Netflix is a subscription-based streaming service that provides on-demand TV programs, films, anime, and documentaries to a global audience. It streams video through internet-connected devices such as smart TVs, game consoles, PCs, Macs, mobile phones, and tablets, and it does not show advertisements while watching. The service works by charging users a fixed monthly fee for access to its broad content library, which is regularly updated with new titles. Netflix also includes a children’s experience within the membership, offering PIN-protected parental controls and the ability to block specific titles to ensure a safe viewing environment for younger viewers. Unlike many competitors, Netflix focuses on an ad-free viewing experience and a large, continuously refreshed library across multiple devices. The company’s goal is to provide easy-to-access, on-demand entertainment to people around the world with a simple, user-friendly platform.
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Los Gatos, California
Founded
1997
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'It is still in the writing phase': Shaque actor Tahir Raj Bhasin Shares Update On Yeh Kaali Kaali Ankhein Season 3 | FPJ exclusive. Amid the response to Shaque, Tahir Raj Bhasin told The Free Press Journal that Yeh Kaali Kaali Ankhein season 3 is currently undergoing the writing phase. He said he cannot comment on when the Netflix series will return, but is equally excited as enthusiastic fans and awaiting the official call to commence shooting. Tahir described the show as especially significant. Murtuza Iqbal Updated: Friday, October 02, 2026, 06:29 PM IST Tahir Raj Bhasin Shares An Update On Yeh Kaali Kaali Ankhein Season 3 | Instagram Netflix's recently released series titled Shaque: Trust No One, starring Parineeti Chopra, Tahir Raj Bhasin, Jennifer Winget, Harleen Sethi, and others, has become the talk of the town. The Free Press Journal recently interacted with Tahir and spoke to him about the series, his experience of working with Parineeti Chopra, Yeh Kaali Kaali Ankhein season 3, and more... What response are you getting for Shaque? I'm so excited and grateful that the audience's feedback, both on social media as well as on YouTube and Reddit, has been positive. Most people are saying that they decided to watch a few episodes, but binge-watched the whole series. When you're working with a genre like mystery thriller, this is exactly how you want the audience to respond. You have done films and roles that were in a dark zone. In this series, your character is searching for his daughter. So, how difficult is it to go into a zone and then come out of it, or are you a kind of an actor who comes out of the character as soon as the director says 'cut'? FPJ Shorts No, I'm not that kind of actor. It is quite challenging, especially when you're in an emotionally heavy space, like the entire script of Shaque is. What really helps with getting into the zone in a script like this is that The Free Press Journal is shooting on location outside of Mumbai. So, you actually travel to a different space; you're staying in a hotel. So, when the shooting gets wrapped up and you come back to your environment, there is a physical change, which sort of signals to your mind that, 'Okay, that chapter is over, The Free Press Journal is now doing something else. Now The Free Press Journal is living life as normal.' So, it is very challenging! You and Parineeti both, I would say, are YRF babies. But of course, it took quite a long time to come together for a project. So, how was your experience of working with her? It was literally like meeting a college batchmate when The Free Press Journal were working together. I think it was an absolute blast because The Free Press Journal had very little time to sort of form that camaraderie and chemistry of being part of one family. But the fact that The Free Press Journal were shooting on location, The Free Press Journal were all staying together, and on days off, The Free Press Journal would go out either to the mall or go out to eat, it just created a sort of road trip kind of environment. When the trailer of Shaque was released, a lot of people on social media started commenting, tagging you, that they want to know an update about Yeh Kaali Kaali Ankhein season 3. So, tell The Free Press Journal something about that, and how do you feel that one project is coming, but the audience is already waiting for your another project? I feel very fortunate to have fans like that. It feels very humbling to have left that kind of mark. Yeh Kaali Kaali Ankhein will always remain special to me because it was my first outing with Netflix, and it made such an impact, both critically as well as the audience (loved it). At the moment, the show is still in the writing phase. I cannot comment on when it comes, but I am as excited as all of those comments and waiting to get that call from Netflix to shoot it. So, what's happening next? Tell The Free Press Journal something about your upcoming projects. The next project is something I'm very excited about because it's the kind of a part that I have never done before. It's a film called Pal Bhar Ke Liye. It's directed by Vikram Phadnis, who has already done two Marathi films, but this is his debut as a Hindi film director. It's a very heartfelt, emotional story that deals with mental health. It's the story of one family, so it's a very intimate and caring kind of film. I'm excited to see how the audience reacts to that. Is season 2 of Shaque happening? That is something I can neither confirm nor deny at the moment because, at the moment, The Free Press Journal is so busy celebrating the success of the show that no one's really gotten to that question yet. Follow The Free Press Journal on
Netflix wins rights to American Royals YA drama in competitive bidding. Netflix has landed the rights to develop American Royals for television, winning what Deadline describes as a competitive situation. The series is based on Katharine McGee's bestselling four-book YA series about an alternate-history America governed by a royal family. The premise is built on a single historical rewrite: George Washington accepted a crown instead of becoming president. The story picks up in the modern day with his descendants, two princesses at odds over who will inherit the throne, and two women competing for the prince's heart. McGee's books, published by Ember under the Alloy Entertainment label, span American Royals (2019), Majesty (2020), Rivals (2022) and Reign (2023), along with a 2022 prequel novella, Inheritance. The adaptation will be written by Ted Malawer, who co-wrote Netflix's Red, White & Royal Blue and is returning to the streamer for the project. McGee's books have sold well in the YA space since the first volume was published, building an established readership across four titles and enough plot for multiple seasons if the show finds its footing. Financial terms were not disclosed. Discover more TV & Video TV Shows & Programs No casting or premiere date has been set.
Netflix is bringing American Royals to TV as YA books continue to boom. Netflix is developing a television adaptation of Katharine McGee's bestselling American Royals books, bringing the alternate-history story of an American royal family to a new audience. The project is still in development, so there is no announced premiere date or production timeline yet. That means parents and teens shouldn't expect to see the series on Netflix anytime soon. Television projects can take months or years to move from development through writing, casting and production, and no screen release has been confirmed. The deal does, however, show the continuing appeal of YA novels as source material for television. American Royals already has an established readership, giving Netflix a built-in story world and audience before the first episode is filmed. What are the American Royals books about? The series imagines an alternate version of American history in which George Washington accepted a crown after the Revolutionary War. Two and a half centuries later, the House of Washington still rules the United States, with Princess Beatrice, Princess Samantha and Prince Jefferson at the center of the drama. The four-book series mixes royal intrigue with romance, family pressure and questions about duty. The publisher describes it as "Crazy Rich Asians meets The Crown," while the fourth book, Reign, brings the New York Times bestselling series to its conclusion. For teens who enjoy stories about powerful families, complicated relationships and glamorous settings, the premise has plenty of familiar YA ingredients. The books also offer plenty of material for a television adaptation, with multiple characters and overlapping storylines that could unfold across several seasons. YA books are having a major moment. The American Royals adaptation arrives during a particularly busy period for YA publishing. Sam Subity's analysis of 2023 publications began with almost 2,000 YA books before narrowing the sample to 615 titles with at least 10 Goodreads reviews. Fantasy accounted for 30% of the YA books in Subity's sample, while romance was also one of the dominant categories. Even more striking, more than half of the YA books published that year used a first-person-present perspective. That popularity is also translating into adaptations, with publishers and streaming services increasingly looking to successful YA properties for their next potential hits. For American Royals, Netflix now has an opportunity to introduce McGee's royal family to viewers who may never have picked up the books.
Naomi Bulochnikov-Paul to lead series comms at Netflix. She's already had a cup of coffee with the streamer. October 1, 2026 12:00pm Naomi Bulochnikov-Paul is returning to Netflix, this time with a much larger role than before: vp communications, series. Starting Oct. 18, Bulochnikov-Paul will oversee communications for Netflix's entire television portfolio, including scripted and unscripted series, documentary series, consumer products and experiences (including Netflix House), as well as emerging content categories at the streamer, like live programming (including sports), games and podcasts. She'll report to Dani Dudeck, Netflix chief communications officer; Bulochnikov-Paul's movie counterpart is Katie Martin Kelly, who recently came over from Warner Bros. Pictures. As an executive vp at Disney, Bulochnikov-Paul led comms across ABC Entertainment, ABC News, Disney Kids & Family, Disney Television Studios, FX, Hulu Originals and National Geographic Content. "Naomi brings 20 years of experience at the intersection of media and culture, and a sharp instinct for storytelling that captures the fandom and zeitgeist of the world's most valuable entertainment brands," Dudeck said in a statement. "I'm proud to have her lead our series communications as we elevate our narrative around our growing business and incredible slate - from scripted and unscripted series to live events, sports, comedy specials and so much more." "Disney is where I was raised professionally, and I will be forever grateful to the many colleagues who helped shape me along the way, and have become not only trusted collaborators, but also close friends," the memo reads in part (see the full text below). "Thank you for your partnership, your friendship, your humor and your heart. I leave immensely proud of what we've accomplished together and completely confident in everything you will continue to create." Bulochnikov-Paul first came to Disney in 2017 to work comms at Freeform. She departed there for Netflix before returning to Freeform once again. Bulochnikov-Paul was promoted to executive vp for Disney General Entertainment (later renamed Disney Entertainment TV) in 2023. Bulochnikov-Paul was not a casualty of Disney's many recent layoffs. Earlier in 2026, a Disney reorg put Paul Roeder in pole position as Disney's chief communications officer; Bulochnikov-Paul reported to him and Disney Entertainment Television chairman Debra OConnell. "Naomi has been a wonderful partner for me, Paul and Dana [Walden] as well as so many others across the company over the years, and she's a thoughtful leader who has cultivated an awesome comms team that we've come to rely on and trust - and we all know that's something that's earned," OConnell wrote in her own note (also copied in full below) shared with Disney staff on Wednesday. "Naomi's expertise as a communications strategist has been vital to us as we've navigated so much together over the past few years." Bulochnikov-Paul previously worked at Sony Pictures TV. She started her career at MTV. This past June, Bulochnikov-Paul received the Medal of Hope honor at the Race to Erase MS gala in Los Angeles.
Rebecca Lowe joins Netflix for FIFA Women's World Cup coverage. Rebecca Lowe is joining Netflix as a lead host for its coverage of the FIFA Women's World Cup next summer, the streamer's CCO Bela Bajaria announced at Puck & MoffettNathanson's "In The Arena" event on Thursday. Lowe hosted the men's World Cup tournament for Fox Sports over the summer for the first time, primarily working in the studio alongside Thierry Henry, Zlatan Ibrahimović and Alexi Lalas. Outside of covering the tournament, she is the host of Premier League coverage for NBC Sports and covers non-soccer properties for the company, including the Olympics and Kentucky Derby. Lowe is the second official addition to the Netflix broadcast team in recent weeks, after the company signed Andrés Cantor to serve as a play-by-play voice. Netflix host Elle Duncan has anchored most of the company's live sporting events since joining the company this year and will "have a prominent role" on the Women's World Cup coverage, per a report by Richard Deitsch of Sports Business Journal. Netflix holds English and Spanish-language rights to the 2027 and 2031 FIFA Women's World Cup in the United States, and English and French-language rights in Canada. The streamer is among several media companies to have publicly expressed interest in bidding for the 2030 men's tournament, which have yet to be awarded. Speaking to John Ourand of Puck at the "In The Arena" event Thursday, Bajaria reiterated that Netflix has interest in potentially covering the tournament. "We're going to have those conversations. We have a relationship with FIFA, obviously, and we'll see where those rights [are] available, what they cost." She previously made similar comments in an interview with Alex Sherman of CNBC. Bajaria also emphasized that Netflix remains committed to its event-based strategy rather than trying to bid for full-season rights packages, a point that has been reiterated ad infinitum by Netflix executives. "The strategy for us to just say, 'What's an event?,' and eventize a moment," Bajaria said. "It can be a Christmas Day game, it can be Opening Week, it can be opening game of MLB, it can be Women's World Cup, so it's just what is sort of a sporting event. We can create a lot of conversation around [it], make it very sort of appointment television. That's sort of what we gravitate towards - really creating a big moment, something that feels unmissable - and that can be sports or it could be other live events."