Part-Time

Promotion Assistant/Events Support

Updated on 8/1/2026

iHeartMedia

iHeartMedia

10,001+ employees

Runs nationwide radio, podcasts, advertising analytics

Compensation Overview

$16/hr

Latham, NY, USA

In Person

Category
Growth & Marketing (1)
Required Skills
Microsoft Office
Adobe Photoshop
Social Media
Marketing
Customer Service

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Requirements
  • Experience with Microsoft Office, Photoshop, and social media platforms.
  • An excellent driving record, a valid driver's license, and proof of insurability.
  • The physical ability to stand for multiple hours and lift or move 40-pound objects.
  • Organizational skills and the ability to prioritize and effectively manage time.
  • Interpersonal skills with the ability to collaborate with others and maintain composure when faced with difficult situations.
  • The ability to work within standardized procedures and understand when to escalate.
  • Skills to solve straightforward problems using established procedures.
  • Close attention to detail and the ability to follow up until issues are resolved.
  • Common courtesy when communicating with coworkers and outside contacts.
Responsibilities
  • Execute promotions such as remotes, events, van appearances, and other marketing and promotions team activities.
  • Coordinate contest prize inventory, prize sheets, prize fulfillment, and release forms.
  • Set up and break down audio equipment and promotional tents, and hang banners and other staging elements.
  • Activate promotional events with games and music.
  • Interact with attendees at promotional events.
  • Capture and recap promotional events via photos, video, audio, and social media.
  • Drive promotional vehicles.
Desired Qualifications
  • Previous experience in outdoor promotions and/or marketing/customer service is a plus.

iHeartMedia creates and distributes audio content across a large network of radio stations, podcasts, and music to reach audiences nationwide. Its core business is selling advertising, supported by analytics and attribution tools that help partners measure how well campaigns perform. It operates 860 live broadcast stations in 153 markets and also earns revenue from events and digital services, combining traditional radio with online platforms to expand reach and monetization. The company differentiates itself with extremely broad audience access (reaching about 90% of Americans monthly), a large-scale cross‑platform distribution of audio, and advanced measurement capabilities that inform marketing partners. Its goal is to maximize audience reach and advertising revenue by providing advertisers with effective, measurable ways to reach listeners across radio, digital, and live events.

Company Size

10,001+

Company Stage

IPO

Headquarters

San Antonio, Texas

Founded

1972

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Simplify Jobs

Simplify's Take

What believers are saying

  • Digital Audio Group revenue grew 18% in Q1 2026, driven by high-margin podcasting and programmatic ad sales.
  • Expanded partnerships with Netflix and TikTok creator networks in 2024-2026 enhance premium content distribution and short-form engagement.
  • Women's sports podcast expansion added eight shows in early 2025, capturing rising viewership and sponsorship demand in that sector.

What critics are saying

  • Replacing 100+ local hosts with automation in 30 markets erodes listener loyalty and cuts ad inventory value within 12 months.
  • The $150M 2026 cost cuts reflect unsustainable debt pressure, risking talent flight to competitors retaining local programming.
  • Local ad revenue collapse undermines attribution tech promises, weakening the core competitive moat with significant probability in 12 months.

What makes iHeartMedia unique

  • iHeartMedia reaches 90% of Americans monthly via 860 live broadcast stations across 153 markets.
  • It uniquely owns both distribution infrastructure and content talent, enabling low-cost cross-promotion of podcasts and events.
  • The company leads globally as the #1 podcast publisher with superior ad-tech like SmartAudio and Audiograph for radio attribution.

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Benefits

Health Insurance

Dental Insurance

Vision Insurance

Life Insurance

Paid Vacation

Paid Sick Leave

Paid Holidays

401(k) Retirement Plan

Mental Health Support

Growth & Insights and Company News

Headcount

6 month growth

0%

1 year growth

0%

2 year growth

0%
Restaurant Magazine
Jul 23rd, 2026
TikTok and iHeartPodcasts welcome Prince St. Pizza's "Delivering Happiness," Hosted by Nick Turturro, to the TikTok Podcast Network.

TikTok and iHeartPodcasts welcome Prince St. Pizza's "Delivering Happiness," Hosted by Nick Turturro, to the TikTok Podcast Network. July 23, 2026 · · The cult-favorite brand turns pizza deliveries into content gold as 52 episodes of its original celebrity-driven series joins two of the world's biggest platforms. Listen to "Delivering Happiness" now, HERE. TikTok and iHeartPodcasts, the No. 1 podcast publisher globally according to Podtrac, today announced that the original celebrity-driven series "Delivering Happiness" created by Lawrence Longo with Prince St. Pizza and hosted by actor Nick Turturro, is now available for the first time as a podcast joining the growing slate on the TikTok Podcast Network. Listen to "Delivering Happiness" HERE. Born from the New York institution that turned pepperoni-loaded square slices into a cultural phenomenon, the feel-good series "Delivering Happiness" has built a loyal following by pairing celebrity guests with a surprisingly simple premise: real pizza deliveries and unscripted conversations, blending New York attitude and laughter with the universal power of sharing a slice. Hosted by actor Nick Turturro, "Delivering Happiness" follows the longtime entertainer as he swaps movie sets for pizza routes, making real deliveries and stepping into candid conversations with celebrities, athletes and creators. The series was born after conversations between Turturro and Prince St. Pizza's Chief Executive Officer, Lawrence Longo, about getting involved with the brand. Longo had one requirement: if Turturro wanted in, he had to deliver pizzas. The result is a show where no one knows exactly what will happen when the door opens. Since its debut, the series has featured an eclectic lineup of guests including Spike Lee, Ice-T, Bill Burr, Dana White, Seth Rollins, Christina Milian and Alex Rodriguez. Equal parts pizza delivery, street-level talk show and cultural time capsule, "Delivering Happiness" captures the moments that happen when people least expect them. Unlike traditional celebrity interview formats, "Delivering Happiness" centers on the moments between destinations. The talks that unfold naturally in cars, on front porches, inside neighborhood shops and anywhere else a delivery might lead. For Prince St., the show represents a natural extension of the brand's identity and a new way to engage audiences beyond the restaurant experience. Founded in Manhattan's Nolita neighborhood over a decade ago, Prince St. Pizza has become a national destination for its crave-worthy square pies, now served at more than 19 locations across the U.S. The full collection of episodes is available online, with episodes continuing to spotlight the personalities, humor and human connections that emerge from the simple act of delivering pizza. "We're building the TikTok Podcast Network around voices and formats that feel original and culturally relevant, and Delivering Happiness is a great example of that," said Dan Page, Global Head of Global Media and Licensing Partnerships at TikTok. "Nick Turturro and Prince St. Pizza have created something that's entertaining, approachable and uniquely their own, and we're thrilled to bring the show to podcast audiences." "Great podcasts create moments people want to be part of, and 'Delivering Happiness' does exactly that," said Will Pearson, President of iHeartPodcasts. "Nick Turturro has a way of turning a simple pizza delivery into an authentic conversation you can't script. We're excited to bring the series to podcast listeners through the TikTok Podcast Network." "Pizza has always been the great connector," said Lawrence Longo, CEO of Prince St. Pizza. "People let their guard down around pizza. They tell stories they weren't planning to tell. They laugh harder. The conversations become real. What started as an experiment turned into something much bigger than we expected, and we're excited to bring it to a much larger audience through iHeart and TikTok." Launched in March 2026, the TikTok Podcast Network is a first-of-its-kind partnership between TikTok and iHeartMedia that brings some of the platform's leading creators into long-form podcasting. Designed to expand creator storytelling beyond short-form video, the network combines TikTok's creator ecosystem with iHeartMedia's industry-leading podcast production, distribution and monetization capabilities. GEICO serves as the network's exclusive launch partner, creating new opportunities for brands to engage audiences through creator-led podcast content. The slate also includes "Sports Slice" hosted by sports creator Tim Martin (@timbosliceoflife12); "The Clifford Show" hosted by former college football player turned sports creator Clifford Taylor IV (@clifford); "Suite 305 with Lele Pons" hosted by multihyphenate and social media star Lele Pons (@lelepons); and coming soon "Caroline's Closet" hosted by fashion editor, author and personality Caroline Vazzana (@cvazzana). All podcasts on the TikTok Podcast Network are distributed by iHeartPodcasts. "Delivering Happiness" is available on the iHeartRadio app and everywhere podcasts are heard with new episodes dropping on Wednesdays. Clips, highlights and behind-the-scenes moments from the show will also be featured across TikTok. Nick Turturro is an American actor. He is known as one of the frequent collaborators of Spike Lee, and his roles as Detective James Martinez on NYPD Blue and Sergeant Anthony Renzulli on Blue Bloods. He was nominated twice for Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series for his work on NYPD Blue. He is also a Screen Actors Guild Award winner and an Independent Spirit Award nominee. Founded in 2012 in New York City's Nolita neighborhood, Prince St. Pizza has become a cult-favorite for its Sicilian "SoHo" Squares and original Neapolitan-style pizzas. Rooted in the Morano family's generations-old recipes and the philosophy that "if you can put it on pasta, you can put it on pizza," the brand is known for handcrafted sauces made daily, fresh ingredients and dough perfected through a New York-style water filtration process - all delivering the signature slice shop experience that has expanded from New York to, California, Toronto and beyond, with 19 locations across the U.S. For more information, visit PrinceStreetPizza.com or follow along on Instagram and Facebook. TikTok is the leading destination for short-form mobile video. Its mission is to inspire creativity and bring joy. TikTok's global headquarters are in Los Angeles and Singapore, and its offices include New York, London, Dublin, Paris, Berlin, Dubai, Jakarta, Seoul and Tokyo. iHeartMedia [Nasdaq: IHRT] is the leading audio media company in America, with nine out of ten Americans listening to iHeart broadcast radio in every month. iHeart's broadcast radio assets alone have a larger audience in the U.S. than any other media outlet and over four times the ad-enabled audience of the largest digital only audio service. iHeart is the largest podcast publisher according to both Podtrac and Triton, with more downloads than the next two podcast publishers combined, has the most recognizable live events across all genres of music, has the number one social footprint among audio players, has the highest-reach and most engaged influencers, and is the only fully integrated audio ad tech solution across broadcast, streaming and podcasts. The company continues to leverage its strong audience connection and unparalleled consumer reach to build new platforms, products and services. Visit iHeartMedia.com for more company information. Discover more Restaurant Reviews & Reservations Baked Goods

Amazing Audio Ads
Jul 21st, 2026
How much does it cost to advertise on iHeartRadio in 2026?

How much does it cost to advertise on iHeartRadio in 2026? iHeartRadio is unusual in scale: it spans hundreds of broadcast stations, a massive streaming app, and one of the largest podcast networks in the country. So when advertisers ask how much does it cost to advertise on iHeartRadio, the honest answer is that it depends heavily on which of those three channels you buy. This guide untangles all three. How much does it cost to advertise on iHeartRadio across channels. To answer how much does it cost to advertise on iHeartRadio, you first pick a channel. Broadcast spots are priced like traditional radio - by market, daypart, and frequency. Streaming and podcast inventory is sold on a digital CPM model with precise targeting. Many advertisers blend all three for reach plus precision. iHeart's combined footprint is enormous. Nielsen ranks iHeartMedia among the largest audio reach networks in the US, and that scale is reflected in its flexible, tiered pricing. It helps to zoom out. The broader shift in audio - from purely local broadcast toward a blended broadcast-plus-digital ecosystem - means the way you evaluate how much does it cost to advertise on iheartradio is changing too. Buyers who once compared only spot prices now weigh reach, targeting precision, and measurability together. That wider lens consistently produces better decisions than chasing the lowest sticker number, and it is the mindset Amazing Audio Ads bring to every campaign Amazing Audio Ads build. How much does it cost to advertise on iheartradio: the detail that matters most. On local iHeart broadcast stations, expect the usual ranges: $50 to $200 per spot in small markets up to $1,000+ in major-metro drive-time. Volume commitments unlock the usual discounts. Streaming and podcast costs on iHeartRadio. On the digital side, the question of how much does it cost to advertise on iHeartRadio lands in CPM territory - roughly $10 to $25 for streaming audio and often higher for premium host-read podcast placements. The Edison Research podcast studies explain why host-read inventory commands a premium: engaged, trusting audiences convert well. There is also a timing dimension worth planning around. Demand for audio inventory rises and falls with the calendar - fourth-quarter retail, back-to-school, and election cycles all pull rates upward, while quieter stretches early in the year often soften pricing. Advertisers who stay flexible about when they run, rather than fixating on a single window, frequently secure better terms without sacrificing reach. This is one of the simplest, most overlooked ways to improve the economics of how much does it cost to advertise on iheartradio without cutting a single spot from the schedule. A closer look at how much does it cost to advertise on iheartradio. Local businesses may favor broadcast plus streaming in their market; national brands lean into the podcast network. The platform's flexibility is its strength - you can start small and scale. Production quality is non-negotiable. Across every iHeart channel, your ad competes with national creative. A polished spot is essential. Its audio ad production services deliver broadcast- and streaming-ready spots that hold their own anywhere on the network. iHeart offers unmatched flexibility; strong production makes it pay off. Start with its audio production team for a quote. Measurement closes the loop. Even in audio - long criticized as hard to track - modern tools make performance far more visible than most advertisers assume. Unique landing pages, dedicated promo codes, call-tracking numbers, and post-campaign brand-lift surveys all attribute results back to your spots. The IAB has published measurement standards specifically to give audio buyers the same accountability they expect from digital. Building even a lightweight measurement plan turns how much does it cost to advertise on iheartradio from a leap of faith into a data-informed investment you can refine campaign after campaign. The bottom line on how much does it cost to advertise on iheartradio. If there is one thing to remember about how much does it cost to advertise on iheartradio, it is that the number on a quote is only the starting point. What ultimately determines your return is the interplay of reach, frequency, targeting, and - above all - the quality of the creative you put on the air. A modest budget behind a sharp, well-produced spot routinely outperforms a large budget behind a forgettable one. Industry data from Nielsen and Edison Research keeps reinforcing the same lesson: audio remains one of the most trusted, high-reach, and cost-efficient channels available when the fundamentals are respected. Treat how much does it cost to advertise on iheartradio as one input in a system rather than an isolated decision, and you will spend smarter almost immediately. Anchor your plan to clear objectives, invest once in a professional creative asset you own, and buy the narrowest, most relevant reach that covers your customers. When you are ready to move, its audio ad production services and its wider audio ad production team can turn these principles into a concrete, transparent plan with no guesswork and no "call for pricing" games. Your next steps. Start by defining your audience and market, set a realistic budget using the ranges above, and prioritize a professionally produced spot before you commit to airtime. From there, layer streaming audio for precision and negotiate volume for efficiency. Small, disciplined choices compound into meaningfully better results. A few common mistakes are worth avoiding. Buying too few impressions to build real frequency wastes the whole spend, because a message heard once rarely lands. Accepting generic, station-templated creative surrenders your best lever for standing out. And judging every option purely on the lowest sticker price ignores the reach and targeting behind that number. Sidestep those three traps and you will already be ahead of most advertisers evaluating the same options. iHeartRadio advertising cost overview (2026) | Channel | Entry cost | Pricing model | Reach profile | | Digital audio spots | $2,000/mo | CPM ($10-$20) | National streaming | | Local terrestrial spots | $200-$1,500/spot | Per airing | Market-specific | | Podcast placements | $18-$50 CPM | Per download | Niche & loyal | | Live-read endorsements | $500+ | Per read | Host-driven trust | Frequently asked questions. What does it cost to advertise on iHeartRadio? Digital campaigns commonly start near $2,000 per month, while individual terrestrial spots range from about $200 to $1,500 depending on the market and daypart. Podcast and endorsement pricing is quoted separately. Is iHeartRadio better for local or national campaigns? Both. Its terrestrial stations excel at local reach, while the digital and podcast network is built for national or multi-market campaigns. How do I keep iHeartRadio costs efficient? Concentrate spend on the dayparts and shows that match your buyer, and invest in strong creative. Great production makes every dollar of media work harder.

Nevada Broadcasters Association
Jul 13th, 2026
This week in regulation for broadcasters: July 6, 2026 to July 10, 2026.

This week in regulation for broadcasters: July 6, 2026 to July 10, 2026. Posted on July 13, 2026 Here are some of the regulatory developments of significance to broadcasters from the past week, with links to where you can go to find more information as to how these actions may affect your operations. * The FCC's Media Bureau announced that the upcoming new noncommercial educational FM translator reserved band (88.1-91.9 MHz) filing window has been moved from August to November to accommodate applicants affiliated with schools on summer holidays and other noncommercial companies who argued that an August window did not give them enough time to prepare their applications. The filing window will now open at 12:01 a.m. ET on November 4, 2026, and will close at 6:00 p.m. ET on November 17, 2026. The associated filing freeze on all reserved and non-reserved band LPFM, FM translator, and FM booster station minor modification applications that was to begin on July 10 to facilitate the filing window will now begin at 11:59 p.m. ET on October 2, 2026, and will continue until the filing window closes. See our Broadcast Law Blog article here for more on the filing window and the filing freeze's rescheduling. * The NAB announced that it has released its new Broadcast Station Self-Inspection Guides for AM, FM, and TV. These guides, prepared in conjunction with the Society for Broadcast Engineers, replace guides that once were furnished by the FCC but which the FCC has not updated in 20 years. The guides help broadcasters to ensure that their operations comply with FCC rules. The guides are free to NAB and SBE members. * The FCC's Enforcement Bureau entered into a Consent Decree with iHeartMedia to resolve its investigation into iHeart's purported violations of the FCC's sponsorship identification rules. The investigation began with allegations from Senator Blackburn that iHeart was coercing artists to perform at its events for free or at a reduced cost either through threats of withholding airplay for those artists' music, or by promising them greater airplay if they performed. iHeart neither admitted that it violated the sponsorship identification rules nor agreed to pay any sort of penalty. Instead, for 36 months, iHeart must, among other things, implement a compliance program to avoid any future violations and to report to the Commission on the bands playing at major iHeart events and the airplay these bands receive before and after the event. We wrote more about this Consent Decree and its meaning for broadcasters in this article on our Broadcast Law Blog. * FCC Chairman Carr released a statement regarding the Consent Decree, stating that the FCC "is committed to ensuring that artists - especially up and coming ones - get a fair shake in their dealings with the broadcast industry," and that the Consent Decree "adds significant new protections and offers the FCC greater transparency to ensure that artists retain their right to decide when and where they will perform." * The Media Bureau released a Public Notice announcing that July 9 was the effective date of certain rules adopted by the FCC in its December 2025 Report and Order, which revised the FCC's rules applicable to Class A, LPTV, and TV translator stations (see our note here). The rules taking effect on July 9 cover topics including requiring that applications for new facilities exceeding permissible interference levels include a copy of the interference acceptance agreement between affected parties; allowing LPTV and TV translator stations that are sharing channels to cease sharing and seek a license for a non-shared channel by filing a major modification specifying a new channel; and requiring Class A, LPTV, and TV translator stations to use call signs matching their service designation ("-LD" for LPTV, "-CD" for Class A, and "-D" for TV translators) but grandfathering existing station call signs. The Bureau noted that stations with non-complaint call signs that are not grandfathered have until July 9, 2027 to change their call sign to a rule complaint call sign. The Bureau also provided guidance for disclosing other attributable broadcast interests in new and major change LPTV and TV translator applications, and noted that it will issuing a separate Public Notice regarding the treatment of mutually exclusive new and major change LPTV and TV translator applications (which may exist from recent filings arising from the lifting of the freeze on such applications - see our articles here and here). * The Media Bureau granted iHeartMedia's petition for declaratory ruling seeking FCC approval of several new and existing foreign investors' ownership interests pursuant to Section 310(b) of the Communications Act. Absent FCC approval, Section 310(b) prohibits foreign entities, individuals, and governments from holding ownership interests of more than 20% in an FCC licensee and ownership interests of more than 25% in a U.S. entity that directly or indirectly controls an FCC licensee. The Bureau found that approving iHeart's foreign investment above the 25% threshold was in the public interest as it facilitated access to foreign capital which would allow iHeart to better compete with other media companies, enhance its programming, and potentially encourage reciprocal investment opportunities for U.S. companies in foreign markets. The Bureau conditioned its approval on iHeart's continued compliance with its 2020 Letter of Agreement with the U.S. Department of Justice, which requires iHeart to report certain changes in ownership, control, or operations, and to file an annual compliance report. iHeart must also monitor its foreign equity and voting interests, obtain FCC approval for any new foreign investors holding 5% or greater ownership interests in iHeart, obtain FCC approval for any foreign individual or entity holding a controlling interest in iHeart, and promptly disclose any noncompliance with the FCC's foreign ownership rules. * The Media Bureau released a Notice of Proposed Rulemaking proposing to substitute Channel 285A for vacant Channel 248A at Whitehall, Michigan. The Bureau stated that a recent staff engineering analysis found the vacant Channel 248A does not comply with the FCC's minimum distance separation requirements for FM stations and that replacing Channel 248A with Channel 258A would resolve the existing short-spacing conflicts to 3 nearby FM stations. Comments and reply comments responding to the NPRM are due August 24 and September 8, respectively. In addition to the articles on the extension of the NCE translator window and the iHeart Consent Decree, on our Broadcast Law Blog, we wrote about the Blog's 20th anniversary, and about some of the legal and policy issues that have remained unresolved throughout that period.

Michigan Association of Broadcasters
Jul 10th, 2026
iHeartMedia/West Michigan's Kim Lozano retires.

iHeartMedia/West Michigan's Kim Lozano retires. July 10, 2026 Longtime iHeartMedia/West Michigan Media Account Executive Kim Lozano has retired as of June 30. Lozano was Senior Account Executive as well as General Sales Manager for WOOD-AM/FM. Lozano, a 1979 graduate of Specs Howard School of Broadcast Arts started his career in Detroit on-air and worked in the music business, serving as a promotion/marketing manager for both EMI Records and RCA Records. He moved the CHUM in Windsor as an account executive beginning in 2001. In 2003, he joined Regent Broadcasting as an account executive. He moved the Citadel Broadcasting in Lansing in 2004, serving as General Sales Manager. He also spent a few years at Mlive Media Group in Grand Rapids and Midwest Communications and Adams Outdoor Advertising in Kalamazoo. He joined iHeartMedia in 2015.

Concern Hotline
Jul 8th, 2026
Concern Hotline featured in the 2025 iHeartMedia Impact Report.

Concern Hotline featured in the 2025 iHeartMedia Impact Report. Concern Hotline is honored to be featured in the 2025 iHeartMedia Impact Report, recognizing a partnership that has helped strengthen its mission for more than 25 years. For a quarter century, iHeartMedia has partnered with Concern Hotline by helping promote its annual Fish Fry and raising awareness of its mission throughout the community. That long-standing partnership has helped shine a light on mental health, suicide prevention, and the importance of reaching out for help, while supporting its largest annual fundraiser. This feature is a testament to the impact that can be made when businesses and nonprofit organizations come together with a shared commitment to serving their community. Partnerships like this help ensure that more people know where to turn during life's most difficult moments and that compassionate support is always within reach. One detail made this feature especially memorable. The photo selected by iHeartMedia was taken during Concern Hotline's Giving Tuesday event, a day dedicated to celebrating generosity, community, and the power of giving back. The image features Tara Crawford, Program Director of Concern Hotline, alongside Holly Crawford, Program Director of the Northern Shenandoah Valley Substance Use Coalition. What iHeartMedia didn't know when they selected the photo was that Tara and Holly are sisters. Although they serve in leadership roles at different organizations, both have dedicated their careers to strengthening the health and well-being of its community. Their work reflects the many ways local organizations collaborate to provide support, education, prevention, and hope for those who need it most. While the photo was selected simply because it captured the spirit of the event, it ultimately came to represent something even greater. It serves as a reminder that meaningful change happens when people, organizations, businesses, families, volunteers, and community partners work together toward a common purpose. Concern Hotline is deeply grateful to iHeartMedia for 25 years of partnership and for helping share its mission with the community. Concern Hotline, Inc. is equally grateful to its volunteers, supporters, donors, community partners, and everyone who has walked alongside Concern Hotline, Inc. over the years. This feature is not just a reflection of Concern Hotline's work. It is a reflection of an entire community that believes every person deserves hope, compassion, and someone who will listen.