WThe Whitney Museum of American Art collects, exhibits, preserves, researches, and interprets American art from the 20th and 21st centuries in global and interdisciplinary contexts. It supports living artists by presenting work at critical moments and engaging the public through exhibitions, education, and direct interaction with artists. It stands apart by positioning itself as the leading advocate for American art, weaving contemporary work into wide historical perspectives and often giving early access to artists. Its goal is to be the defining institution for 20th- and 21st-century American art, shaping understanding and supporting artists through public programs, research, and education.
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Whitney names Meg Onli and Zack Winokur curators for 2028 Biennial. The Whitney Museum of American Art has announced Meg Onli, a Whitney curator, and director Zack Winokur as the co-curators for its 2028 Biennial. This 83rd edition of the prominent, often debated, national survey exhibition is scheduled to open in March 2028. This marks Onli's second time co-curating the Whitney Biennial; she previously worked on the 2024 edition, titled "Even Better Than the Real Thing," with Chrissie Iles. Onli joined the Whitney as curator-at-large in 2023 and was promoted to Nancy and Fred Poses Curator in 2024. Her prior roles include codirector and curator of the Underground Museum in Los Angeles and associate curator at the Institute of Contemporary Art, Philadelphia. Currently, Onli is also co-curating the Whitney's retrospective for Pop artist Roy Lichtenstein with artist Alex Da Corte, which opened last month. ARTnews deputy editor Alex Greenberger called it a "stylish show" that suggests Lichtenstein "saw our pictures-obsessed moment coming... and even deliberately fed into it." Winokur is the cofounder of AMOC* (American Modern Opera Company), which hosted a five-week festival at Lincoln Center in 2025 featuring 12 new productions. His directing credits include Complications in Sue and The Black Clown at Opera Philadelphia, and Both Ends, starring Justin Vivian Bond, created to celebrate a partnership with A24 and Dior. He also contributed to an installation for the Cooper Hewitt Smithsonian Design Triennial alongside artists Hugh Hayden and Davóne Tines. Winokur previously served as artistic director of Little Island, an off-site venue for the 2026 Whitney Biennial. That edition, which closed less than a month ago after attracting more than 550,000 visitors, was curated by Marcela Guerrero and Drew Sawyer and included a commissioned performance, Marina, by Julio Torres and Martine Gutierrez on Little Island last August. A press release highlighted that Onli and Winokur bring "expansive perspectives on artistic practice today and a shared commitment to championing artists, fostering experimentation, and exploring new possibilities across disciplines." "I'm thrilled to be returning to the Whitney Biennial. From the Whitney's early Annuals to its many subsequent iterations, the Biennial has a rich history of reinvention that is already giving us much to think about. I couldn't be more excited to explore what the Biennial can be alongside Zack, who is such a dynamic thinker, and to see where our conversations with artists lead," Onli said in a statement. Winokur added in his statement about working with Onli, "Our shared desire to center objects and people and the collision between them already echoes our collaboration. It's that energy that makes the dialogue with her so fun and inspiring. As an artist, what excites me most is being in service to other artists, and I'm delighted to have the opportunity to do so in the context of the Whitney." Whitney director Scott Rothkopf commented on the "distinct curatorial alchemy" of each Biennial and this specific collaboration. He said, "Meg is one of the most compelling curatorial voices working today, with an extraordinary ability to champion artists and bring fresh perspectives to the history of American art. Zack is an equally inventive artistic programmer who has become one of the leading voices of his generation through groundbreaking work across opera, theater, dance, and the visual arts. Their partnership promises a radical new vision for the 2028 Biennial."
Nolan Jimbo joins Whitney Museum as Arnhold Associate Curator. November 2, 2026 10:52 am The Whitney Museum of American Art has appointed Nolan Jimbo as Arnhold Associate Curator. He begins his new role organizing exhibitions, public programs, and publications on November 16. Jimbo comes to the Whitney from the Museum of Contemporary Art Chicago (MCA), where he served as an assistant curator with a focus on Asian diasporic artists and abstraction. While in Chicago, Jimbo organized solo exhibitions of the work of Gregory Bae and Mike Cloud, as well as Kenzi Shiokava's first institutional solo show. He also contributed to the group exhibitions "Dancing the Revolution: From Dancehall to Reggaetón" (2026) and "Forecast Form: Art in the Caribbean Diaspora, 1990s-Today" (2022). Jimbo also worked as co-director of the MCA DNA Research Initiative, a multiyear program that commissioned interdisciplinary scholarship, digital content, and public programs focused on the museum's collection and archives. "Nolan is a star among a new generation of curators with fresh perspectives on art both past and present," Scott Rothkopf, Alice Pratt Brown Director of the Whitney Museum of American Art, said in a press release. "His work moves fluidly between exhibitions, performance, and scholarship, and his expertise in Asian diasporic artists will add to new narratives in American art. We are thrilled to welcome him to the Whitney." Before the MCA, Jimbo held curatorial positions at the Massachusetts Museum of Contemporary Art (MASS MoCA), where he organized "Close to You" (2021), a group exhibition focused on kinship, and the Dallas Museum of Art, where he produced a mural commission by Nicolas Party in 2016. Jimbo replaces Rujeko Hockley, who co-curated the 2019 Whitney Biennial, among other exhibtions. Artforum Inbox Register to receive its full menu of newsletters - From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU - as well as special offers from Artforum.
Gap, Whitney Museum launch Lichtenstein clothing line. The Gap has introduced an exclusive 18-piece retail collection inspired by the works of Pop artist Roy Lichtenstein. The collection is a collaboration with the Whitney Museum of American Art and the artist's estate, launching ahead of the museum's forthcoming exhibition, "Roy Lichtenstein: Like New." This limited-edition line draws from Lichtenstein's distinctive visual language, spanning four decades of his artistic output. It features classic Gap items such as hoodies, sweatshirts, button-downs, t-shirts, and accessories. The collection is available in select Gap stores, on the Gap website, at the Whitney Museum store, and on the museum's website. Jack Sachs, Director of Retail & Licensing at the Whitney, emphasized the museum's goal in a statement to ARTnews. "At the Whitney, we're passionate about using retail to bring conversations from our galleries beyond the Museum's walls," Sachs said. He added that the collaboration would expose Lichtenstein's legacy to millions globally, noting the artist's deep connection to popular culture and reproduction. The exhibition, "Roy Lichtenstein: Like New," is scheduled to open at the Whitney Museum on October 11. Curated by Meg Onli and Alex Da Corte, the show is described as a "once-in-a-generation opportunity" to view approximately 130 works by Lichtenstein, covering six decades. It aims to present his most iconic pieces while offering new perspectives on his explorations of mass media, image circulation, duplication, and popular culture. Lichtenstein gained renown for canvases featuring bold black outlines, flat bright colors, and dot fields, echoing commercial printing in comic books, advertisements, and newspapers. He enlarged and transferred these compositions by hand, often adding witty phrases, while preserving the aesthetic of mechanically printed materials. His investigations into image culture and mass media influenced subsequent generations to challenge traditional art concepts. This is not Lichtenstein's first foray into fashion collaborations. Previous partnerships included Supreme in 2006, followed by Trasher, Tom Ford, Vivienne Westwood, Adidas, Moschino, Converse, and Barneys New York with the Art Production Fund in 2013, among others.
Gap and The Whitney Museum of American Art launch collaboration to celebrate upcoming Roy Lichtenstein: Like New exhibition. Launching on October 7, Gap is announcing an upcoming exclusive retail collaboration with the Estate of Roy Lichtenstein and the Whitney Museum of American Art, in celebration of the Whitney's highly anticipated fall exhibition, Roy Lichtenstein: Like New. The "Gap - Lichtenstein - Whitney" collaboration brings together Gap's longstanding connection to American culture and style with the work of one of the most celebrated and defining artists of the Pop art movement. Drawing from Roy Lichtenstein's iconic visual language, which spanned across four decades, the limited-edition collection reimagines his work across a wide variety of classic Gap pieces, including hoodies and sweatshirts, button-downs, t-shirts, and accessories, offering a new way for audiences to engage with his work and legacy beyond the museum. The launch coincides with the opening week of Roy Lichtenstein: Like New, a major exhibition bringing together more than 130 works spanning six decades. Curated by Meg Onli and Alex Da Corte, the exhibition is a once-in-a-generation opportunity to see some of Lichtenstein's most iconic artworks all together and offers a fresh perspective on the artist's explorations of mass media, image circulation, duplication, and popular culture. The 18-piece collection will be available October 7, 2026 at select Gap stores, Gap.com, shop.whitney.org and at the store in the Whitney Museum. About Gap Gap is a globally recognized icon of casual American style. Founded in San Francisco in 1969, Gap champions originality by creating loved essentials and delivering culturally relevant experiences that celebrate individuality. Gap is a lifestyle brand offering products across generations, including GapKids, babyGap, Gap Maternity, GapBody, GapFit, Gap Accessories and Gap Beauty, as well as GapStudio and partner collaborations through GapX. Gap is the namesake brand of the global specialty retailer, Gap Inc. (NYSE: GAP) and connects with customers online and in company-operated and franchise retail locations globally. For more information, visit gap.com. About Roy Lichtenstein Roy Lichtenstein (1923-1997), born in New York City, was a founder of Pop Art in America. He celebrates and satirizes the common things of everyday life. At first his art was based on commercial ads and characters in comic strips, but he later expanded his subjects to include landscapes, still-lifes, figures, and even the history of painting itself. Known for the wit and elegance he brought to his work, Lichtenstein created more than 5,000 paintings, sculptures, drawings, prints, and objects ranging from dinner plates to designs for detailing a BMW. Lichtenstein's work is represented in museums and galleries around the world. About The Whitney The Whitney Museum of American Art, founded in 1930 by the artist and philanthropist Gertrude Vanderbilt Whitney (1875-1942), houses the foremost collection of American art from the twentieth and twenty-first centuries. Mrs. Whitney, an early and ardent supporter of modern American art, nurtured groundbreaking artists when audiences were still largely preoccupied with the Old Masters. From her vision arose the Whitney Museum of American Art, which has been championing the most innovative art of the United States for ninety years. The core of the Whitney's mission is to collect, preserve, interpret, and exhibit American art of our time and serve a wide variety of audiences in celebration of the complexity and diversity of art and culture in the United States. Through this mission and a steadfast commitment to artists, the Whitney has long been a powerful force in support of modern and contemporary art and continues to help define what is innovative and influential in American art today.
Fortuny debuts a wallpaper collection made by artisans at rehabilitation community San Patrignano, and other news. Plus, revisiting Adele's Brit Awards performance in Yayoi Kusama's infinity mirrored room, and Kim Conaty to lead Dartmouth's Hood Museum. Fortuny debuts a wallpaper collection made by artisans at the San Patrignano rehabilitation community. Fortuny, the storied Venetian textile house behind the Delphos dress, is launching its first wallpaper collection in partnership with San Patrignano, Europe's largest drug rehabilitation community, and its Casa D'Arte arts and crafts initiative. The finishes, including marble, lime wash, and embossed leather effects, were developed with San Patrignano's artisans and are entirely handcrafted, with each style made-to-order and customizable in material, color, and texture. The collection reinterprets Fortuny's archival decorative prints and will debut at the brand's historic Giudecca showroom throughout September, coinciding with Homo Faber 2026 and the citywide Homo Faber in Città program. San Patrignano, which has supported over 26,000 people since 1978 with a reported 70 percent drug-free success rate, has previously collaborated with design platform Artemest on a furniture collection made by its residents. Revisiting Adele's Brit Awards performance in one of Yayoi Kusama's infinity rooms. Following the death of Yayoi Kusama, attention has returned to a memorable 2016 moment tied to her work: Adele's Brit Awards performance staged inside Kusama's Infinity Mirrored Room - The Souls of Millions of Light Years Away. Before that performance, Adele spent an hour exploring the installation at the Broad in Los Angeles, filming her experience for what became the backdrop to her rendition of "When We Were Young." The singer said standing inside the mirrored space, which multiplies reflections into an illusion of eternity, allowed her to see different versions of yourself from every angle," adding that she noticed things about herself she hadn't recognized before. Kusama, a pioneering avant-garde artist known for her work across visual art, performance, fiction, and poetry, continued painting until her final days. Frieze Abu Dhabi's inaugural edition will feature galleries from 36 countries. Frieze Abu Dhabi has unveiled the full gallery lineup for its debut edition, running November 19-22 at Manarat Al Saadiyat. The fair, Frieze's first in the Middle East, will bring together 84 galleries from 63 cities and 36 countries, succeeding the 17-year-old Abu Dhabi Art under a new partnership with the Department of Culture and Tourism - Abu Dhabi. The main Galleries section features strong regional representation, including Carbon 12, The Third Line, and Tabari Artspace, alongside participants from Beirut, Saudi Arabia, Tehran, and India, as well as roughly 20 European galleries and major U.S. names like Gagosian and Pace. An all-female curatorial team leads the fair's two curated sections: Frieze Masters Abu Dhabi, organized by Marika Sardar around Indian Ocean trade histories, and Global Futures, curated by Tarini Malik, spotlighting artists tied to the UAE and broader region. Kim Conaty departs the Whitney to lead dartmouth's Hood Museum. Dartmouth College has named Kim Conaty, currently chief curator of the Whitney Museum of American Art, as the next director of its Hood Museum of Art, the institution announced Wednesday. Conaty will begin the role on October 27, succeeding John Stomberg, who led the museum for a decade and oversaw its $50 million renovation. Conaty's curatorial career includes stints at MoMA and the Whitney beginning in 2008, followed by a curator role at Brandeis University's Rose Art Museum in 2015, where she organized solo shows for Fred Eversley, Sharon Lockhart, and Tony Lewis. She returned to the Whitney in 2017 as the Steven and Ann Ames Curator of Drawings and Prints and was named chief curator in 2024, where she co-directed the museum's first collection strategic plan and organized major exhibitions including "Mary Corse: A Survey in Light" and "Edward Hopper's New York." The experimental art event Tokyo Jazz Club will premiere in a former capsule hotel during Art Week Tokyo. The founders of Basel Social Club, the experimental alternative to Art Basel, are launching a new venture in Japan: Tokyo Jazz Club, running November 1-8 in a former capsule hotel in Tokyo's Jimbocho neighborhood, timed to Art Week Tokyo. Following the Basel Social Club model, the event will blend contemporary art, performance, music, and food. Co-founder Robbie Okuda Fitzpatrick called Tokyo "the natural choice" for expanding the concept, citing Art Week Tokyo's growing pull for international artists and galleries. Co-founder Yael Salomonowitz said the program will "privilege experience over spectacle," with artists activating spaces throughout the building through sound, movement, and ritual rather than separating exhibition from performance. Since launching in 2022, Basel Social Club has held five editions in unconventional venues, from a former mayonnaise factory to a disused office building, inspiring similar events elsewhere. Attractive Distractions: Tiffany & Co. marks 160 years of its first chronograph with a new titanium watch. Inside House of Josty, a six-room hotel overlooking Copenhagen's Frederiksberg Gardens. A Mumbai photographer's five-year obsession with the Indian monsoon. Skylights and silver ceilings illuminate this house in Kyoto by Tato Architects.
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Company Size
201-500
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Headquarters
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Founded
1930
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