announces its new artists-in-residence, and Gensler converts former BNP Paribas offices into Ruby's first hotel in Marseille. Monet's Iris sells for $56.2 million, setting France's all-time auction record. Claude Monet's Iris (1924-25) sold for €50 million ($56.2 million) at Sotheby's Paris on October 22, the highest price ever paid for an artwork at auction in France. After a 45-minute contest among six bidders, Jen Hua, Sotheby's deputy chairman for Asia, won the nearly six-foot canvas by phone for a private Asian collector, far above its €22 million-€30 million estimate. The result beats the €43.2 million paid for Amedeo Modigliani's Tête de cariatide at Christie's Paris in 2010. Iris led "Le Temps Retrouvé: The Schlumberger Collection," a white-glove sale that totaled €74.4 million ($83.7 million), Sotheby's most valuable fine art auction in Paris. Oil heir Jeanne Schlumberger built the collection from the 1950s with dealer Katia Granoff, who bought the studio holdings Monet left to his son Michel. Monet's Saule pleureur (L'arbre de feu) brought €9.7 million, Pierre Bonnard and Gustave Moreau set new marks, and 74 percent of lots beat their high estimates. Three early Cézannes, designated national treasures, were withdrawn ahead of a planned purchase by Aix-en-Provence for the Musée Granet. Studio Museum in Harlem names Turiya Adkins, Timothy Yanick Hunter, and Clifford Prince King as 2026-27 artists-in-residence. The Studio Museum in Harlem has named multidisciplinary artist Turiya Adkins, artist and curator Timothy Yanick Hunter, and photographer and filmmaker Clifford Prince King as its artists-in-residence for 2026-27. The yearlong residency runs from this November through October 2027, with each artist receiving an individual studio in the museum's new building on West 125th Street. Long one of the institution's signature programs, the residency pairs studio space with professional development training and material support. It concludes with a group exhibition of the three artists' work in one of the museum's galleries. The incoming residents will be the latest to work in the museum's new home on 125th Street, where the program continues its role in supporting emerging artists at an early stage of their careers. Gensler converts former BNP Paribas offices into Ruby's first hotel in Marseille. Gensler has converted the former BNP Paribas office headquarters in Marseille into Ruby Lilou, a 237-room hotel and the first French location for Ruby, the urban lifestyle brand owned by IHG Hotels & Resorts. Gensler worked with the existing geometry to create 23 distinct room types, limiting demolition and leaving structural elements exposed in public areas. During construction, contractors found a concealed façade from the building's days as a trading post, identified as a traditional trois fenêtres marseillais. Working with conservation authorities, Gensler redesigned the elevation mid-build, pairing a stone base with a contemporary ceramic crown. New Riopelle pavilion opens in Quebec City, home to the largest public collection of his work. The Musée national des beaux-arts du Québec in Quebec City opened its Espace Riopelle-Michael Audain Pavilion to the public. Devoted to Jean Paul Riopelle, among the most important Canadian artists of the 20th century, the building will show some 130 of his paintings, sculptures, and prints from the museum's holdings, the largest public collection of his work, alongside more than 100 works by contemporary artists from the region. Designed by Montreal firm Les Architectes FABG, winner of a 2022 competition, the $84 million pavilion was half funded by the Government of Quebec. The three-story, 54,000-square-foot building sits at the heart of the museum complex and includes galleries, a restoration lab, and visible storage. Spruce ceilings recall Riopelle's studio, while planted patios evoke L'Isle-aux-Grues, the St. Lawrence island where he lived from 1995 until his death in 2002. LVMH moves Tiffany creative chief Hector Muelas to louis Vuitton. Louis Vuitton has appointed Hector Muelas to the newly created role of chief brand creative officer, effective November 1. Muelas, who has served as global chief brand and creative officer at Tiffany & Co. since August 2023, will report to Damien Bertrand, Vuitton's deputy chief executive officer. The house said Muelas will shape its creative storytelling across every customer touch point to keep its image consistent. He will oversee all brand campaigns, with the art buying team led by Magena Chansarel and the content factory team led by Carole Fuchs moving under his leadership. He joined the group in 2015 at Rimowa as global vice president of content and creative, later becoming chief brand officer and leading the luggage maker's global relaunch. The memo credited him with a "transformative role" in redefining Tiffany's creative voice. Before LVMH, Muelas worked at Apple, Vice Media, and Canal+, and held creative and executive roles at Creative Artists Agency and Wieden + Kennedy. Attractive Distractions: Murano's ancient glassmaking is shaping modern design. Leica brings motorsport design to photography with the Formula 1 special edition. Visual artist Wangari Mathenge explores Kenyan identity in a new solo show at Lévy Gorvy Dayan. Snøhetta's Shanghai Grand Opera House opens with a fan-shaped spiral staircase.

Hyperallergic
Oct 22nd, 2026
Studio Museum announces new artists-in-residence.

Studio Museum announces new artists-in-residence. Plus, this year's Prix Duchamp winners, a trove of Kiki Smith prints heads to NYPL, and more. Art Movements, published every Thursday afternoon, is a roundup of must-know news, appointments, awards, and other happenings in today's chaotic art world. Studio Museum in harlem names three artists-in-residence. Multidisciplinary artist Turiya Adkins, artist and curator Timothy Yanick Hunter, and photographer and filmmaker Clifford Prince King have been selected as the Studio Museum's yearlong artists-in-residence for 2026-27. Starting this November and through October 2027, the three will have individual studio spaces in the institution's new building on West 125th Street. The residency also includes professional development training and material support, and culminates with a group exhibition in one of the museum's galleries. (An exhibition of the latest cohort's work is currently on view through January 3.) Brognon Rollin wins Prix Duchamp. The Prix Duchamp, France's largest contemporary art award, goes this year to Brognon Rollin, the artist duo formed by David Brognon and Stéphanie Rollin. Winners receive a €35,000 (~$39,200) prize and participate in an exhibition of works by all four nominees, now on view through February 7 at the Musée d'Art Moderne de Paris. The museum's director, Fabrice Hergott, praised Brognon Rollin's conceptual practice as "a quiet yet tenacious statement on human vulnerability," adding that their work "gives tangible form to what usually escapes our gaze: the passage of time spent waiting, addiction and inner resilience." Joël Andrianomearisoa, Laura Henno, and Josèfa Ntjam were also nominated for the award this year. What else happened? * Queer|Art, the Bronx Council on the Arts, A.I.R. Gallery, and Visual AIDS are among the 59 nonprofit art organizations receiving grants from the New York State Council on the Arts (NYSCA) and the New York Foundation for the Arts. The NYSCA Reserve Fund Grants range from $15,000 to $50,000 and total $1,760,000 in support; see all grantees here. * Anthea M. Hartig, director of the Smithsonian's National Museum of American History, has been elected to the American Academy of Arts and Sciences. * Americans for the Arts named Matt Ryan as chief operating officer and Cillonia McKenley as chief development officer. * Patrick Eugène is now represented by Vielmetter Los Angeles. * Rachel Kanter and Yana Peel were appointed to the Yale Schwarzman Center's advisory board. Acquisitions. * The New York Public Library (NYPL) is the lucky recipient of 250 prints by Kiki Smith, one more fantastic and exquisite than the next. Rich hand-colored intaglios, woodcuts, and artists' books are part of the trove gifted by her sister, artist Seton Smith, which comprises the most comprehensive collection of Kiki Smith's prints in the United States. In a statement, Kiki Smith said that she "could think of no more wonderful place for my prints to be." * The Cleveland Museum of Art announced today the acquisition of Teresita Fernández's "Soil Horizon (Cleveland)" (2026), a site-specific commission consisting of two large-scale glazed ceramic wall murals. The piece will be on view in the museum's Jane and Jon Outcalt Family Concourse beginning in February. Wildcard. For the coda to Seaworld Venice, Florentina Holzinger's installation for the Austrian Pavilion at this year's Venice Biennale, the artist will present a "final dinner" featuring all the bodily waste collected from visitors over the past seven months. "Closing Étude" at the Scuola Grande della Misericordia in Venice will extend the pavilion's central conceit, which involved filtering urine from on-site port-a-potties into a dunk tank. The "distilled remains serve as a monument for the future" that will be presented outside the closed pavilion on November 22, a statement explains. Okay!

Shots
Sep 29th, 2026
Emerald Pictures announces new East Coast representation.

Emerald Pictures announces new East Coast representation. by shots News on 29th September 2026 Emerald Pictures has signed with Golden Owl for East Coast representation. Run by owners and partners Katrin Aul and Katie Goldstein. Run by owners and partners Katrin Aul and Katie Goldstein, Golden Owl is a New York-based management company that connects agencies and brands with exceptional creative talent, making it a natural fit for global production company Emerald Pictures. Led by founders and co-managing directors John Duffin and Mara Milićević, Emerald Pictures is known for producing top-tier commercial films with premium craftsmanship. Recent work for global brands includes spots for PepsiCo, McCormick, and Lucid. Alongside its advertising films, Emerald's roster of award-winning talent also helms films like Rodney Passé's Inner Worlds: Thelma Golden, made in partnership with the Studio Museum in Harlem and currently available to watch on NOWNESS. "We were immediately intrigued when Mara reached out," says Goldstein. "We were really impressed by Emerald's dynamic roster, which brings together established directors alongside fresh, exciting talent. After speaking with the team, it quickly became clear that there was a strong creative and cultural fit." Aul adds: "Bringing Emerald onto our roster felt like a natural fit. Their approach and company ethos align closely with how we think about talent and creative partnerships. We're excited to collaborate and bring new opportunities to the table. Mara and John are absolute pros, and we know our clients will be in great hands, which is incredibly important to us." Golden Owl is a discerning repping company focused on building meaningful relationships between its production, post-production, and music clients and agencies and brands seeking exceptional talent. Its roster currently includes ARTJAIL, Field Unit, JANE, Laird and Good Company, Moxie Pictures, Singing Serpent, Station Film, Union Editorial, Yacht Club, and now, Emerald Pictures. Milićević remarks on Golden Owl, saying: "It has been so nice to cross paths again. I know Katrin from my days as EP and HOP in NY, and Katie has been a joy to get to know. Both Katrin and Katie are true sales partners who believe in uplifting work by bringing the right talent and clients together. We look forward to all the new opportunities and relationships to come from this partnership." Emerald Pictures is an agile, globally connected production company passionately focused on visual storytelling. Membership offers you insight, inspiration and tools to transform your workflow Find out more

PR Newswire
Sep 4th, 2026
On her birthday, Beyoncé makes A $2 million gift to THE Studio Museum in HARLEM.

On her birthday, Beyoncé makes A $2 million gift to THE Studio Museum in HARLEM. Sep 04, 2026, 15:00 ET THE LANDMARK NEW YORK CITY CULTURAL INSTITUTION HAS CHAMPIONED THE WORK OF ARTISTS OF AFRICAN DESCENT FOR NEARLY 60 YEARS HARLEM, N.Y., Sept. 4, 2026 /PRNewswire/ - To mark her birthday today, global entertainer, entrepreneur and art collector, Beyoncé, makes a $2 million gift to the renowned Studio Museum in Harlem. Founded in 1968, the New York City cultural institution is the nexus for artists of African descent locally, nationally, and internationally and for work that has been inspired and influenced by Black culture. Beyoncé has long been an art collector and a true fan of the Museum's mission of promoting multiple generations of artists of the African diaspora. "Art tells all our stories; the past and the present, but is not always accessible to everyone," says Beyoncé. "I have always been impressed with the Studio Museum in Harlem because of its intention to make the museum an integral part of the community. I have been introduced to several of my favorite young and upcoming Black artists through exhibits at the Museum. It is a place of inspiration where all audiences can discover new stories through the canvases of diverse storytellers that reflect our humanity." Thelma Golden, Ford Foundation Director and Chief Curator of the Studio Museum in Harlem, said, "I am deeply grateful to Beyoncé, both for the generosity of this gift, especially on her birthday, and for recognizing the vital role that the Studio Museum plays in people's lives. Our institution was founded to shift the arts landscape and reimagine who that landscape serves. This gift will allow us to continue strengthening our work for Harlemites, New Yorkers, and audiences across the globe." About the Studio Museum in Harlem Founded in 1968 by a diverse group of artists, community activists, and philanthropists, the Studio Museum in Harlem is internationally known for its catalytic role in promoting the work of artists of African descent. The Studio Museum's new home, situated at its longtime location on West 125th Street, opened to the public on November 15, 2025. Designed by Adjaye Associates with Cooper Robertson serving as executive architect, the building - the first created expressly for the institution's program - enables the Studio Museum to better serve a growing and diverse audience, provide additional educational opportunities for people of all ages, expand its program of world-renowned exhibitions, effectively display its singular collection, and strengthen its trailblazing Artist-in-Residence program. Visitor Information The Studio Museum in Harlem is located at 144 West 125th Street, between Malcolm X Boulevard (Lenox Avenue) and Adam Clayton Powell Boulevard (Seventh Avenue). The Studio Museum is open Wednesday through Sunday, from 11:00 am to 6:00 pm, with extended hours on Friday, from 11:00 am to 9:00 pm. The Museum is open to Members on Saturday mornings, from 10:00 to 11:00 am, before the galleries open to the public. Admission rates are offered as a suggestion, with Sundays free for everyone. Suggested rates are $16 for adults and $9 for seniors (sixty-five years and over), students, and visitors with disabilities (care partners are free). Admission is free for children sixteen and under. Tickets to the Studio Museum may be purchased online at studiomuseum.org/visit or at the Museum. SOURCE Parkwood Entertainment

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