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Skydance

Skydance

Produces films, television, and interactive media

Art Director

Full-Time
$4k - $4.6k/wk
Senior
Santa Monica, CA, USA+1 more

More locations: Los Angeles, CA, USA

Hybrid

Hybrid work arrangement; occasional travel is required.

About the job

Requirements
  • At least 6 years of experience working on animated feature productions.
  • Demonstrated ability to develop visual ideas from initial concept through final execution, with a strong sense of ownership and creative problem-solving.
  • Exceptional understanding of design fundamentals, including composition, color theory, lighting, shape language, and visual storytelling.
  • Proven leadership and team management skills, with the ability to guide, motivate, and develop artists in a collaborative production environment.
  • Strong organizational skills and the ability to prioritize across multiple demands while maintaining a high standard of artistic quality.
  • Excellent communication and interpersonal skills, with a collaborative mindset and the ability to clearly articulate creative direction to diverse teams.
  • Ability to balance creative vision with production realities, aligning the needs of the show, department, and studio.
  • Solid understanding of animation production pipelines, workflows, and tools, with proficiency in industry-standard software such as Adobe Photoshop.
Responsibilities
  • Champion and help execute the Director’s creative vision for the film’s visual identity, in close partnership with the Production Designer, ensuring consistency and excellence from development through final delivery.
  • Define, develop, and clearly communicate the film’s artistic style, with a particular focus on environments, sets, props, and color design, establishing a cohesive visual language across all departments.
  • Create and contribute high-quality concept art, visual development materials, and key imagery.
  • Collaborate with the Production Designer to lead and oversee the Los Angeles- and Madrid-based Art Departments, fostering alignment, consistency, and a unified creative direction across global teams, including occasional travel as needed.
  • Provide ongoing artistic direction, feedback, and mentorship to team members, supporting their growth while maintaining high creative standards.
  • Work closely with studio leadership, production, and technical teams to align on creative goals, production timelines, tools, and budget, balancing artistic ambition with practical execution.
  • Prepare and deliver compelling presentations that communicate the film’s visual direction to studio executives, stakeholders, and external partners.
  • Partner with production leadership, Talent Development, and Talent Acquisition to identify, evaluate, and help secure top artistic talent for key roles across departments, both internally and externally.
  • Facilitate clear and proactive communication across departments.
Desired Qualifications
  • Experience leading or supervising an Art Department, preferably within CG animated feature films.
  • Experience working across multiple locations or with distributed teams.

About the company

Skydance is a media company that creates and distributes content across several entertainment formats, including feature films, television series, animation, and interactive VR experiences. Its films and shows are released to global audiences, and it also develops original virtual reality games and IP-based experiences, collaborating with partners like Ilion Animation Studios. Revenue comes from box office sales, streaming licensing, and selling interactive games. Unlike organizations that focus on a single medium, Skydance operates across multiple formats and genres to build and monetize intellectual property worldwide. Its goal is to provide high-quality entertainment that spans cinema, television, animation, and immersive interactive experiences, growing its brands and audiences across platforms.

Company Size

201-500

Company Stage

Debt Financing

Total Funding

$2.4B

Headquarters

Santa Monica, California

Founded

2010

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Simplify's Take

What believers are saying

  • Paramount+ added 2 million subscribers in Q2 2026, reaching 81.6 million.
  • Paramount Skydance says 69 jurisdictions cleared the WBD merger by September 8, 2026.
  • Studio revenue rose to $1.3 billion in Q2 2026, helped by Netflix and Amazon licensing.

What critics are saying

  • California AG Rob Bonta's WBD lawsuit heads to a March 2027 trial, delaying closing.
  • SkyShowtime's September 14, 2026 wind-down review shows fragile international streaming economics with Comcast.
  • A failed WBD deal leaves Paramount Skydance facing $7 million daily ticking fees and $7 billion breakup exposure.

What makes Skydance unique

  • David Ellison built Skydance around event films, TV, gaming, and animation since 2010.
  • Skydance Sports keeps landing branded partnerships, including Hallmark and NFL Holiday Touchdown on 2026-10-17.
  • Paramount Skydance now owns a merged streaming tech stack, improving cross-promotion across Paramount+ and studio releases.

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Benefits

Hybrid Work Options

Growth & Insights and Company News

Headcount

6 month growth

0%

1 year growth

-5%

2 year growth

4%
KZK101
Sep 9th, 2026
'Holiday Touchdown: A Bears Love Story' will help kick off Hallmark's Christmas movie slate.

'Holiday Touchdown: A Bears Love Story' will help kick off Hallmark's Christmas movie slate. Hallmark will begin its annual Countdown to Christmas movie slate in mid-October, and its latest film made in partnership with the NFL will anchor the opening weekend. Holiday Touchdown: A Bears Love Story is set to premiere Oct. 17 on Hallmark Channel. It will be the tentpole movie for the first weekend of the Christmas schedule; the full lineup of movies is set to be announced next week. A Bears Love Story, which filmed in Chicago in July, stars Lyndsy Fonseca and Robert Buckley, both Hallmark veterans. The cast also includes Marsha Mason, Barbara Alyn Woods, Khary Payton Tamera Mowry-Housley, Marilu Henner, Jake Connelly and Dyon "Mojo" Brooks. Bears coach Ben Johnson and players Cole Kmet and Colston Loveland also make appearances, as do former Bears stars Mike Singletary, Charles "Peanut" Tillman and Dan Hampton along with Connie Payton, the wife of Bears legend Walter Payton. Buckley plays Matt, a Chicago firefighter who has been trying to get local media to do a story about his grandmother (Mason), who is about to attend her 500th Bears game. Fonseca plays Avery, the reporter assigned to the story, and "there's a little bit of love and football," as she put it to The Hollywood Reporter during filming. The movie filmed at Soldier Field, locations around the city and Halas Hall, the Bears team headquarters in suburban Lake Forest. Hallmark, producer Skydance Sports and the NFL have worked together on three Holiday Touchdown movies. The previous two revolved around the Kansas City Chiefs and Buffalo Bills. Dustin Rikert directed A Bears Love Story. Andrew Gernhard and Molly M. Mayeux produced, and Jessica Matthews and David O'Donnell are executive producers.

AsumeTech
Sep 7th, 2026
Mandy Moore and Christopher Meloni to star in Dan Fogelman's NFL drama The Land.

Mandy Moore and Christopher Meloni to star in Dan Fogelman's NFL drama The Land. Modified date: September 7, 2026 Discover more Word Games The upcoming Hulu series The Land is created and written by Dan Fogelman, the creator of This Is Us. The series shifts the focus from family sentimentality to the high-stakes world of professional football and the dynastic battles that occur behind the scenes of a fictionalized NFL franchise. Set against the backdrop of Cleveland - referenced by the show's title, a local colloquialism for the city - the drama stars Christopher Meloni as Danny Roarke, the head coach of a fictional version of the Cleveland Browns. While Meloni handles the pressures of the field, the narrative is anchored by William H. Macy, who plays team owner Hank Durkin. Macy has characterized the scripts as "Shakespearean," suggesting a level of interpersonal complexity that extends far beyond typical sports tropes. Mandy Moore reunites with Fogelman for the project, though her role as Lauren Durkin marks a significant pivot from her performance as Rebecca Pearson. Playing the daughter of the team owner, Lauren is portrayed as an ambitious heir apparent who is actively gunning for her father's job in a male-dominated industry. Recent character details describe Moore's role as a "badass" figure navigating the political landmines of the front office. The production aims for a high degree of authenticity through a collaboration with NFL Films and Skydance Sports. This partnership grants the show official access to league branding and resources, a rarity for scripted television dramas. To ground the series further in its setting, The Land filmed on location in Cleveland, benefiting from a significant Ohio Motion Picture Tax Credit for its local production efforts. Discover more Newspapers Time & Calendars The cast continues to expand with the addition of Bridget Moynahan, who is set to play Belinda, the ex-wife of Meloni's character. Her involvement suggests the series will explore the personal toll of the NFL lifestyle on the families surrounding the team, echoing the character-driven depth found in earlier sports classics. While Hulu has not yet confirmed a specific premiere date, industry trackers suggest a launch window ranging from late 2026 to early 2027. The production timeline and recent casting announcements indicate that the series remains a priority for the streaming platform as it looks to capture the intersection of sports culture and premium family drama. Mitchell - September 7, 2026

The Star Media Group
Aug 26th, 2026
California AG says no settlement talks scheduled with Paramount.

California AG says no settlement talks scheduled with Paramount. Wednesday, 26 Aug 2026 | 7:28 AM MYT LOS ANGELES Aug 25 (Reuters) - California Attorney General Rob Bonta said on Tuesday there are no settlement talks scheduled with Paramount Skydance to resolve the antitrust suit seeking to block the studio's proposed $110 billion acquisition of Warner Bros Discovery. Bonta said he canceled a scheduled Monday meeting after details of confidential settlement discussions leaked to the press, which he said was "unacceptable." "If they are willing to clean things up... and engage in a way that is sincere and in good faith, we will be where we always will be with any party in any case that we're involved in, which is happy to meet," Bonta said at a press conference on public safety issues. Paramount has pushed for a settlement in the case, which is the last hurdle to the deal along with a parallel lawsuit by the Writer's Guild of America. The company faces amountain of fees and coststo keep the deal together if Bonta's lawsuit continues to a trial scheduled for March. Bonta and other states have so far won key rulings, giving them leverage if settlement talks continue. The studio said it was not the source of the leaks. A Paramount spokesperson on Monday said the company shares "Bonta's concerns about the public discussions and misreporting that has surrounded this deal." Bonta reiterated his concerns that the merger of two major Hollywood studios would result in higher prices for consumers, less choice and lower quality films and television series. He also cited a report from Los Angeles county that predicted 4,500 film and television jobs would be lost within three years of the companies combining their operations, exacting an economic toll on the community. The attorneys general are seeking remedies that address their concerns about the deal's potential impact on widely released films and basic cable TV service. "They know exactly what I'm asking for, and it's incumbent upon them if they wish to make proposals that align with what I'm looking for and what the other attorneys general are looking for," Bonta said. "They haven't." Bonta said promises to release a combined 30 films a year from Paramount and Warner Bros fall short of the remedies he and other attorneys general are seeking. (Reporting by Dawn Chmielewski in Los Angeles, Editing by Franklin Paul, Cynthia Osterman and Nick Zieminski) Is this article useful?

The Desert Sun
Aug 24th, 2026
California cancels potential settlement talks with Paramount.

California cancels potential settlement talks with Paramount. Aug. 24, 2026, 3:33 p.m. PT California's Attorney General abruptly canceled a Monday meeting with representatives from Paramount Skydance, which would have brought the two groups together to start discussing a potential settlement of the state's antitrust lawsuit challenging the Paramount-Warner Bros. merger. The attorney general, Rob Bonta, confirmed in a statement on Aug. 24 that his office had "pulled down this meeting," specifically accusing Paramount of leaking and misrepresenting parts of the settlement, and noted that Paramount's leadership had demonstrated "a lack of good faith." "As soon as Paramount stops playing games and engages sincerely, my office is happy to meet again," Bonta said in his statement. Bonta's accusations likely refer to a Wall Street Journal article published over the weekend that included confidential details of the potential settlement discussions. A spokesperson for Paramount told NBC News that the company also shared Bonta's concerns regarding "misreporting that has surrounded this deal." "As we have assured the Attorney General's office, Paramount has not been the source of the leaks of any of our confidential discussions with the AG's office," the Paramount spokesperson told NBC News. How the legal battle over the Paramount-Warner Bros. merger escalated. Bonta's decision to cancel talks with Paramount representatives is the latest twist in the controversial merger between Paramount and Warner Bros. Discovery, after the companies announced on Feb. 27, 2026, that the pair had reached a $110.9 billion agreement. Prior to Monday's canceled meeting, Bonta had maintained a firm position that the state would pursue an antitrust lawsuit against the merger. Earlier in the month, Bonta even criticized Paramount's leadership, claiming they are attempting to "blackmail the state into letting an illegal deal" to fast-track the state's lawsuit. Specifically, David Ellison, the CEO of Paramount Skydance, is threatening to move the company out of California starting in October unless the state's attorney general agrees to resolve the merger via a settlement. "In a span of weeks, Paramount agreed to halt the merger until a court decision or until June 2027, asked for a November trial, and is now back with another attempt to blackmail the state into letting an illegal deal through," Bonta said on X. "Paramount has lost the plot as it continues to lose in court." Would a Paramount-Warner Bros merger lead to fewer movies? On July 13, California and several other states announced they would sue to block the proposed merger between Warner Bros. Discovery and Paramount Skydance, saying it would lead to higher prices, lower quality, and less content for film and television - among other alleged harms. The lawsuit argued that the merger would create a "media behemoth" and also "likely to substantially harm competition." Between the two movie studios, Warner Bros. and Paramount, create programming for movie theaters, audiences, and cable television distributors, and employ thousands throughout the entertainment industry. The attorneys general argue that the industry would be harmed if the merger were to go through as planned. The states point to previous media consolidation as a warning sign. After Disney acquired 21st Century Fox in 2019, the once-prolific 20th Century Fox film label was dramatically scaled back. Fox released an average of 16 films annually in the decade before the merger, but the studio is scheduled to release just six titles in 2026 and three in 2027. Antitrust critics contend the Paramount-Warner Bros. deal could similarly reduce the number of films and television projects produced, shrinking opportunities for workers, creators and consumers. Paramount CEO David Ellison has pushed back on concerns that consolidation would result in fewer films. Since announcing the deal, Ellison has pledged that the combined company would increase movie production, arguing that the merger would provide the scale and financial resources needed to make more theatrical releases and invest in a broader slate of films. Critics, however, note that similar promises were made during Disney's acquisition of 21st Century Fox. Paramount threatens to move studio out of California. About a week after the lawsuit was filed in the U.S. District Court for the Northern District of California, Paramount informed the court that it would not proceed with the lawsuit until June 1, 2026, unless the judge issued a ruling before then, according to court documents. However, on Aug. 5, Ellison met with his 12-member senior executive team to discuss plans to potentially move the company to another state starting Oct. 1, if talks between Bonta and the company did not budge, according to Puck News. Paramount Pictures is one of the oldest film studios based in California, founded in Los Angeles in 1912 and maintaining a presence in the state for over 100 years. Although Bonta initially slammed the idea of reaching a settlement agreement with Paramount, Xavier Becerra, the Democratic gubernatorial nominee and former Attorney General for California, urged the attorney general to settle the lawsuit during POLITICO's The California Agenda: Sacramento Summit. Becerra shared that antitrust lawsuits are "very difficult" to win and urged his predecessor to consider a settlement and pursue a deal that would benefit California's entertainment industry and families. "At the end of the day, is it good for the entertainment community in California? Does it benefit California families to have another merger occur?" Becerra said during the summit on Aug. 11. "I hope it settles before court. It is easier to stand in a conference room to settle than it is to stand in a courtroom." Noe Padilla is a Northern California Reporter for USA Today. Contact him at [email protected], follow him on X @1NoePadilla or on Bluesky @noepadilla.bsky.social. Sign up for the TODAY Californian newsletter or follow us on Facebook at TODAY Californian.

The Hollywood Reporter
Aug 20th, 2026
L.A. Mayor Karen Bass throws her support behind paramount-warner Bros. Discovery settlement.

L.A. Mayor Karen Bass throws her support behind paramount-warner Bros. Discovery settlement. The mayor previously stated that she opposed the $111 billion merger deal unless jobs were preserved in the transaction. August 20, 2026 2:04pm Los Angeles Mayor Karen Bass has changed her tone on the proposed merger between Paramount and Warner Bros. Discovery. The mayor, who is running for reelection this year, previously opposed the $111 billion deal unless it avoided loss of jobs. But in a news conference on Thursday, Bass urged Paramount Skydance and California attorney general Rob Bonta to come to a quick settlement on the antitrust lawsuit from 12 state regulators that is currently challenging the transaction. "While there are varying perspectives on the proposed transaction, today we are united around one clear message: It is time for all parties to come to the table. The continued uncertainty is not good for workers, not good for productions and not good for the future of this industry," Bass said in a press conference. Bass added, "Too many productions are at a standstill, which means Angelenos are out of a job and they're not getting paid. As mayor, I cannot stand by as the job security of thousands of hardworking union members is being put at risk. That is why we are calling on Paramount, Attorney General Rob Bonta and all relevant parties to come together, engage directly and in good faith and work urgently to find common ground and keep our vital industry in Los Angeles." The remarks arrived one day after a report from the L.A. Department of Economic Opportunity and CVL Economics estimated that thousands of corporate, creative and production jobs will be at risk if the merger goes through. The report also pegged potential lost waves at $1.26 billion and lost economic value at $2.78 billion. Her statements prompted a sharp rebuke from the Writers Guild of America West union, which is opposed to the merger and has filed its own lawsuit to stop it. "We are disappointed that Mayor Bass has chosen to join Paramount's pressure campaign on public enforcers, to push through a merger that is being rightfully challenged as illegal and will lead to job losses in the entertainment industry," the union said in a statement on Thursday. "Her statement comes on the heels of a county report estimating thousands of jobs will be lost if the merger proceeds." The union continued, "Industry workers deserve a mayor who believes in upholding the law and protecting the working people of Los Angeles, not serving the interests of powerful corporations." Bass' remarks arrive as several major entertainment organizations have similarly called for a hasty settlement. Cinema United, the movie theater trade organization, once vociferously opposed to the merger, backed off on Tuesday and called for a settlement to avoid industry uncertainty. The previous week two unions, the Directors Guild of America and IATSE, also asked both sides of the antitrust lawsuit to come together and hash out a deal before the scheduled trial date of March 2027. IATSE's political division in California previously endorsed Bass in her run for mayor, citing her frequent communication with the union and efforts to boost production in L.A. You May Like