Full-Time

Software Engineer

Growth Marketing

Suno

Suno

201-500 employees

Text-to-song AI music generation platform

Compensation Overview

$200k - $250k/yr

+ Target equity + Commuter allowance

New York, NY, USA

In Person

Five days in-office per week required.

Category
Software Engineering (1)
Required Skills
SQL
CRM
SEO
A/B Testing
Web Development
Data Analysis

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Requirements
  • 3+ years of full-stack software engineering experience in a role within or adjacent to marketing.
  • Full-stack ability with a frontend lean, with comfort across frontend and backend codebases without needing to be the deepest expert in any one layer.
  • Hands-on experience with one or more of SEO, AEO, GEO, conversion-rate optimization, content management systems, and marketing attribution platforms.
  • Comfort with data and SQL, including reasoning about metrics, instrumenting what matters, and using data to decide what to build next.
  • Strong project ownership, including organizing, prioritizing, driving independent work, and communicating progress proactively to non-technical stakeholders.
  • A bias toward shipping quickly without sacrificing code quality or user experience.
  • Genuine interest in marketing technology and Suno's product and the future of music.
  • Experience applying artificial intelligence tools beyond writing code.
Responsibilities
  • Build and optimize infrastructure that enables marketers to run landing-page A/B tests at scale to drive user activation and subscriptions from campaigns.
  • Build and maintain content infrastructure, including a content management system and supporting tooling, so marketing can update the site and run campaigns without an engineer in the loop.
  • Own marketing measurement, including pixels, event instrumentation, and attribution across web and mobile.
  • Build lifecycle and customer relationship management journeys through push notifications and email, triggered by real user behavior, in partnership with marketing.
  • Improve site performance and SEO/AEO on the highest-traffic pages.
  • Translate ambiguous and urgent marketing requests into a prioritized plan, ship quickly, and keep stakeholders informed about progress and tradeoffs.
  • Use artificial intelligence tooling systematically across the technology stack to move with speed and confidence.
Desired Qualifications
  • Experience instrumenting and reasoning about marketing funnels end-to-end (ad click → install/signup → activation → subscription).
  • Cross-platform experience (web + mobile) on growth or marketing work.
  • A track record of being the hands-on-keyboard owner of a user-facing, commercially meaningful project.

Suno creates AI-generated music from text prompts. It lets users describe a mood, genre, or idea and automatically produces fully produced songs with vocals, instrumentation, and arrangements, without requiring any musical training. The product works by turning user prompts into complete songs using generative AI models, offering a library of styles from pop and rock to ambient and cinematic. What sets Suno apart is its combination of engineering and songwriting culture, a fast-growing platform that supports many musical styles and a broad global user base, and its emphasis on making music creation accessible to non-musicians while delivering a complete song output rather than isolated elements. The company aims to reshape how songs are conceived, produced, and shared and to help more people create music by lowering technical barriers and enabling rapid, iterative experimentation.

Company Size

201-500

Company Stage

Series D

Total Funding

$775M

Headquarters

Cambridge, Massachusetts

Founded

2022

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Simplify Jobs

Simplify's Take

What believers are saying

  • BMG and Warner Music partnerships legitimize Suno with major rights holders in 2025-2026.
  • Premier subscribers gained MIDI, automation, and unlimited 32-bit exports on August 13, 2026.
  • Spotify's AI Persona badges reward transparent AI acts, fitting Suno's watermarking and metadata push.

What critics are saying

  • UMG and Sony seek 61,026 added works; January 2027 motions threaten billion-dollar damages.
  • GEMA won against Suno on July 31, 2026, confirming European copyright liability before appeal.
  • If courts reject fair use, labels can bar Suno's models from major catalogs entirely.

What makes Suno unique

  • Studio 2.0, launched August 13, 2026, turns prompts into a browser-based generative workstation.
  • BMG partnership on August 12, 2026 gives Suno licensed catalogs for opt-in training and outputs.
  • Suno's text-to-song flow compresses songwriting, vocals, stems, and mastering into one product.

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Benefits

Health Insurance

Dental Insurance

Vision Insurance

401(k) Retirement Plan

401(k) Company Match

Generous Commuter Benefit

Unlimited Paid Time Off

Growth & Insights and Company News

Headcount

6 month growth

1%

1 year growth

3%

2 year growth

7%
SavefromNets
Aug 20th, 2026
Round Hill joins AI lawsuit against Suno and Anthropic.

Round Hill joins AI lawsuit against Suno and Anthropic. Round Hill Music, a major player in the music rights industry, has launched high-profile copyright infringement lawsuits targeting artificial intelligence companies Suno and Anthropic in the United States. The lawsuits allege that both AI firms unlawfully used Round Hill's extensive catalog of songs and recordings in their AI training datasets without securing proper licenses. How to Earn 100$ per Day? The legal action against Suno also involves Israeli data services provider Bright Data, accused of enabling Suno to scrape millions of music tracks from digital platforms like YouTube to build its dataset. This move by Round Hill highlights growing industry tensions surrounding AI's use of copyrighted creative works. Round Hill's stance: supporting AI innovation, but protecting creators' rights. Josh Gruss, CEO of Round Hill Music, emphasized that the company is not opposed to artificial intelligence itself but objects to building lucrative AI businesses on the backs of artists without fair compensation. "We are not against artificial intelligence," Gruss explained, "but we are against the idea that you can build a business worth billions on top of other people's creative work and pay the creators nothing." Gruss further argued that the requirement for AI companies to acquire licenses for existing music is not a barrier to innovation but a necessary legal framework to protect rights holders. As an independent music rights owner and publisher managing a portfolio valued at approximately $1.1 billion, Round Hill feels compelled to enforce these protections assertively. To understand more about Round Hill's operations, see their official website. Background: music industry's increasing litigation against AI companies. This is not Round Hill's first encounter with emerging AI-related copyright disputes. Other major industry players have similarly pursued legal action against AI firms alleged to have exploited copyrighted material without authorization. Suno, for example, has a mixed record - while it has secured licensing deals with established labels such as Warner Music and BMG, it continues to face ongoing lawsuits from giants like Universal Music Group, Sony Music, and various independent musicians. Meanwhile, Anthropic's most prominent copyright litigation resulted from a lawsuit by a group of authors, which culminated in a settlement of $1.5 billion. Anthropic has also been sued by music publishers for allegedly copying significant amounts of lyrics to train its Claude AI system. The Round Hill suits echo these claims, focusing on how both AI firms supposedly created unlicensed reproductions of Round Hill-owned works for model training. Core legal arguments: challenging the 'fair use' defense in AI training. At the heart of Round Hill's complaints is that Suno and Anthropic made unauthorized copies of songs and sound recordings owned by Round Hill without securing licenses. Both AI businesses maintain that their data scraping and copying activities fall under the concept of 'fair use' according to US copyright law, arguing that using copyrighted works for AI training does not require prior permission. Some early judicial decisions in related cases have indeed supported the notion that AI training can be fair use, such as parts of the lawsuit involving book authors versus Anthropic. However, Round Hill disputes this interpretation, asserting that both Suno and Anthropic's practices fail to meet fair use criteria. One critical point Round Hill emphasizes is the "indefinite retention of unlicensed copies" within these AI datasets. The company asserts that maintaining a permanent archive of copyrighted material for expansive future exploitation is fundamentally "acquisitive rather than transformative," thus violating the legal factors considered in fair use assessments. Legal expertise: confidence in overcoming fair use claims. Round Hill has enlisted the legal expertise of well-known music industry lawyer Richard Busch in its battles against Suno and Anthropic. Busch expressed confidence in dismantling the fair use defense, stating the case is straightforward: multi-billion-dollar AI companies are thriving on music created by songwriters and publishers who have received zero compensation. "There is nothing fair about that use," Busch emphasized, adding that they look forward to presenting their case in court and before a jury. His involvement signals the seriousness and sophistication behind Round Hill's litigation strategy. Implications for AI and music rights industry. These lawsuits shed light on the increasingly complex legal landscape for AI developers using copyrighted materials for training data. Music rights companies are advocating for stricter enforcement of licensing rules to ensure artists and rights holders receive royalties from AI-generated commercial ventures. The outcome of these lawsuits could set significant precedents for how AI companies source their training data and whether they will be required to secure licenses from rights holders proactively. This represents a pivotal moment in balancing technological innovation with intellectual property protections. As AI continues transforming the creative industries, developers, rights holders, and legislators will need to collaborate closely to define fair and sustainable frameworks. Conclusion: upholding creators' rights in the age of AI. Round Hill Music's decision to pursue legal action against Suno and Anthropic underscores the challenges brought by AI's rapid rise in content creation. While AI offers unprecedented opportunities for innovation, it also raises critical questions about fairness, ownership, and compensation in the use of existing creative works. For now, Round Hill and its legal team are poised to make their case forcefully, seeking justice and financial recognition for the millions of copyrighted songs at the heart of their business. For further information on music copyright litigation and AI, consult the authoritative resources below:

DRULES AI, LLC
Aug 20th, 2026
Spotify launches AI Persona badges.

Spotify launches AI Persona badges. By DRULES AI Spotify is rolling out "AI Persona" badges on artist profiles whose identities appear AI-generated rather than human. Starting mid-September, the labels will appear in banners, About sections, search results, and playlist track rows. Music from these profiles will be excluded from editorial, algorithmic, and personalized recommendations by default. Self-disclosure opened August 11 via Spotify for Artists, but the platform will proactively review high-visibility profiles using name, imagery, and other signals. What the badge changes for creators. The move forms part of Spotify's 2026 artist trust framework alongside Verified Artist status, AI Credits, and SongDNA. It directly impacts professionals using Suno or Udio to create viral tracks or full releases. Labeled AI Personas lose algorithmic boosts that drive most streams, forcing reliance on paid promotion, playlists, or direct fan channels. For AI-generated artists chasing scale, the policy demands clearer branding around synthetic identities versus human-led projects. Response from the AI music ecosystem. Suno users reacted swiftly on X, with some shifting workflows toward hybrid human-AI collaboration to avoid the badge entirely. Others praised the transparency, arguing it protects genuine artists from being drowned out by flood of synthetic content. The timing aligns with Suno's own watermarking rollout and revised terms of service that prohibit passing off AI audio as fully authentic. Industry watchers expect Udio, Google Lyria, and Riffusion to face similar platform-level labeling demands soon. Data and long-term effects. Spotify processes tens of thousands of AI Credit claims daily. The badge system, combined with NPR's recent coverage of AI music profit fights, signals streaming services prioritizing listener trust over volume. Early data from similar experiments suggests labeled AI content sees 30-50% lower organic reach but retains strong niche audiences when marketed authentically. Creators should audit profiles now, decide on disclosure, and explore physical releases like Suno's new vinyl service to build value beyond algorithms. Workflow implications are immediate: prompt engineers and producers must integrate metadata hygiene and human oversight to preserve recommendation eligibility. Legal teams at AI platforms are likely reviewing how these policies intersect with ongoing lawsuits, including Roundhill's fresh $1B claims against Suno. The net effect may professionalize the sector, weeding out low-effort spam while rewarding high-quality, transparent AI-assisted music. Bottom line: Spotify's AI Persona badges will separate authentic human artists from synthetic personas, reshaping discovery and forcing AI music creators to adapt or lose algorithmic visibility.

EDM.com
Aug 18th, 2026
Suno creator insists he's "not trying to flex" After revealing over $10K in monthly royalties.

Suno creator insists he's "not trying to flex" After revealing over $10K in monthly royalties. Somewhere, a producer who spent a decade learning how to make music is splitting the streaming royalty pool with a prompt. A Redditor recently opened an AMA ("ask me anything") session on r/SunoAI, the official subreddit for the controversial AI music generator Suno, with a disclaimer: "This is NOT to flex." The creator, whose username is redneckicon, posted the receipts anyway and revealed he raked in a total of $10,800 of streaming royalties in the month of June alone. The post isn't an outlier, either. A July study from the AI-powered content creation platform Kapwing estimated the top 10 AI music acts have pulled in a combined $6.1 million from 2.3 billion streams and views, with Josh Fawaz's AI-generated cover of Madonna's 'Like a Prayer' alone racking up 39 million Spotify streams. One commenter responding to redneckicon described a decade spent building a Spotify following as a touring indie artist before claiming that 130 of their own releases were used to train Suno without compensation, and that they can't compete with AI creators flooding streaming platforms with synthetic music. Contrast this with the journey of redneckicon, who said he started in February with "nothing but an iPhone and Suno" before eventually learning how to navigate a DAW and use a MIDI keyboard. In other words, the evidence keeps mounting that this is no longer a fringe hustle. The royalty pool isn't growing to accommodate new entrants. It's just increasingly being split with people who never had to learn music production to get a cut. None of what Suno generates occurs without the training data underpinning its model. An explosive investigation published in July by 404 Media found the company ingested "decades worth" of recordings, including more than two million individual clips scraped from YouTube alone. Suno also remains in active copyright litigation with Universal Music Group and Sony Music over exactly that practice, and the organization is also facing a class action lawsuit following a data breach that affected more than 55 million users. About cameron Sunkel. Cameron (Cam) Sunkel is a digital entertainment strategist with a decade of experience in independent media. As a Senior Contributor at EDM.com, he delivers data-informed storytelling on trends shaping the sound, business and culture of dance music.

Record of the Day
Aug 18th, 2026
Round Hill Music files copyright infringement lawsuits against Suno and Anthropic.

Round Hill Music files copyright infringement lawsuits against Suno and Anthropic. Round Hill Music L.P. ('Round Hill' or the 'Company'), the pioneering private equity platform founded in 2010 that manages a US$1.1 billion portfolio of music rights, has filed copyright infringement lawsuits against Suno, Inc. ('Suno') and Anthropic PBC ('Anthropic'). The suits allege that the defendants used musical works that are owned or managed by Round Hill without authorization, license, or compensation to train their AI models. Among the claims filed, the suits allege that the defendants reproduced Round Hill's intellectual property on their servers in violation of the Copyright Act, and used data scraping software to bypass security measures and copyright protections in violation of the DMCA (Digital Millennium Copyright Act). Round Hill Music is an independent music publisher and record company, and the manager of investment funds that hold the many thousands of copyrights at issue in the legal proceedings, including some of the best known songs and records of the past 50 years. Among the works at issue are "Iris" by the Goo Goo Dolls, "Total Eclipse of the Heart" by Bonnie Tyler, written by Jim Steinman, and "I Got You (I Feel Good)" by James Brown, which alone have collectively streamed over six billion times. Josh Gruss, CEO and founder of Round Hill Music, said: "We are privileged to act as stewards of some of the greatest musical works of our time, and we answer to the writers and artists who created them. We are not against artificial intelligence. We are against the idea that you can build a business worth billions on top of other people's creative work and pay the creators nothing. Licensing isn't an obstacle to innovation - it is there to protect the legal owners of the raw material, their property. As an independent music company, we have the freedom and obligation to say that plainly and to act on it. We intend to take these cases to trial and to hold these companies accountable, and we will not accept a resolution that leaves songwriters and artists deprived of their rightful share of compensation." Round Hill is being represented by Richard S. Busch of Adams and Reese LLP, who has represented songwriters and rights holders in some of the most significant copyright cases of the past 20 years, including securing a landmark victory with the "Blurred Lines" case for the family of Marvin Gaye. Richard S. Busch added: "The question in these cases is not complicated. Copyrighted works have been used to build multi-billion dollar businesses, and in the case of Anthropic a company now valued at more than a trillion dollars, while the songwriters and publishers who created the foundations of that value have received nothing. There is nothing fair about that use, and we look forward to making our arguments to the Court and in front of a jury."

Yahoo Finance
Aug 17th, 2026
Round Hill files $1 billion copyright infringement suits against Suno, Anthropic.

Round Hill files $1 billion copyright infringement suits against Suno, Anthropic. Ethan Millman Independent music publisher Round Hill is suing Suno and Anthropic on claims of mass copyright infringement, alleging that the two AI companies scraped hundreds of the publisher's songs without permission to train their AI models. Round Hill marks just the latest major lawsuit for both Suno and Anthropic, who've both been sued by the major record companies on similar claims. Suno, industry's biggest AI music generation platform, also faces a suit from Universal Music Group and Sony Music Group (WMG also sued, though the company has since settled) related to its use of copyright to create new AI-generated recordings. Anthropic, meanwhile faces suits from Universal Music Publishing, Abcko, Concord and BMG over the companies' songs' lyrics being used to train its AI agent Claude. Round Hill is a prominent music publisher whose copyrights include the Goo Goo Dolls' "Iris," Bonnie Tyler's "Total Eclipse of the Heart," the Kinks' "Lola" and Dio's "Holy Diver." The company provided a list of 500 songs that the defendants had infringed upon. Round Hill said in the suits that the company plans to "amend to list potentially ten thousand or more of their musical compositions," with those damages potentially exceeding $1 billion. "While in other cases for copyright infringement, Defendant has waxed poetic about the necessity of progress and AI's value to society, there is simply no reason - other than rote expediency - to have that progress come at the cost of copyrights holders," prominent music attorney Richard Busch, representing Round Hill, wrote in the suits. Round Hill further argued that the latter "'expediency' arguments completely falter" when taking into account Suno and Anthropic's significant cash valuations they've earned while "exploiting illicit copies of copyrighted works, including the Round Hill Works." "There is simply nothing fair about a company using theft to build for purely commercial purposes a multi-billion dollar business while those from which they steal receive nothing," Round Hill said. Reps for Anthropic and Suno didn't immediately respond to request for comment. Best of The Hollywood Reporter