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We Are Social is a global, socially-led creative agency that builds brand experiences by engaging online communities, cultures, and subcultures. It delivers social media strategies, creative content production, influencer marketing, and real-time campaign management for clients ranging from multinationals to emerging brands. The service model blends insight-driven planning with culture-first execution, using data on consumer behavior and trends to inform creative briefs and drive impactful campaigns across digital and offline touchpoints. The company differentiates itself through a culture-focused approach, a global network of 19 offices, and a merger with The Narrative Group that enhances its ability to embed brands in the cultural zeitgeist. Its goal is to foster authentic connections and meaningful conversations for brands at scale, delivering relevant, strategic outcomes and measurable impact for clients.
Industries
Data & Analytics
Consulting
Design
Entertainment
Company Size
1,001-5,000
Company Stage
Early VC
Total Funding
$900K
Headquarters
London, United Kingdom
Founded
2008
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Total Funding
$900k
Above
Industry Average
Funded Over
1 Rounds
Remote Work Options
Flexible Work Hours
Paid Vacation
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Kenya records world's highest AI usage at 97.5% - and why another major report puts it at 8.7%. 14 August 2026 4 Mins Read Kenya has the world's highest rate of AI use, with 97.5% of online adults reporting they used at least one AI tool in the past month, according to the Digital 2026 Mid-Year Global Update published by DataReportal in partnership with We Are Social and Manochi. That is the highest figure among the 54 countries tracked - ahead of the United Arab Emirates at 94.2% and Indonesia at 93.6%, and far above major Western economies. Just 71.5% of online adults in the United States reported using AI in the past month, nearly 10 percentage points below the global average. The UK stood at 62.8%. Japan was the only market surveyed where fewer than half of respondents reported any AI use. The figures come from GWI's Core survey, which polled more than 240,000 people aged 16 and above across the world's largest economies - markets accounting for over 80% of the global internet population. Reconciling 97.5% with 8.7% Three months ago, Microsoft's Global AI Diffusion report placed Kenya at 8.7%, near the bottom of its global table and well behind South Africa's 19%. Both figures are from 2026. Both are credible. They measure different things. DataReportal surveys online adults and counts any AI tool used monthly, including capabilities embedded in software people may not think of as AI at all - Microsoft Office, Google Workspace, Canva - alongside standalone platforms like ChatGPT. Microsoft derives its estimate from aggregated product telemetry across the whole population, adjusted for operating system and device market share, internet penetration and population, and focuses on generative AI specifically. The population base explains most of the gap. Kenya's internet penetration sits at roughly 40%, so a figure covering online adults describes a minority of Kenyans. A whole-population measure necessarily produces a much lower number for the same underlying behaviour. The two findings are therefore compatible, and together they say something more precise than either does alone: among Kenyans who are online, AI use is close to universal - but most Kenyans are not online. What the numbers do and don't show DataReportal's authors are explicit that adoption measures usage rather than depth of engagement. Finding information remains the top reason people worldwide turn to AI tools, ahead of seeking advice or improving skills. That caveat aligns with PwC's survey of nearly 50,000 workers, including 1,753 across Algeria, Kenya, Morocco, Nigeria and South Africa, which found Africa leading globally on overall workplace AI adoption while only 17% of African workers used AI agents daily - with most not using AI for workflow automation or advanced task support. Globally, the report estimates 4.02 billion adults - 48.6% of the world's population - now use some form of AI at least monthly. Active use of generative AI platforms has more than doubled over the past year, growing 141% to 2.42 billion users. The authors note that users in lower- and middle-income countries tend to use AI more frequently than the global average, suggesting adoption in unsampled markets could be higher still. The policy side is catching up Kenya's usage lead comes as the country moves to formalise the sector. Public consultation recently closed on the draft Kenya Artificial Intelligence and Other Emerging Technologies Policy 2026, developed by a technical working group drawn from academia, government, startups and civil society, with support from the Kenya ICT Action Network, the British High Commission, the European Union, Germany and Canada. Building on the National AI Strategy 2025-2030, the draft sets out a four-tier governance structure anchored by a National AI and Other Emerging Technologies Steering Committee and a new regulatory council. It proposes a Kenya AI Safety Institute for testing and risk classification, a public registry, and a National African Languages and Voice Programme aimed at building systems that work in local languages. The policy is expected to move toward Cabinet consideration alongside a separate AI Bill currently before Parliament. That last element is the one to watch. Near-universal AI use among online Kenyans, running overwhelmingly on tools built elsewhere and trained on data from elsewhere, is precisely the adoption pattern that makes a local-language programme consequential rather than symbolic.
MC&V adds We Are Social, Outride and Windsorborn to client roster. The new assignments cover fast-turnaround social content, immersive AI experiences and hybrid filmmaking. AI-native creative production company MC&V has added We Are Social, a U.S. based nonprofit organization Outride, and independent creative agency Windsorborn to its client roster, five months after launching. The appointments follow recent work with Canva and Canteen. The new business spans direct brand relationships, global agency partnerships and independent creative agencies. MC&V will partner with We Are Social on fast-turnaround social content using AI-native workflows. "The pace of social demands production models that can move quickly without compromising creative quality," said Ben Clare, Executive Creative Director, We Are Social. "MC&V's AI-native approach, combined with a strong understanding of agency workflows, makes them a valuable production partner as we explore new ways of creating content at the speed of culture." For Outride, MC&V is producing a real-time AI experience that visualizes the impact cycling has on the brain as people ride, transforming scientific data into an immersive brand experience in real time. Windsorborn has engaged MC&V to produce a hybrid project combining live-action talent filmed against green screen with AI-generated environments. According to the release, the production combines traditional production techniques with AI-native workflows. The company said the projects span campaign production, always-on social content, real-time brand experiences and hybrid filmmaking. "We're incredibly grateful that We Are Social, Outride and Windsorborn have chosen to partner with us," said Vinne Schifferstein Vidal, Co-founder, MC&V. "We don't take that trust lightly, and we're looking forward to building work together that shows what's possible when AI is combined with strong creative thinking and production craft." MC&V has also expanded its AI Artist roster with Mike Bennion and Luke Burton. Bennion brings more than two decades of commercial directing experience, while Burton joins with an experimental visual style, according to the release. The two join existing AI artists Jodie Heenan, Josef "Seppi" Scholler and Jagger Waters. "As the briefs become more varied, the talent model has to evolve with them," said Marie-Céline Merret Wirström, Co-founder, MC&V. "We're intentionally building a roster of directors with distinct creative voices and deep production experience, so we can bring together the right creative minds for each project."
Publicis' Influential hires former We Are Social & VML execs Kelson Ong & Erin Hunter. Published on: 21st July 2026 at 10:44 AM Publicis Groupe's influencer and social agency, Influential Australia, has appointed Kelson Ong and Erin Hunter as group directors for Melbourne and Sydney. Ong returns to Publicis Groupe after almost a decade, where he most recently worked at We Are Social Singapore for over four years as general manager & head of business development, marketing and PR. Hunter brings 17 years of industry experience, most recently working at VML as head of commerce & LIVE AUNZ. Hunter and Ong will play a key role in growing and deepening client partnerships, while driving commercial outcomes through industry-leading social and influencer solutions. General manager of Influential Australia Catherine Wilkinson said: "As brands put social at the centre of their marketing, Influential Australia is assembling a team that's redefining what a modern influencer and social agency agency looks like." "We're attracting exceptional talent, creating work that shapes culture instead of chasing it, and building a workplace where people are encouraged to do brilliant work without taking themselves too seriously." On his new role, Ong highlighted that the agency is "building something genuinely different". "It's an agency that treats social-first thinking and creativity as a strategic craft in its own right. I'm excited to help brands grow by putting that thinking into practice, connecting culture, creators, and commerce from the start." Meanwhile, Hunter described the pace of social currently as being "electric". "Influential is building something special, not just because of its momentum, but because it's investing in people as much as the work," he said. "That's exactly the kind of environment I want to help grow." Influential Australia was launched in September 2025, and works to help brands connect with culture, creators and commerce. Join more than 30,000 advertising industry experts Get all the latest advertising and media news direct to your inbox from B&T.
Ads of Brands Inc is Social teams up with KLABU to build a global refugee sports community. May. 20, 2026 Global socially-led creative agency Ads of Brands Inc is Social's Amsterdam office has partnered with KLABU, a non-profit dedicated to building community-led sports clubs in refugee camps worldwide, to scale its awareness and support globally, backing the organisation's ambition of becoming the world's largest sports club. KLABU provides access to sport and play for refugees, funding facilities, equipment and training through global supporters who contribute via a €1-per-month membership or by purchasing KLABU sportswear. Ads of Brands Inc is Social is supporting the organisation on a pro-bono basis. The partnership launches with a social-first campaign ahead of World Refugee Week (16-21 June), focused on turning global awareness into active membership and real-world impact. As part of a longer-term commitment, Ads of Brands Inc is Social will develop a campaign platform, social media playbook and influencer and athlete engagement strategy to define KLABU's voice and fuel its continued growth. Photo is by Coco Okalunle. Sam Grischotti, Managing Director, Amsterdam, Ads of Brands Inc is Social said: "Our goal is to help KLABU grow as a global movement, not just as a communications project. This means building a coherent and recognisable social presence, developing a language that speaks to different communities, and creating effective ways to engage athletes, creators and people around a shared purpose. At a time when social media plays an increasingly important role in how people connect, projects like this highlight its ability to bring people together around a shared purpose." Jan van Hövell, founder and director at KLABU, added: "To grow a global community, we need both ambition and the right expertise behind us. We Are Social understands how to build movements online, and this partnership gives us the platform to reach more people, grow our membership and expand access to sport for refugee communities worldwide."
Lucozade motivates runners with Jamie Laing at the 2026 London Marathon. 0 2 minutes read London, 29th April 2026: Lucozade has partnered with socially-led creative agency We Are Social to energise runners at London Marathon's notorious Mile 23. Focusing on the psychological and physical turning point runners face at Mile 23, Lucozade set out to provide the mental encouragement and physical fuel needed to break through. The motivation mission started pre-race at the Marathon Expo, with Marathon participants runners sharing their biggest challenges including tackling self doubt, attempting a PB, and getting over injuries, and defeating the infamous runner's wall. Afterwards, participants shared the fuel that helps break the wall. This ranged from a Lucozade-fuelled energy boost to loved ones cheering on and motivating playlists. Moreover, Lucozade also created a "Hold and Scroll" carousel on Instagram. This encouraged audiences to scroll and virtually break the wall. Lucozade engaged its running community using the running app Strava. The Lucozade Sport Running Club page featured motivational posts in the weeks leading up to the race. These included spotlighting Lucozade employees running the race in Lucozade Sport bottle costumes, breaking down the science of the wall, and advice on refuelling. On race day, Lucozade was front and centre at Mile 23 accompanied by Jamie Laing as Lucozade's Veteran Wall Breaker. Using his lived marathon running experience, Jamie cheered on runners, providing heartfelt motivation. Lucozade also partnered with marathon runners, Craig and Chlo (@craigandchlo), to share their London Marathon journey. Reflecting on Craig's 2025 Marathon experience, the pair shared their training plan and explored the different challenges each runner could face. In turn, they motivated other runners to beat the wall and cross the finish line. Craig and Chlo also shared their race day routine on the morning of the marathon. This routine was powered by Lucozade Sport. Throughout the day, Lucozade provided real-time coverage from the DJ decks to the hype mic, alongside reactive assets featuring race stats. Post-race, Lucozade captured "Finish Line Fables" in the St. James Park fan zone. They documented the stories of how runners used the energy at Mile 23 to reach the finish line. Jack Scanlan at Lucozade, said, "The London Marathon is the ultimate moment in our calendar to show up for our consumers where it matters most. We Are Social's unique ability to tap into human stories and foster genuine connections has been vital. This allowed us to be right there with the runners, celebrating their resilience and helping them find the energy to push through the hardest parts of the course." Joe Weston, Head of Sport at We Are Social, added, "The wall is a legendary part of marathon folklore, and our goal was to share the genuine struggle that feels authentic to the runner's journey. We wanted to lean into the actual conversations runners are having on the ground and on their feeds. It's about moving beyond the finish line photos to show the grit in between, making sure Lucozade shows up where the community needs that extra bit of hype the most. We are a global socially-led creative agency, with unrivalled social media and influencer marketing expertise. With over 1,200 people in four continents, we deliver a global perspective to our clients in a time when social media is shaping culture. We make ideas worth talking about. We understand social behaviours within online communities, cultures and subcultures, spanning the social and gaming landscape. We build influencer partnerships with impact. We work with the world's biggest brands, including adidas, Samsung, Google and Amazon, to reach the right people in a strategic, relevant and effective way.
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Industries
Data & Analytics
Consulting
Design
Entertainment
Company Size
1,001-5,000
Company Stage
Early VC
Total Funding
$900K
Headquarters
London, United Kingdom
Founded
2008
Find jobs on Simplify and start your career today