Summer 2026

Software Engineer Intern

Java

Posted on 2/20/2026

Roku

Roku

1,001-5,000 employees

Streaming hardware and ad-supported content

No salary listed

Manchester, UK

Hybrid

Hybrid role; in-office Mon-Thu in Manchester with Fridays eligible for remote work.

Bachelor's, Master's

Category
Software Engineering (1)
Required Skills
Kubernetes
Java
Istio
Microservices
AWS
Spring

Get referred to Roku

See people who can refer or advise you

Requirements
  • Currently enrolled in a full-time degree-seeking program and in the process of obtaining a bachelor's or master's degree in computer science or a related field.
  • Due to graduate in December 2026 or later
  • Hands on knowledge of Java and Spring Boot.
  • Hands on knowledge of object-oriented design principles and distributed software architectures.
  • Familiarity with statistical concepts and their application within software systems.
  • Experience with AWS cloud services
  • Familiarity with Istio and Kubernetes for managing microservices and container orchestration.
Responsibilities
  • Design and implement new platform capabilities such as bias avoidance mechanisms, advanced segment management, and experiment orchestration features that ensure trustworthy results at scale.
  • Strengthen the system’s resilience, performance, and scalability, tackling challenges that come with high throughput and global reach.
  • Collaborate closely with engineers, data scientists, and product partners to translate experimentation needs into robust, production-ready systems.
  • This is a hands-on role with real impact: the work you do will directly influence how teams across the company run experiments, learn faster, and make better decisions.
Desired Qualifications
  • Understanding of A/B testing methodologies and experience with experimentation platforms is a plus

Roku provides a streaming entertainment ecosystem built around hardware devices (Roku TVs, streaming players, smart home gear, and audio gear) and a purpose-built operating system. Its devices run the Roku OS to deliver apps and streaming content to televisions. The Roku Channel offers free, ad-supported content and Roku Originals are exclusive programs produced in-house, bundled with advertising revenue and content distribution. The business model blends hardware sales, advertising, and distribution of content through its platform. Roku differentiates itself by offering a wide range of affordable devices, a centralized ad-supported free channel, and in-house originals, creating an integrated yet open platform for apps and content. The company’s goal is to grow a large, easy-to-use streaming ecosystem that combines hardware, software, and content to reach many households and monetize through device sales, ads, and distribution deals.

Company Size

1,001-5,000

Company Stage

IPO

Headquarters

San Jose, California

Founded

2002

Get referred to Roku

See people who can refer or advise you

Simplify Jobs

Simplify's Take

What believers are saying

  • August 6, 2026 Q2 revenue rose 22% to $1.35 billion, with record profit.
  • Advertising revenue jumped 25% and subscriptions rose 26%, boosted by World Cup demand.
  • The Roku Channel keeps adding FAST channels, strengthening engagement and monetization through 2026.

What critics are saying

  • Fox's $22 billion acquisition closes in first half 2027, ending standalone strategic control.
  • Michigan AG's COPPA case survives discovery, threatening children-data practices and settlement costs.
  • April 1, 2026 USITC probe and May 6 class action expose device and software liability.

What makes Roku unique

  • Roku OS controls TV home screens across 100 million streaming households globally.
  • The Roku Channel scales free ad-supported viewing with live channels and original content.
  • May 27, 2026 home-screen redesign deepens discovery and ad inventory visibility.

Help us improve and share your feedback! Did you find this helpful?

Benefits

Unlimited vacation days

Medical, wellness, and financial benefits

Free snacks and access to fitness center at headquarters

Growth & Insights and Company News

Headcount

6 month growth

0%

1 year growth

0%

2 year growth

-1%
Cord Cutters News
Aug 15th, 2026
Another cable TV channel is shutting down, Roku's new 15.3 update, & more - your top Cord Cutting stories from the past week.

Another cable TV channel is shutting down, Roku's new 15.3 update, & more - your top Cord Cutting stories from the past week. August 15, 2026 In the rapidly evolving world of television and streaming, the past week has delivered a series of developments that highlight both the challenges facing traditional cable providers and the expanding options available to those who have cut the cord. These four stories stand out as the most significant for viewers seeking alternatives to expensive cable packages, underscoring a broader industry shift toward free content, software improvements, and financial pressures on legacy operators. One of the most notable changes involves the permanent shutdown of Spectrum Sports Hawaii. This dedicated cable channel, which had long served as a key source for local athletic coverage in the islands, has ceased operations entirely. The closure stems from the University of Hawaii moving its sports broadcasts to Hawaii News Now under a new multiyear agreement. That partnership ensures extensive coverage of football, basketball, volleyball, and other sports, now available free over the air on K5 and through a dedicated streaming channel. The arrangement brings greater accessibility to fans across the state without requiring a cable subscription. While Spectrum continues to operate its OC16 channel for high school sports and other local programming, the end of Spectrum Sports Hawaii marks the conclusion of a partnership that dated back to 2011 and traces its broader roots to cable access programming that began in the 1970s. The shift reflects a wider trend in which university athletics prioritize broader reach and revenue potential over exclusive cable deals. Meanwhile, Roku has expanded its free live television lineup on The Roku Channel by adding six new channels available to users of Roku TVs and streaming players. These additions include CW Pwede WWE on channel 5247, which focuses on wrestling and related sports entertainment content; Cindietv on 1025, offering independent films and international cinema; Real American Voice in E3 on 925 for news and commentary; LATiunus on 924 with Latin-focused programming; Danny Duncan TV on 580 featuring comedy and lifestyle material from online creators; and AMP on 577 centered on music and performance content. Viewers can access these feeds directly through the live TV guide or by searching for the channel numbers or names, with no extra subscription required beyond the ad-supported model. This update continues Roku's pattern of regularly refreshing its free linear offerings to appeal to diverse audiences, from sports fans to those seeking Spanish-language or independent content. The Roku Channel itself has grown substantially since its 2017 launch as a free service, now ranking among leading ad-supported platforms thanks to its extensive library of on-demand titles and hundreds of live channels. Financial uncertainty also loomed large for traditional cable, as Optimum, one of the largest broadband and cable providers in the United States, faces mounting pressure that could lead to a bankruptcy filing. The company, formerly known as Altice USA, carries more than $25 billion in consolidated net debt. Significant portions mature in the coming years, including about $6.3 billion due in 2027. Filings have indicated that Optimum lacks sufficient cash or projected cash flows to meet these obligations without additional measures, prompting credit rating agencies to issue low ratings with negative outlooks. In response, the company has restructured certain assets into unrestricted subsidiaries and raised new capital through preferred equity. Second-quarter results showed revenue declines and ongoing broadband and video subscriber losses, though mobile services and fiber expansion provided some bright spots. Analysts view the 2027 debt deadlines as a critical juncture, with the possibility of Chapter 11 proceedings if negotiations with creditors do not yield a comprehensive solution. This situation follows other industry examples of financial strain and highlights the ongoing difficulties cable operators face amid competition from streaming and alternative broadband technologies. Finally, Roku has begun a limited rollout of its OS 15.3 software update to select televisions and streaming players. Although still primarily associated with the developer beta program, the update has reached some consumer devices. The changes focus heavily on tools for channel developers rather than immediate consumer-facing features. Updates include greater control over caption placement in non-fullscreen video scenarios, support for higher-precision double values in SceneGraph fields, new type-checking functions in BrightScript, ordered value retrieval from associative arrays, more precise timing measurements, and improved image handling for rotations and scaling around custom points. These enhancements aim to enable more advanced applications and polished user experiences over time. The gradual distribution follows Roku's typical approach of testing stability across hardware before a wider push, with devices generally receiving updates automatically when connected to the internet. Taken together, these stories illustrate the dual forces reshaping home entertainment. Traditional cable continues to confront channel closures and severe financial pressures, while platforms like Roku strengthen free viewing options and refine the underlying technology that powers modern streaming devices. For cord cutters, the developments point to an increasingly robust ecosystem of no-cost live channels, improved software, and greater accessibility to local sports content that was once locked behind subscriptions. As the industry adapts, viewers stand to benefit from more choices and fewer barriers to the programming they want. Please add Cord Cutters News as a source for your Google News feed HERE. You can watch today's top cord cutting stories on its YouTube channel HERE. Please follow Cord Cutters News on Facebook and X for more news, tips, and reviews. Need cord cutting tech support? Join its Cord Cutting Tech Support Facebook Group for help.

MarketBeat
Aug 15th, 2026
Magnite targets CTV growth with Walmart, Samsung partnerships and AI ad tools.

Magnite targets CTV growth with Walmart, Samsung partnerships and AI ad tools. August 15, 2026 Key points. * Magnite is targeting connected-TV growth through partnerships with major platforms and media companies, including Disney, Roku, Fox and Netflix, while positioning itself as a key programmatic access point for CTV inventory. * New opportunities with Walmart and Samsung could expand future revenue: Walmart is using Magnite to distribute its user data across inventory sources, while Samsung selected Magnite to provide ad-serving technology for its TV home screen. Neither contributed revenue as of the second quarter. * Magnite is developing AI-driven advertising tools, including Magnite Orchestration, to automate buyer, seller and mediation workflows. Management raised its EBITDA-margin guidance to at least 37% and is also reducing infrastructure costs through a hybrid on-premises and cloud model. * MarketBeat previews the top five stocks to own by September 1st. Magnite NASDAQ: MGNI is positioning itself as a key infrastructure provider for programmatic connected-TV advertising as streaming platforms, television manufacturers and commerce-media businesses seek technology partners to manage inventory, data and demand, according to Head of Investor Relations Nick Kormeluk. Speaking at BofA Global Research's small- and mid-cap executive insights event, Kormeluk described Magnite as a supply-side platform that helps publishers sell digital advertising inventory by connecting it with demand from advertisers. The company operates across connected TV, mobile applications and web, digital out-of-home and other channels, though Kormeluk emphasized the company's CTV opportunity. CTV relationships and market concentration. Kormeluk said connected-TV inventory is more concentrated than traditional open-web advertising, with about 30 large global partners representing roughly 80% of global inventory. He said Magnite has relationships with all of those partners except YouTube and has become a primary access point for buyers seeking CTV inventory. He said the company's relationships with partners including Disney, Roku, Fox and Netflix have expanded over time. Rather than serving solely as another bidder for inventory, Magnite seeks to provide technology for ad serving, mediation, demand generation, yield management, identity and audience creation. "We have shown that we are that partner that can execute and bring people to the programmatic market," Kormeluk said. Kormeluk also said the company's CTV relationships have created a "halo effect" in its broader digital-video-plus, or DV+, business. He cited commerce-media partners including United Airlines, Pinterest, Best Buy, Redfin, RE/MAX, Expedia and PayPal, saying Magnite now has 21 partners relying on it exclusively as their programmatic partner. Walmart and Samsung opportunities. Among recent partnerships, Kormeluk discussed Walmart's expanding advertising ambitions following its Vizio acquisition plans and its announced purchase of demand-side platform Vibe. He said Walmart has tapped Magnite to help make its user data available not only on Vizio inventory but also across other inventory sources. Discover more Space stocks report Stock ratings screener Kormeluk said the opportunity with Walmart was not contributing to Magnite's results as of the second quarter and characterized it as a future growth opportunity. He also highlighted Magnite's win to provide ad-serving technology for Samsung's television home screen. Kormeluk said Samsung had historically sold that inventory through direct sales and insertion orders rather than through an ad server. Magnite won the business through a request-for-proposal process, he said. Samsung has the largest global installed base of smart TVs, according to Kormeluk, who added that home-screen advertising can account for as much as 30% of advertising revenue for other TV original equipment manufacturers. He said the Samsung home-screen opportunity similarly had not contributed revenue in the second quarter. Data, curation and AI workflows. Kormeluk said data activation is increasingly shifting toward the supply side because CTV publishers have greater control over user identifiers and data matches than publishers in the fragmented open-web market. Magnite does not charge publishers directly for using their first-party data, he said, but the data can help generate higher CPMs by improving advertisers' ability to target desired audiences. Magnite can also help partners monetize data beyond their owned-and-operated properties. Kormeluk cited LG's automatic content recognition data as an example, saying Magnite can help sell that data for use across non-LG inventory and share the resulting revenue with the partner. The company is also developing agentic advertising capabilities through products including Magnite Orchestration. Kormeluk said the technology is intended to reduce friction in advertising workflows that have traditionally relied on APIs and manual configuration. He said the platform can support buyer agents, seller agents and mediation agents while also providing infrastructure for privacy protections, payment workflows and inventory monetization. Magnite is targeting agency spending still conducted through insertion orders, which Kormeluk described as a process that can take weeks to develop, test and refine. He said Magnite's tools can complete comparable testing and creative refinements in minutes. Growth priorities and margin outlook. Kormeluk said Magnite's core operating priority is to grow advertising spend and revenue rather than pursue take-rate expansion. He said the company aims to add services and inventory opportunities for publishers while maintaining a cost structure that makes outsourcing to Magnite more attractive than building technology internally. He said the company has raised its EBITDA-margin guidance three times during the year, most recently to at least 37%. Kormeluk said Magnite's second-quarter top-line beat of $10 million translated into an $8 million EBITDA beat, which he said reflected the company's expected high incremental flow-through once revenue growth exceeds 10%. Magnite is also focused on reducing its cost per impression, he said. The company has moved portions of its CTV infrastructure to a hybrid model, using on-premises systems for predictable volume and cloud capacity for demand spikes. Kormeluk said the company has reduced cost per impression by strong double-digit percentages annually. On investor concerns, Kormeluk said the main question centers on the outlook for DV+. Open-web advertising faces pressure, while mobile app, streaming, audio, digital out-of-home and commerce media have healthier trends, he said. He characterized the near-term DV+ outlook as generally flat, while arguing that faster-growing parts of the business should become a larger portion of the mix over time. About Magnite (NASDAQ:MGNI). Magnite, Inc NASDAQ: MGNI operates as an independent sell-side advertising platform that enables publishers and digital media owners to monetize their inventory through programmatic advertising. Formed in 2020 through the merger of Rubicon Project and Telaria, Magnite combines technologies for desktop, mobile, connected television (CTV) and digital out-of-home (DOOH) ad exchanges. The company provides an end-to-end solution designed to help media owners optimize yield across open marketplaces, private marketplaces and programmatic guaranteed deals. At the core of Magnite's offering is its supply-side platform (SSP), which connects publishers' ad impressions to demand-side platforms (DSPs) through real-time bidding (RTB). This instant news alert was generated by narrative science technology and financial data from MarketBeat in order to provide readers with the fastest reporting and unbiased coverage. Please send any questions or comments about this story to [email protected]. Continue following MarketBeat Before you consider Magnite, you'll want to hear this. MarketBeat keeps track of Wall Street's top-rated and best performing research analysts and the stocks they recommend to their clients on a daily basis. MarketBeat has identified the five stocks that top analysts are quietly whispering to their clients to buy now before the broader market catches on... and Magnite wasn't on the list. While Magnite currently has a Moderate Buy rating among analysts, top-rated analysts believe these five stocks are better buys. Nuclear energy is entering a new growth cycle as rising power demand, expanding data centers, and renewed policy support bring the sector back into focus. After strong gains in recent years, the most impactful phase of nuclear investment may still be ahead. This report highlights seven nuclear energy stocks positioned across the value chain - combining near-term revenue with long-term upside as next-generation technologies scale. Click the link below to unlock the full list.

Yahoo Finance
Aug 14th, 2026
Disney vs. Roku revenue trends: Fox acquires streaming platform for undisclosed sum

Walt Disney and Roku show contrasting revenue patterns, according to recent quarterly data. Disney generates revenue through entertainment content, theme parks, and streaming services, whilst Roku earns primarily from digital advertising, content subscriptions, and streaming hardware sales. Disney reported a 22% operating margin for the quarter ended 27 June 2026, during a corporate restructuring involving staff reductions. Its quarterly revenue ranged from $22.5 billion to $26.0 billion over eight quarters. Roku posted an 11% operating margin for the quarter ended 30 June 2026. In June 2026, Fox Corporation agreed to acquire Roku. Roku's quarterly revenue grew steadily from $1.0 billion to $1.4 billion during the same period, showing more consistent year-over-year increases than Disney.

Martech Edge
Aug 13th, 2026
Creativ Company names Sarah Saul VP of Marketing and Communications.

Creativ Company names Sarah Saul VP of Marketing and Communications. Published on: Aug 13, 2026 Creativ Company is bringing in a senior communications executive with deep experience in advertising technology as it looks to sharpen its market positioning around AI-powered marketing intelligence and creative strategy. The company announced that Sarah Saul has joined as Vice President of Marketing and Communications, where she will oversee global brand strategy, corporate communications, public relations, content marketing, executive thought leadership, and industry engagement. Saul arrives after more than seven years at Roku, where she helped build the communications infrastructure around the company's advertising and platform business. Her work came during Roku's transformation from primarily a connected-TV platform into a broader advertising technology and media business, giving her experience communicating the commercial implications of streaming, advertising, and platform technology to the market. That background is increasingly relevant as marketing technology companies compete to explain how artificial intelligence is changing advertising, creative development, audience intelligence, and customer engagement. At Creativ Company, Saul will report to CEO and Co-Founder Wes Morton. Her responsibilities will extend beyond traditional public relations. She will help develop the company's corporate narrative, strengthen executive visibility, support business development, and build relationships across advertising, media, entertainment, gaming, and technology. The appointment also reflects how communications leadership is changing within technology companies. As AI products become more sophisticated, companies increasingly need executives who can translate technical capabilities into clear business narratives for customers, investors, media organizations, and industry stakeholders. Saul has spent nearly 20 years working across technology and communications. Before Roku, her career included roles at Pandora, The Linux Foundation, Small Girls PR, LEWIS, and other technology companies. During her tenure at Roku, she worked on communications around major industry events including CES, Cannes Lions, SXSW, and television Upfronts. Those events sit at the intersection of advertising, entertainment, technology, and media, providing experience that closely matches Creativ Company's target industries. Her appointment comes as Creativ Company expands its client marketing communications practice while developing its proprietary technology platform, Ellain. The platform is positioned around data-driven intelligence designed to help brands make marketing decisions. The combination of machine intelligence and human creative strategy is becoming a common positioning theme across the MarTech market. Platforms from companies such as Salesforce and Adobe are embedding AI into customer data, campaign management, content creation, analytics, and personalization, while specialist vendors are developing narrower AI applications for marketing intelligence and creative workflows. That competitive environment makes positioning particularly important. Simply describing a product as AI-powered is increasingly insufficient as marketing teams encounter a growing number of generative AI, predictive analytics, automation, and customer intelligence platforms. Creativ Company therefore faces the challenge of establishing a differentiated narrative around how its technology and creative capabilities work together. Saul's communications background could become important in translating that proposition into a market story that resonates with enterprise marketers and agency clients. The role will also involve elevating Creativ Company's clients and partners, according to the company. That puts the position at the intersection of corporate communications and client services, potentially allowing the company to use its own marketing infrastructure as part of its broader client value proposition. For enterprise marketing teams, the development points to a wider shift in how communications and marketing functions are being integrated. AI is increasingly affecting not only campaign execution but also research, content development, audience analysis, measurement, and strategic decision-making. The result is a market where communications leaders are expected to understand both storytelling and technology. They need to explain complex AI capabilities while maintaining credibility around data, measurement, privacy, and business outcomes. Saul's previous experience at Roku provides exposure to another important transformation: the convergence of media, advertising, and technology. Connected TV and streaming platforms have increasingly become major advertising environments, requiring marketers to understand data, audiences, measurement, creative formats, and cross-platform media. Creativ Company's expansion into AI-powered marketing intelligence places it within a similarly convergent market, although with a broader focus on marketing strategy and decision-making. Saul has also received external recognition for her communications work. PRNEWS named her among its 2023 Top Women in PR, recognizing her contributions to the communications industry and leadership in innovative communications programs. Her appointment ultimately signals that Creativ Company is treating communications as part of its growth infrastructure rather than simply a support function. As the company expands its technology platform and client portfolio, its ability to communicate a distinct position in the increasingly crowded AI marketing market could become as important as the technology itself. Market landscape. AI is rapidly becoming embedded across the marketing technology stack, from customer data platforms and predictive analytics to content generation, campaign optimization, and marketing automation. Major vendors such as Salesforce and Adobe are investing heavily in AI-powered marketing capabilities, while newer companies are competing with specialized intelligence and creative platforms. This has made differentiation increasingly difficult for MarTech companies. The challenge is particularly pronounced for companies selling AI-enabled services. Marketing leaders increasingly want evidence of measurable business impact rather than broad claims about artificial intelligence. Creativ Company's focus on combining machine intelligence with human creativity reflects this broader market direction. Its success will depend on how effectively it can connect data-driven insights with strategic and creative execution. Strategic outlook. Saul's appointment gives Creativ Company an executive with experience navigating the convergence of advertising, media, technology, and corporate storytelling. Her Roku background is particularly relevant as Creativ Company develops its own market narrative around AI-powered marketing intelligence. The next challenge will be demonstrating how Ellain and the company's creative strategy translate intelligence into measurable marketing outcomes. For enterprise marketers, the broader trend is clear: AI is moving deeper into strategic marketing workflows, increasing demand for platforms and agencies that can combine technology, data, creativity, and human judgment. Top insights. - Sarah Saul joins Creativ Company from Roku to lead global marketing communications as the company expands AI-powered marketing intelligence and creative services. - Saul's Roku experience gives Creativ Company advertising technology expertise as streaming, data, AI, and media continue converging across the marketing ecosystem. - Her new role combines brand strategy, public relations, content marketing, executive visibility, and business development, reflecting the broader integration of modern marketing functions. - Creativ Company's Ellain platform positions the company within a competitive AI marketing market where enterprises increasingly demand actionable intelligence and measurable business outcomes. - The appointment highlights growing demand for communications leaders who can translate complex AI capabilities into credible narratives for marketers, media, and technology buyers.

Yahoo Finance
Aug 11th, 2026
Roku launches Fairground AI, first all-AI streaming channel, as Fox's $21.6B takeover nears completion

Roku has launched Fairground AI, the first all-AI free streaming channel on a major platform, testing whether near-zero-cost programming can sustain an ad-supported audience. The channel features AI-generated films, shorts, and advertisements created by over 100 AI creators worldwide. Early reviews describe laggy physics and stilted dialogue. However, Roku isn't betting on current quality but exploring whether infinite, low-cost content can hold viewers as technology improves. The move comes as Fox's pending $160-per-share acquisition values Roku at roughly $22 billion. Roku's second-quarter revenue rose 22% year-over-year to $1.35 billion, with platform revenue up 25% to $1.22 billion. Analysts suggest AI-generated content and advertising could threaten traditional studios whilst benefiting ad-supported platforms. Seaport Research and Guggenheim downgraded Roku to neutral, citing limited upside as shares approach the takeover price.

INACTIVE