BG Prep Artist Lead
About the job
- Six years of feature film or television production experience.
- Expertise in Silhouette.
- Expertise in Nuke.
- Proficiency in Mocha Pro.
- Proficiency in ShotGrid.
- Basic Linux knowledge.
- Rotoscoping in Silhouette.
- Efficient spline breakdown and keyframing.
- Matching plate motion blur.
- 2D point tracking and Mocha planar tracking.
- Extracting tracking information from a matchmove camera.
- Painting frame by frame in Silhouette.
- Dust busting and cosmetic touches.
- Painting retime artifacts.
- Procedural plate cleanup in Nuke.
- Marker removals.
- Simple camera, crew, rig, and wire removals.
- Understanding of Nuke’s 3D environment.
- Good communication skills.
- Excellent time management.
- An eye for detail and precision.
- Curiosity in photography and film.
- Understanding of color theory.
- Responsibility and dedication.
- Candidates must be based in British Columbia and eligible to work in Canada.
- Attend show kickoffs and establish the best strategy for shots with the Compositing Supervisor.
- Brief artists and draw clear annotations as guidelines.
- QC submissions and advise artists on technical solutions.
- Collaborate with the BG Prep Coordinator and Production Manager to address scheduling priorities.
- Work with the BG Prep Supervisor on standardization and good practices.
- Work with the HOD on the Department’s overall strategy.
- Provide feedback regarding artists working on assigned shows.
- Occasionally work on roto or paint shots and perform required quick fixes.
- Represent the Department calmly and professionally.
- Collaborate with other Departments to resolve problems effectively.
- Manage internal crew capacity in relation to work complexity.
- Manage packaging and QC of outsource requests.
- Help train Artists or Coordinators within the Department.
- Develop effective communication skills to simplify processes and relationships.
- Suggest improvements to production workflow quality or speed.
- A degree or diploma in Digital or Traditional Arts is appreciated.
- A specialization in VFX Compositing is appreciated.
- Experience in Photoshop, Lightroom, or After Effects is appreciated.
- Experience in photography is appreciated.
About the company
Image Engine Design is a visual effects studio that provides a full suite of services for feature films and television, including concept design, pre-visualization, computer-generated animation, compositing, and volumetric digital effects. Its process combines early concept work with pre-visualization and then high-end CG and integration work to produce final VFX shots for a project. The company differentiates itself through its long track record (since 1995), its location in Vancouver, and its team of experienced artists who handle the entire VFX pipeline in-house rather than outsourcing components. Its goal is to help storytellers bring their ideas to life by delivering high-quality VFX that support the narrative and visual storytelling of each project.
Company Size
201-500
Company Stage
N/A
Total Funding
N/A
Headquarters
Vancouver, Canada
Founded
1995
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Simplify's Take
What believers are saying
- The Gorge earned a 2026 VES nomination, validating premium environment expertise.
- 2025 year-end projects include Tron: Ares, Murderbot, Percy Jackson, and The Mandalorian.
- Upcoming campaigns include Avatar: The Last Airbender Season 2 and The Mandalorian & Grogu.
What critics are saying
- OpenAI Images 2.5 on September 8, 2026 squeezes concept-art and previs workflows.
- Client concentration is severe: Disney, Netflix, Lucasfilm, and Skydance dominate its pipeline.
- VFX margins stay project-based; one lost tentpole in 2027 can hammer utilization.
What makes Image Engine Design unique
- Image Engine won 2026 Emmy recognition for Skeleton Crew visual effects.
- It specializes in photoreal feature and series work for Disney, Netflix, and Lucasfilm.
- Its 2025 slate spans creatures, environments, water simulation, and matte painting.
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Benefits
- Health Insurance
- Wellness Program